Waiting on the Weather

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B. 1927 in Tokyo. She joined Daiei Films in 1949 and since 1950 served as Kurosawa's assistant on every film he made until his death. She now writes about films for magazines and works to spread and protect Kurosawa's legacy.

出版者:Stone Bridge Press
作者:Teruyo Nogami
出品人:
頁數:296
译者:Juliet Winters Carpenter
出版時間:2006
價格:$24.95
裝幀:Hardcover
isbn號碼:9781933330099
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<strong>Teruyo Nogami</strong> was a relative newcomer to film production when hired as a continuity/script assistant on <strong>Akira Kurosawa</strong>'s <em>Rashomon.</em> A witness to its filming-and its near destruction in a fire-over the next fifty years she worked on all the master's films-<em>Ikiru, Seven Samurai, Kagemusha,</em> and <em>Dreams.</em> No one was more closely involved in Kurosawa's productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director's energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.</p>

"Teruyo Nogami was Akira Kurosawa's script supervisor throughout his career, more importantly she was his loyal assistant and supporter during both the good and bad moments of his life. She is an extraordinary woman and these memories are a path to understanding the temperament and genius of one of the few...geniuses of cinematic history. It's not uncommon for a film director to have made one or two great films, but Kurosawa was able to create many masterpieces in many styles, set in both modern and classic times. So the opportunity to know this artist through the lucid eyes of a long-time collaborator is a privilege and an opportunity. Nogami-san's salty personality is perfect to show his many sides, not always flattering, which is essential in grasping him. This book is a treasury of stories and a key to the great body of cinematic work of Akira Kurosawa." -- <strong>Francis Ford Coppola</strong></p>

"If you're interested in movies, then you're interested in the work of Akira Kurosawa. Teruyo Nogami was by Kurosawa's side for almost 50 years, as he quietly (and sometimes, not so quietly) revolutionized the verygrammar of cinema. This is a wonderfully intimate and beautifully written portrait of one of the greatest filmmakers who ever lived, which makes it essential reading." -- <strong>Martin Scorsese</strong></p>

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我讀的仿佛是三聯版的,不記得是不是同一個人翻譯,但也很好。 並不像是一本傳記或一本傳記的番外,非常簡單的私人迴憶,很有點顛三倒四,絮絮叨叨。 又是一段一段的,讓我想起《枕草子》。日式散文,平靜的口吻,適閤臨睡前讀一點點,記不住卻留在心裏。 她們寫花,寫草,...  

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在書店裏很興奮地看到此書,拿起來正要交款,還是停住,先把外封的塑膜撕掉看看再說,很慶幸自己的決定,此書的正文文字——字號太小瞭,盡管行距很大,但明顯是設計者為追求版麵的形式“美”,而忽略瞭閱讀的效果。於是,放下。 說此書較差不是說內容差,而是說設計,正文的字...  

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