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發表於2024-09-29

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Marcel Duchamp 2024 pdf epub mobi 電子書 下載

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評分☆☆☆☆☆

I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...

評分☆☆☆☆☆

I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...

評分☆☆☆☆☆

I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...

評分☆☆☆☆☆

I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...

評分☆☆☆☆☆

I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...

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出版者:Badlands Unlimited

作者:Calvin Tomkins

出品人:

頁數:110

譯者:

出版時間:2013-2-28

價格:USD 16.00

裝幀:Paperback

isbn號碼:9781936440399

叢書系列:

評分☆☆☆☆☆

訪談的一般，感覺作者並沒有理解杜尚一些話的意思。但是杜尚本人還是挺有趣的，言談裏有禪宗的影子，當然也可能如他所言是懶惰而已。

評分☆☆☆☆☆

在被王瑞雲在大陸神化之後，所有的現代藝術愛好者都應該讀這本新的原版訪談錄去還原一個真是的杜尚--在書中，杜尚直言不諱自己慵懶，隨性而為的個性；而且不止一次地錶達瞭對藝術商業化的不屑；同時杜尚直接說齣瞭自己是笛卡爾主義者與某種程度上的宿命論者，堅定不移的懷疑一切，所以他對於評價或是價值判斷，不去做而且也毫無興趣。書裏杜尚經常會強調對傳統繪畫的厭惡，傳統會讓杜尚覺得一輩子在學校裏。這本書裏杜尚的錶達非常真實，杜尚不屑權威，更不認為自己是權威與先知。

評分☆☆☆☆☆

to be entirely free from influences "i don't believe in art. i believe in the artist."

評分☆☆☆☆☆

在被王瑞雲在大陸神化之後，所有的現代藝術愛好者都應該讀這本新的原版訪談錄去還原一個真是的杜尚--在書中，杜尚直言不諱自己慵懶，隨性而為的個性；而且不止一次地錶達瞭對藝術商業化的不屑；同時杜尚直接說齣瞭自己是笛卡爾主義者與某種程度上的宿命論者，堅定不移的懷疑一切，所以他對於評價或是價值判斷，不去做而且也毫無興趣。書裏杜尚經常會強調對傳統繪畫的厭惡，傳統會讓杜尚覺得一輩子在學校裏。這本書裏杜尚的錶達非常真實，杜尚不屑權威，更不認為自己是權威與先知。

評分☆☆☆☆☆

enjoyable read. An artist and thinker

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