Waiting on the Weather

B. 1927 in Tokyo. She joined Daiei Films in 1949 and since 1950 served as Kurosawa's assistant on every film he made until his death. She now writes about films for magazines and works to spread and protect Kurosawa's legacy.

出版者:Stone Bridge Press

作者:Teruyo Nogami

页数:296

译者:Juliet Winters Carpenter

出版时间:2006

价格:$24.95

装帧:Hardcover

isbn号码:9781933330099

图书标签:电影

<strong>Teruyo Nogami</strong> was a relative newcomer to film production when hired as a continuity/script assistant on <strong>Akira Kurosawa</strong>'s <em>Rashomon.</em> A witness to its filming-and its near destruction in a fire-over the next fifty years she worked on all the master's films-<em>Ikiru, Seven Samurai, Kagemusha,</em> and <em>Dreams.</em> No one was more closely involved in Kurosawa's productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director's energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.</p>

"Teruyo Nogami was Akira Kurosawa's script supervisor throughout his career, more importantly she was his loyal assistant and supporter during both the good and bad moments of his life. She is an extraordinary woman and these memories are a path to understanding the temperament and genius of one of the few...geniuses of cinematic history. It's not uncommon for a film director to have made one or two great films, but Kurosawa was able to create many masterpieces in many styles, set in both modern and classic times. So the opportunity to know this artist through the lucid eyes of a long-time collaborator is a privilege and an opportunity. Nogami-san's salty personality is perfect to show his many sides, not always flattering, which is essential in grasping him. This book is a treasury of stories and a key to the great body of cinematic work of Akira Kurosawa." -- <strong>Francis Ford Coppola</strong></p>

"If you're interested in movies, then you're interested in the work of Akira Kurosawa. Teruyo Nogami was by Kurosawa's side for almost 50 years, as he quietly (and sometimes, not so quietly) revolutionized the verygrammar of cinema. This is a wonderfully intimate and beautifully written portrait of one of the greatest filmmakers who ever lived, which makes it essential reading." -- <strong>Martin Scorsese</strong></p>

读后感

for 壹周悦读 No.3 如果《蛤蟆的油》好比黑泽明官方发布的纪录片，那么野上照代的这本《等云到》就好像正片DVD之后的花絮，充满细节和人情味。作者从旁观者的微小角度重新审视电影大师的宏大人生，读来别有一番趣味。 1927年生于东京的野上照代是为了照顾伊丹万作的遗孤伊丹...  

《等云到》 特别附录（中文版未收录）◇请勿商用，引用请注明出处◇ 作者采访录《黑泽明电影的秘密》　　 　翻译：吴菲 ——今天多谢您接受采访。关于黑泽明导演其人其作品，已有自传《蛤蟆的油》在先，另外不论海内外，还有大量的专著、论文、以及访谈。野上女士您接受采...  

《等云到》 特别附录（中文版未收录）◇请勿商用，引用请注明出处◇ 作者采访录《黑泽明电影的秘密》　　 　翻译：吴菲 ——今天多谢您接受采访。关于黑泽明导演其人其作品，已有自传《蛤蟆的油》在先，另外不论海内外，还有大量的专著、论文、以及访谈。野上女士您接受采...  

放假没事买了这本书看。看着看着就想起了以前有位朋友说，日本的小说写得像散文，而散文就更没有章法。这本书也是维持了日本人写东西的那种絮絮叨叨的平静风格。 书里讲的是日本电影人的旧事。没有沉重，没有浮夸，没有顾影自怜。整个书的风格非常清新，哪怕是在叙述作者亲历...  

黑导在《蛤蟆的油》中谈到《罗生门》时曾经说过这样一段话，具体怎么说的我已记不清了。大意是讲《罗生门》提出了一个哲学上自我和现实的悖论问题。即任何所谓“真相”都是客观真实在个人主观世界中的映像，而这个映像由于个人主观上的好恶不可避免的要被扭曲而无法反映真实。...