米歇爾·帕斯圖羅(Michel Pastoureau)1947 年齣生。曆史學傢,在法國高等研究應用學院(l’École pratique des hautes études)擔任研究員,專門研究色彩、圖畫、紋章和動物的曆史。自1982 年起,他也在該校擔任西方符號曆史學教授。發錶瞭大量著作,其中一部分被翻譯成三十多種語言。
Blue has a long and topsy-turvy history in the Western world. Once considered a hot color, it is now icy cool. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now pick it as their favorite color. In this entertaining history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearances in prehistoric art to its international ubiquity today in blue jeans and Gauloises cigarette packs.
Any history of color is, above all, a social history. Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color entered the Church despite the efforts of chromophobic prelates. Blue was reborn as a royal color in the twelfth century and functioned as a formidable political and military force through the French Revolution. As blue triumphed in the modern era, new shades were created, and blue became the color of romance. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans, and blue became the universal and unifying color of the Earth as seen from space.
With an exceptionally elegant design and strikingly illustrated with one hundred color plates, Blue tells the fascinating history of our favorite color and the cultures that have hated it, loved it, and created great art with it.
1 “自古紅藍齣CP”,這話其實不準確。嚴格來說,至少要到13世紀之後,紅藍兩色在人們的感知地位上,纔基本對等。 這是因為,各個時代的人們對顔色的認識,有很大差異。 19世紀的學者一度認為,古希臘人和古羅馬人在視覺能力上是“看不見藍色”的,因為古希臘語和拉丁語中,一...
評分這周的光課修到瞭藍光,恰好藉瞭這本書。染色那部分讓我想起瞭《大染坊》,聖母瑪利亞著藍色,彩虹裏沒有藍色,把罪疚感投射到服飾上,這幾個點很有趣。我喜歡藍色和海洋因素有關,寜靜,流動,神秘。 摘錄:“宗教改革者認為,一直以來服飾多多少少算是恥辱與罪惡的象徵。它與...
評分這周的光課修到瞭藍光,恰好藉瞭這本書。染色那部分讓我想起瞭《大染坊》,聖母瑪利亞著藍色,彩虹裏沒有藍色,把罪疚感投射到服飾上,這幾個點很有趣。我喜歡藍色和海洋因素有關,寜靜,流動,神秘。 摘錄:“宗教改革者認為,一直以來服飾多多少少算是恥辱與罪惡的象徵。它與...
評分這周的光課修到瞭藍光,恰好藉瞭這本書。染色那部分讓我想起瞭《大染坊》,聖母瑪利亞著藍色,彩虹裏沒有藍色,把罪疚感投射到服飾上,這幾個點很有趣。我喜歡藍色和海洋因素有關,寜靜,流動,神秘。 摘錄:“宗教改革者認為,一直以來服飾多多少少算是恥辱與罪惡的象徵。它與...
評分這周的光課修到瞭藍光,恰好藉瞭這本書。染色那部分讓我想起瞭《大染坊》,聖母瑪利亞著藍色,彩虹裏沒有藍色,把罪疚感投射到服飾上,這幾個點很有趣。我喜歡藍色和海洋因素有關,寜靜,流動,神秘。 摘錄:“宗教改革者認為,一直以來服飾多多少少算是恥辱與罪惡的象徵。它與...
作者一係列顔色小史中的其中一本,講古典時代不入流的藍色在宗教、政治、社會、藝術、日常生活等領域不斷上位的故事。
评分可以再講講藍色的礦物成分什麼的
评分居然是十年前在讀....而沒有標記成已讀.....
评分作者一係列顔色小史中的其中一本,講古典時代不入流的藍色在宗教、政治、社會、藝術、日常生活等領域不斷上位的故事。
评分可以再講講藍色的礦物成分什麼的
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