Waiting on the Weather

B. 1927 in Tokyo. She joined Daiei Films in 1949 and since 1950 served as Kurosawa's assistant on every film he made until his death. She now writes about films for magazines and works to spread and protect Kurosawa's legacy.

出版者:Stone Bridge Press

作者:Teruyo Nogami

页数:296

译者:Juliet Winters Carpenter

出版时间:2006

价格:$24.95

装帧:Hardcover

isbn号码:9781933330099

图书标签:电影

<strong>Teruyo Nogami</strong> was a relative newcomer to film production when hired as a continuity/script assistant on <strong>Akira Kurosawa</strong>'s <em>Rashomon.</em> A witness to its filming-and its near destruction in a fire-over the next fifty years she worked on all the master's films-<em>Ikiru, Seven Samurai, Kagemusha,</em> and <em>Dreams.</em> No one was more closely involved in Kurosawa's productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director's energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.</p>

"Teruyo Nogami was Akira Kurosawa's script supervisor throughout his career, more importantly she was his loyal assistant and supporter during both the good and bad moments of his life. She is an extraordinary woman and these memories are a path to understanding the temperament and genius of one of the few...geniuses of cinematic history. It's not uncommon for a film director to have made one or two great films, but Kurosawa was able to create many masterpieces in many styles, set in both modern and classic times. So the opportunity to know this artist through the lucid eyes of a long-time collaborator is a privilege and an opportunity. Nogami-san's salty personality is perfect to show his many sides, not always flattering, which is essential in grasping him. This book is a treasury of stories and a key to the great body of cinematic work of Akira Kurosawa." -- <strong>Francis Ford Coppola</strong></p>

"If you're interested in movies, then you're interested in the work of Akira Kurosawa. Teruyo Nogami was by Kurosawa's side for almost 50 years, as he quietly (and sometimes, not so quietly) revolutionized the verygrammar of cinema. This is a wonderfully intimate and beautifully written portrait of one of the greatest filmmakers who ever lived, which makes it essential reading." -- <strong>Martin Scorsese</strong></p>

读后感

舒琪提到他的朋友将野上照代写黑泽明的《等候天气》译为《等云到》，较之平实的原书名，《等云到》简直是化腐朽为神奇。有趣的是，内地出版社引进此书，名字变成了《看云去》(后改)，和《等云到》又有了异曲同工之妙。 所谓“等云到”，说的是以前拍电影时，导演们多数情况下...  

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关于台版和大陆版的不同（以下简称简体版和繁体版）：1：首先就是字体不一样，一个简单了事，一个繁杂而又文学感十足（本来我是因为想轻松就读才打算买这本书的，）简体版是左边开始翻起，段落打横编排，繁体则刚相反，右边开始阅读，段落竖向结构。但结果是因为2：简体版和繁...