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米歇爾·帕斯圖羅（Michel Pastoureau）1947 年齣生。曆史學傢，在法國高等研究應用學院（l’École pratique des hautes études）擔任研究員，專門研究色彩、圖畫、紋章和動物的曆史。自1982 年起，他也在該校擔任西方符號曆史學教授。發錶瞭大量著作，其中一部分被翻譯成三十多種語言。

出版者:Princeton Univ Press

作者:Michel Pastoureau

出品人:

頁數:216

译者:

出版時間:2001

價格:USD 39.95

裝幀:alk.paper

isbn號碼:9780691090504

叢書系列:

圖書標籤:

藝術史
視覺轉嚮
pastoureau
arthistory
Michel
顔色
論文相關
英譯外文

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Blue has a long and topsy-turvy history in the Western world. Once considered a hot color, it is now icy cool. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now pick it as their favorite color. In this entertaining history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearances in prehistoric art to its international ubiquity today in blue jeans and Gauloises cigarette packs.

Any history of color is, above all, a social history. Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color entered the Church despite the efforts of chromophobic prelates. Blue was reborn as a royal color in the twelfth century and functioned as a formidable political and military force through the French Revolution. As blue triumphed in the modern era, new shades were created, and blue became the color of romance. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans, and blue became the universal and unifying color of the Earth as seen from space.

With an exceptionally elegant design and strikingly illustrated with one hundred color plates, Blue tells the fascinating history of our favorite color and the cultures that have hated it, loved it, and created great art with it.

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不同時代的人看到的世界是不一樣的。現代人由於生活在一個空前視覺主導的時代，常常難以體會到，我們所習慣的五光十色，對於我們的祖先而言無疑會是暈眩般的體驗，他們的生活環境中沒有這樣強烈的視覺刺激和色彩對比，沒那麼多過剩的色彩和色彩種類（須知，第一種化學染料苯胺...

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1 “自古紅藍齣CP”，這話其實不準確。嚴格來說，至少要到13世紀之後，紅藍兩色在人們的感知地位上，纔基本對等。這是因為，各個時代的人們對顔色的認識，有很大差異。 19世紀的學者一度認為，古希臘人和古羅馬人在視覺能力上是“看不見藍色”的，因為古希臘語和拉丁語中，一...

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這周的光課修到瞭藍光，恰好藉瞭這本書。染色那部分讓我想起瞭《大染坊》，聖母瑪利亞著藍色，彩虹裏沒有藍色，把罪疚感投射到服飾上，這幾個點很有趣。我喜歡藍色和海洋因素有關，寜靜，流動，神秘。摘錄：“宗教改革者認為，一直以來服飾多多少少算是恥辱與罪惡的象徵。它與...

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用戶評價

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foreign word; mosaic; rainbow; dyeing was hard; rise of liturgical splendor; Innocent III colors fabrics; chromophobe/chromophile, Suger/Bernard, color as light/matter, celare; weaver dyer; heraldry Fr; 14c blue knight; no mix till 15c; grisaille; palette of Reformation; temper opulence; Vermeer; woad pastel/indigo; Prussian; Goethe Novalis ancolie

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可以再講講藍色的礦物成分什麼的

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可以再講講藍色的礦物成分什麼的

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作者一係列顔色小史中的其中一本，講古典時代不入流的藍色在宗教、政治、社會、藝術、日常生活等領域不斷上位的故事。