Waiting on the Weather

B. 1927 in Tokyo. She joined Daiei Films in 1949 and since 1950 served as Kurosawa's assistant on every film he made until his death. She now writes about films for magazines and works to spread and protect Kurosawa's legacy.

出版者:Stone Bridge Press

作者:Teruyo Nogami

页数:296

译者:Juliet Winters Carpenter

出版时间:2006

价格:$24.95

装帧:Hardcover

isbn号码:9781933330099

图书标签:电影

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<strong>Teruyo Nogami</strong> was a relative newcomer to film production when hired as a continuity/script assistant on <strong>Akira Kurosawa</strong>'s <em>Rashomon.</em> A witness to its filming-and its near destruction in a fire-over the next fifty years she worked on all the master's films-<em>Ikiru, Seven Samurai, Kagemusha,</em> and <em>Dreams.</em> No one was more closely involved in Kurosawa's productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director's energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.</p>

"Teruyo Nogami was Akira Kurosawa's script supervisor throughout his career, more importantly she was his loyal assistant and supporter during both the good and bad moments of his life. She is an extraordinary woman and these memories are a path to understanding the temperament and genius of one of the few...geniuses of cinematic history. It's not uncommon for a film director to have made one or two great films, but Kurosawa was able to create many masterpieces in many styles, set in both modern and classic times. So the opportunity to know this artist through the lucid eyes of a long-time collaborator is a privilege and an opportunity. Nogami-san's salty personality is perfect to show his many sides, not always flattering, which is essential in grasping him. This book is a treasury of stories and a key to the great body of cinematic work of Akira Kurosawa." -- <strong>Francis Ford Coppola</strong></p>

"If you're interested in movies, then you're interested in the work of Akira Kurosawa. Teruyo Nogami was by Kurosawa's side for almost 50 years, as he quietly (and sometimes, not so quietly) revolutionized the verygrammar of cinema. This is a wonderfully intimate and beautifully written portrait of one of the greatest filmmakers who ever lived, which makes it essential reading." -- <strong>Martin Scorsese</strong></p>

读后感

看電影是許多人所喜愛的休閒娛樂之一，但是又有多少人會去注意除了導演和演員之外，那群默默付出的工作人員？相信大家在電影結束、場內燈光尚未亮起之前便迫不及待起身離席，僅有少數人會繼續待在座位上，將一長串的幕後工作人員名單看完。在第48屆金馬獎頒獎典禮上，台灣演員...  

for 壹周悦读 No.3 如果《蛤蟆的油》好比黑泽明官方发布的纪录片，那么野上照代的这本《等云到》就好像正片DVD之后的花絮，充满细节和人情味。作者从旁观者的微小角度重新审视电影大师的宏大人生，读来别有一番趣味。 1927年生于东京的野上照代是为了照顾伊丹万作的遗孤伊丹...  

在书店里很兴奋地看到此书，拿起来正要交款，还是停住，先把外封的塑膜撕掉看看再说，很庆幸自己的决定，此书的正文文字——字号太小了，尽管行距很大，但明显是设计者为追求版面的形式“美”，而忽略了阅读的效果。于是，放下。 说此书较差不是说内容差，而是说设计，正文的字...  

这是一本让人读后舒服，感动，愉悦并且心意满满的书。毫无疑问，野上是钦服黑泽明的，但她下笔矜慎，清通朴素，每一页我们都读得到她对黑泽明的深挚之情。而许是场记工作养成的耐心细致，她对一些小事件的描写真能叫人心生悬想。  

看过《蛤蟆的油》的朋友，大概都会对黑泽明大导演的谦逊留下深刻的印象。这么成功的导演，居然还会因看到“不堪的自己”，吓出一身冷汗。黑泽明的策略是自己俯视自己，让读者也跟着俯视他，仿佛彼此是可亲的邻友，在分享一段平凡的经历。 事实上，黑泽明在电影中绝对没有这种...