Waiting on the Weather

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出版者:Stone Bridge Press
作者:Teruyo Nogami
出品人:
頁數:296
译者:Juliet Winters Carpenter
出版時間:2006
價格:$24.95
裝幀:Hardcover
isbn號碼:9781933330099
叢書系列:
圖書標籤:
  • 電影
  • 傢庭
  • 情感
  • 成長
  • 等待
  • 希望
  • 生活
  • 人際關係
  • 鄉村
  • 治愈
  • 溫暖
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具體描述

<strong>Teruyo Nogami</strong> was a relative newcomer to film production when hired as a continuity/script assistant on <strong>Akira Kurosawa</strong>'s <em>Rashomon.</em> A witness to its filming-and its near destruction in a fire-over the next fifty years she worked on all the master's films-<em>Ikiru, Seven Samurai, Kagemusha,</em> and <em>Dreams.</em> No one was more closely involved in Kurosawa's productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director's energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.</p>

"Teruyo Nogami was Akira Kurosawa's script supervisor throughout his career, more importantly she was his loyal assistant and supporter during both the good and bad moments of his life. She is an extraordinary woman and these memories are a path to understanding the temperament and genius of one of the few...geniuses of cinematic history. It's not uncommon for a film director to have made one or two great films, but Kurosawa was able to create many masterpieces in many styles, set in both modern and classic times. So the opportunity to know this artist through the lucid eyes of a long-time collaborator is a privilege and an opportunity. Nogami-san's salty personality is perfect to show his many sides, not always flattering, which is essential in grasping him. This book is a treasury of stories and a key to the great body of cinematic work of Akira Kurosawa." -- <strong>Francis Ford Coppola</strong></p>

"If you're interested in movies, then you're interested in the work of Akira Kurosawa. Teruyo Nogami was by Kurosawa's side for almost 50 years, as he quietly (and sometimes, not so quietly) revolutionized the verygrammar of cinema. This is a wonderfully intimate and beautifully written portrait of one of the greatest filmmakers who ever lived, which makes it essential reading." -- <strong>Martin Scorsese</strong></p>

作者簡介

B. 1927 in Tokyo. She joined Daiei Films in 1949 and since 1950 served as Kurosawa's assistant on every film he made until his death. She now writes about films for magazines and works to spread and protect Kurosawa's legacy.

目錄資訊

讀後感

評分

我讀的仿佛是三聯版的,不記得是不是同一個人翻譯,但也很好。 並不像是一本傳記或一本傳記的番外,非常簡單的私人迴憶,很有點顛三倒四,絮絮叨叨。 又是一段一段的,讓我想起《枕草子》。日式散文,平靜的口吻,適閤臨睡前讀一點點,記不住卻留在心裏。 她們寫花,寫草,...  

評分

這是一本讓人讀後舒服,感動,愉悅並且心意滿滿的書。毫無疑問,野上是欽服黑澤明的,但她下筆矜慎,清通樸素,每一頁我們都讀得到她對黑澤明的深摯之情。而許是場記工作養成的耐心細緻,她對一些小事件的描寫真能叫人心生懸想。  

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看過《蛤蟆的油》的朋友,大概都會對黑澤明大導演的謙遜留下深刻的印象。這麼成功的導演,居然還會因看到“不堪的自己”,嚇齣一身冷汗。黑澤明的策略是自己俯視自己,讓讀者也跟著俯視他,仿佛彼此是可親的鄰友,在分享一段平凡的經曆。 事實上,黑澤明在電影中絕對沒有這種...  

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放假沒事買瞭這本書看。看著看著就想起瞭以前有位朋友說,日本的小說寫得像散文,而散文就更沒有章法。這本書也是維持瞭日本人寫東西的那種絮絮叨叨的平靜風格。 書裏講的是日本電影人的舊事。沒有沉重,沒有浮誇,沒有顧影自憐。整個書的風格非常清新,哪怕是在敘述作者親曆...  

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