In examining the work of Theodor Adorno, this collection of essays focuses on the German philosopher's ideas in the field of musicology. Though engaging complex theories, this inquiry maintains a lucid style, describing the nuances of Adorno's thought while not relying on a great deal of prior knowledge to shed light on his contributions to music theory. Included is a discussion of the applicability of Adorno's ideas to popular music and an assessment of Adorno's continuing relevance in light of other commentaries.
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