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发表于2024-11-09

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出版者:Palgrave Macmillan

作者:Dr Clark Lawlor

出品人:

页数:248

译者:

出版时间:2006-10-31

价格:GBP 55.00

装帧:Hardcover

isbn号码:9780230020030

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'The beautiful Lady Mary! How could she die? - and of consumption! But it is a path I have prayed to follow. I would wish all I love to perish of that gentle disease. How glorious! to depart in the hey-day of the young blood - the heart of all passion - the imagination all fire - amid the remembrances of happier days - in the fall of the year - and so be buried up forever in the gorgeous autumnal leaves!' (Poe). This fascinating book seeks to explain an important and unanswered question: how consumption - a horrible disease - came to be glamorous and artistic Romantic malady. It argues that literary works (cultural media) are not secondary in our perceptions of disease, but are among the primary determinants of physical experience. In order to explain the apparent disparity between literary myth and bodily reality, it examines literature and medicine from the renaissance to the later Victorian period, and covers a wide range of author and characters, major and minor, British and American (Shakespeare, Sterne, Mary Tighe, Keats, Amelia Opie: Clarissa, Little Eva).

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这是一本剖析以肺病为主的消耗性疾病在十八、十九世纪里与欧洲医学、文学及大众文化之间纠葛的英文专著。立论是从苏珊•桑塔格批判对“疾病隐喻”的过度阐释理论为始，作者依然认为“据我们如今对疾病的理解，我们只有语言，只有符号和隐喻”。从浪漫主义到维多利亚时期，肺病与爱情并置，与无痛苦的基督徒死亡并置，也与天才的激情敏感并置；由此，我们看到诸如爱伦坡、塞缪尔•理查逊、济慈和雪莱这些熟悉的名字背后，无论是个人还是作品，都对这种令人消瘦和缓慢步入死亡的疾病表达了向往。医学抵达1882年，医学家科赫发现结核病菌，但肺病的神秘性与神话性并没有与大众一刀两断，回顾文学史依然有助于构建医学的未来。

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