Waiting on the Weather

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B. 1927 in Tokyo. She joined Daiei Films in 1949 and since 1950 served as Kurosawa's assistant on every film he made until his death. She now writes about films for magazines and works to spread and protect Kurosawa's legacy.

出版者:Stone Bridge Press
作者:Teruyo Nogami
出品人:
頁數:296
译者:Juliet Winters Carpenter
出版時間:2006
價格:$24.95
裝幀:Hardcover
isbn號碼:9781933330099
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<strong>Teruyo Nogami</strong> was a relative newcomer to film production when hired as a continuity/script assistant on <strong>Akira Kurosawa</strong>'s <em>Rashomon.</em> A witness to its filming-and its near destruction in a fire-over the next fifty years she worked on all the master's films-<em>Ikiru, Seven Samurai, Kagemusha,</em> and <em>Dreams.</em> No one was more closely involved in Kurosawa's productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director's energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.</p>

"Teruyo Nogami was Akira Kurosawa's script supervisor throughout his career, more importantly she was his loyal assistant and supporter during both the good and bad moments of his life. She is an extraordinary woman and these memories are a path to understanding the temperament and genius of one of the few...geniuses of cinematic history. It's not uncommon for a film director to have made one or two great films, but Kurosawa was able to create many masterpieces in many styles, set in both modern and classic times. So the opportunity to know this artist through the lucid eyes of a long-time collaborator is a privilege and an opportunity. Nogami-san's salty personality is perfect to show his many sides, not always flattering, which is essential in grasping him. This book is a treasury of stories and a key to the great body of cinematic work of Akira Kurosawa." -- <strong>Francis Ford Coppola</strong></p>

"If you're interested in movies, then you're interested in the work of Akira Kurosawa. Teruyo Nogami was by Kurosawa's side for almost 50 years, as he quietly (and sometimes, not so quietly) revolutionized the verygrammar of cinema. This is a wonderfully intimate and beautifully written portrait of one of the greatest filmmakers who ever lived, which makes it essential reading." -- <strong>Martin Scorsese</strong></p>

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評分

關於颱版和大陸版的不同(以下簡稱簡體版和繁體版):1:首先就是字體不一樣,一個簡單瞭事,一個繁雜而又文學感十足(本來我是因為想輕鬆就讀纔打算買這本書的,)簡體版是左邊開始翻起,段落打橫編排,繁體則剛相反,右邊開始閱讀,段落竪嚮結構。但結果是因為2:簡體版和繁...  

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for 壹周悅讀 No.3 如果《蛤蟆的油》好比黑澤明官方發布的紀錄片,那麼野上照代的這本《等雲到》就好像正片DVD之後的花絮,充滿細節和人情味。作者從旁觀者的微小角度重新審視電影大師的宏大人生,讀來彆有一番趣味。 1927年生於東京的野上照代是為瞭照顧伊丹萬作的遺孤伊丹...  

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這是一本讓人讀後舒服,感動,愉悅並且心意滿滿的書。毫無疑問,野上是欽服黑澤明的,但她下筆矜慎,清通樸素,每一頁我們都讀得到她對黑澤明的深摯之情。而許是場記工作養成的耐心細緻,她對一些小事件的描寫真能叫人心生懸想。  

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舒琪提到他的朋友將野上照代寫黑澤明的《等候天氣》譯為《等雲到》,較之平實的原書名,《等雲到》簡直是化腐朽為神奇。有趣的是,內地齣版社引進此書,名字變成瞭《看雲去》(後改),和《等雲到》又有瞭異麯同工之妙。 所謂“等雲到”,說的是以前拍電影時,導演們多數情況下...  

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看電影是許多人所喜愛的休閒娛樂之一,但是又有多少人會去注意除瞭導演和演員之外,那群默默付齣的工作人員?相信大傢在電影結束、場內燈光尚未亮起之前便迫不及待起身離席,僅有少數人會繼續待在座位上,將一長串的幕後工作人員名單看完。在第48屆金馬獎頒獎典禮上,颱灣演員...  

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