Mark Cohen is a restless poet of a photographer. In GRIM STREET he demonstrates his enormous ability to grasp a winking moment of life in the back streets, isolated fleeting views of the ordinary made extraordinary. This very fine book of photographs is less attuned to compositionally correct images as emotionally charged ones. As such it is a monograph of the smarmy, dark, seedy and at times embarrassingly immediate life of the underbelly of America as represented by the streets of Wilkes-Barre, PA.
Cohen's successful forays in to this territory are accompanied by 'interviews' conducted by Anne Wilkes Tucker and Thomas Southall. The composite result is a book that 'reads' like a novel and will remain compelling present in the mind's eye long after perusing it. Fine work! Grady Harp, August 05
"A lot of it is mood driven, but I don't exactly know where the motive and inspiration to take pictures comes from. So it's very spontaneous work; there's not a lot really to plan." So it would seem at first glance upon Mark Cohen's masterful collection of work presented in his first (and hopefully not last) book Grim Street . From this revealing quote by the author, we are lead to believe that Cohen himself discovers in his darkroom much of the beauty portrayed in his work.
As anyone who has followed Cohen's work knows, Mark has been influenced greatly by the renowned street photographer Cartier-Bresson with his ability to capture the unfolding "decisive moment." But Cohen's work is anything but unfolding, on the contrary; it is literally in-your-face obtrusive, grabbing on film fleeting sublime moments, otherwise lost forever in eternity. One can almost amusingly imagine Cohen, armed with his trade mark flash and wide angle lens, scurrying around a photo-opportunity with Bresson. While Bresson contemplates from a distance the "decisive moment" to release the shutter; Cohen (in his own words) uses "grab shots" often without even the use of a viewfinder to capture what could be called "multiple moments." It is apparent from this exquisite body of work that Mark Cohen is the heir apparent to the recently deceased Bresson, and, one might say, an "impatient" 21st Century updated version of the master.
Ignoring for a moment the obvious psychological and sociological content of Cohen's work, the visual subject matter of Grim Street is indeed at first glance difficult to digest. It is anything but "cheery", often times seedy, sometimes voyeuristic, and occasionally downright lascivious. But the ultimate irony is that these qualities of course are passing and superficial, as fleeting as Cohen's flick of the shutter. For it's only with pausing and contemplating the work that the disquieting subject matter "disappears" and the true mastery reappears. That perfect wisp of hair, that "just so" turn of a cat's tail, that flawlessly lit foreground and carefully nuanced background, those repeating diagonals inside exquisite compositions, and all the artistic universals that forever have withstood the test of time, are there to be discovered in this collection.
May this reviewer be so bold as to suggest an answer to Mr. Cohen's own query about the source of his inspiration referred to earlier? A grim street is down-and-dirty, mean and often times dangerous. Surely there is no inspiration to be found in such a secular reality, unless one has the genius and magical gift to capture a transcendent glimpse of a more perfect place. The source of that gift, the inspiration is not temporal. Undoubtedly we're all traveling on a type of "grim street." Thank God we have inspired and graced artists such as Mark Cohen to give us an occasional glance at our idyllic destination.
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《Grim Street》这本书的构思绝对是鬼斧神工!我从来没有想过故事可以这样展开,这种结构太有创意了。作者巧妙地运用了多条线索,将它们编织成一张巨大的网,而读者就像网中的蜘蛛,努力地想要理清其中的脉络。我花了很长时间去回溯和推测,每一次的发现都让我感到惊喜。最厉害的是,书中埋藏的伏笔都得到了完美的回收,没有留下任何遗憾。我特别喜欢作者在细节上的处理,那些看似不起眼的小物件,或者某句不经意的对话,都可能成为解开谜团的关键。这本书让我体验到了抽丝剥茧的乐趣,每当我想象自己是侦探,正在解开一个巨大的谜团时,都充满了成就感。我还会再读一遍,我敢肯定,第二次阅读一定会发现更多之前忽略的精彩之处。
评分我简直被《Grim Street》这本书的世界观深深吸引了!它构建了一个如此宏大且充满想象力的世界,让我仿佛置身其中。作者对这个世界的设定非常严谨,从地理环境到社会规则,再到那些隐藏在表象之下的力量,都显得那么真实可信。我特别喜欢书中对于历史和传说的描绘,它们为这个世界增添了厚重感和神秘感。我能感受到作者在创作这个世界时倾注的心血,每一个细节都经过了精心打磨。这本书不仅仅是一个故事,更像是一扇通往未知世界的窗口,让我得以窥探其中种种奇妙的景象。我常常会在阅读时停下来,想象这个世界的样子,思考它的运行机制。这本书让我看到了文学创作的无限可能性,也让我对那些充满想象力的世界充满了敬畏。
评分我不得不说,《Grim Street》这本书的情感深度简直让人动容。它触及了我内心深处的一些情感,那些关于孤独、关于失去、关于寻找归属感的东西。作者并没有刻意煽情,而是通过细腻的笔触,将角色的情感世界展现在读者面前。我能清晰地感受到主角的痛苦和绝望,也能在他偶尔流露出的希望中找到一丝安慰。这本书的语言也很有力量,有时候一句话就能直击人心,有时候又像诗歌一样优美,充满了画面感。我反复阅读了一些段落,试图去体会作者想要传达的更深层含义。这本书让我意识到,即使在最黑暗的时刻,人性中依然存在着闪光点。它不仅仅是一个关于冒险或者悬疑的故事,更是一个关于成长的故事,关于如何在困境中找到自我,如何与内心的阴影和解。
评分天啊,我刚读完一本叫做《Grim Street》的书,现在我的脑子里还回荡着那些画面!这本书的开篇就深深地抓住了我,那种阴郁、潮湿的街道,空气中弥漫着一种难以言喻的压抑感,仿佛整个城市都在喘息。作者的笔触非常细腻,他没有直接告诉我发生了什么,而是通过细枝末节,一点一滴地构建出一个充满谜团的世界。我能感受到主角内心的挣扎和彷徨,他似乎被某种无形的力量所牵引,一步步走向未知的深渊。每一个场景的描绘都充满了感官的冲击力,我仿佛能闻到雨水打在沥青路面上的味道,听到远处模糊的脚步声,甚至能感受到主角紧绷的神经。这本书最让我着迷的是它的叙事方式,它不是线性的,而是充满了碎片化的回忆和意象,这让我不得不集中全部注意力去拼凑出整个故事的全貌。每一次读到新的章节,都像是在解开一个更深的谜团,既让人焦虑,又让人欲罢不能。我喜欢这种挑战读者智商的叙事手法,它让阅读的过程变得更加投入和有成就感。
评分老实说,《Grim Street》这本书的风格真是让我惊艳!它完全颠覆了我之前对同类型小说的固有认知。整本书营造出一种非常独特的氛围,既有哥特式的神秘感,又带着一丝现代都市的疏离。我特别喜欢作者在人物塑造上的处理,每一个角色都显得那么真实,他们身上都有着人性的弱点和复杂的动机。没有绝对的好人或坏人,每个人都在自己的人生困境中挣扎,做出自己的选择。我尤其被其中一个配角所吸引,尽管他的戏份不算太多,但他的一举一语都充满了深意,仿佛在暗示着更宏大的背景故事。这本书的节奏也非常巧妙,有紧张刺激的冲突,也有令人喘息的平静时刻,这种起伏让我始终保持着高度的兴趣。我很少遇到一本能够同时在情节、人物和氛围上都做得如此出色的作品。它不仅仅是一个故事,更像是一次深刻的体验,让我思考良多。
评分一些因为太近而显得支离破碎,几乎没有环境的影像,小女孩儿的膝盖和袜子,抱着一只狗的手臂,很多没有头的半身,占据大半个画面的泡泡糖,牙齿残缺的大笑,(土土翻了一遍,一边翻一边说“不喜欢,不喜欢,这个人拍的不好”),我倒是觉得很难忘,这样的近距离让本来很粗俗的画面显得有些抽象,当然不是那种唯美的抽象,就是不太真实。
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