Aristophanes: Acharnians, Lysistrata, Clouds

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出版者:Focus Pub R Pullins & Co
作者:Aristophanes
出品人:
頁數:250
译者:Henderson, Jeffrey
出版時間:1997-6-1
價格:USD 19.95
裝幀:Paperback
isbn號碼:9780941051583
叢書系列:Focus Classical Library
圖書標籤:
  • 戲劇
  • 古希臘
  • Aristophanes
  • 阿裏斯托芬
  • 文學
  • Play
  • Philosophy
  • GALO
  • 古希臘文學
  • 喜劇
  • 阿裏斯托芬
  • 古典文學
  • 戲劇
  • 政治諷刺
  • 戰爭與和平
  • 女性主義
  • 文學經典
  • 西方文學
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具體描述

English translations. This inexpensive compilation by noted scholar and translator Jeffrey Henderson collects three of Aristophanes' most popular plays: Acharnians, Clouds, and Lysistrata. Complete with introductions and notes, this single volume collection is sure to be a valuable addition to any classroom or collections.

Each of these plays is available from Focus in a single play edition, edited by Jeffrey Henderson .

Aristophanes: Acharnians Esteemed as one of the sharpest satirical critiques of war in ancient Greek drama, Acharnians centers on Dikaios, a small farmer weary not only by the endless Peloponnesian conflict but by its brutal human toll. Unlike many contemporary playwrights who focus solely on battlefield valor or political maneuvering, Aristophanes strips war down to its raw domestic consequences. The play traces Dikaios’s solitary journey from isolation to reluctant reconciliation—fighting not for glory but to reclaim a simple life with his family and farm. Through biting humor and poignant irony, the work exposes the absurdity of prolonged strife that turns neighbors into enemies and households into battlegrounds. The chorus, composed of Dikaios’s agricultural friends, provides earthy commentary, blending rural wisdom with sharp wit. Acharnians stands as a plea for peace rooted in personal suffering, rejecting militarism not through grand speeches alone but through the quiet strength of a man choosing peace over victory. Lysistrata In this landmark comedy, Aristophanes crafts a bold and audacious narrative centered on Lysistrata, a formidable Athenian woman determined to end the war by withholding intimacy from both Spartan warriors and Greek leaders. The play opens amid the despair of prolonged conflict, where sex has become weaponized, and alliances are forged in rage rather than reason. Lysistrata orchestrates a clandestine meeting among elite women—including the cunning Leda and the pragmatic Myrrhine—who challenge traditional gender roles to unite women across lines of war and pride. Their plan is simple yet radical: a three-day sex strike that compels men to negotiate peace. Through sharp dialogue, subversive humor, and dramatic confrontations, Aristophanes dismantles expectations about power, silence, and female agency. The play blends political satire with intimate human moments, exposing how war devastates lives on all sides while celebrating the quiet courage of women who reclaim voice in a world that silences them. Lysistrata endures not only as comedy but as a timeless testament to collective resistance and the transformative power of unity across divides. Clouds Aristophanes’ Clouds diverges from his usual focus on war, instead launching into a provocative critique of contemporary philosophy and religious skepticism in Athens. The play introduces Socrates—portrayed not as a sage but as a gadabout teacher peddling novel ideas—who establishes the “Academy,” a school blending natural philosophy with sharp irony. Through exaggerated satire, Aristophanes pits the old gods against the new: the Clouds, personifications of shifting natural forces, challenge divine order and moral authority. The central conflict arises between Strepsiades, an aging man burdened by debt seeking financial salvation, and his son Pheidippides, who idolizes Socrates’ unorthodox teachings. As Strepsiades confronts priests over temple corruption and questions fate’s justice, the play lays bare tensions between tradition and innovation, faith and reason. The Clouds themselves symbolize intellectual upheaval—both wondrous and destabilizing—reflecting societal unease with changing values. Aristophanes weaves poetic critique into vivid comedy: from absurd philosophical debates to slapstick reversals, the play exposes how radical ideas unsettle communities, yet also ignite necessary reflection on justice, piety, and human limits. Clouds thus stands as a layered meditation on belief, knowledge, and the fragile fabric of civic life.

作者簡介

目錄資訊

讀後感

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用戶評價

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深入品味這些劇作,我體會到一種非常純粹的、幾乎是野性的生命力。這不僅僅是文字的魅力,更是一種文化精神的投射。它反映瞭古希臘城邦社會那種獨特的公共生活氛圍——公民可以公開地、帶著極大的自由度去嘲弄他們的領導者和他們的價值觀,而這種嘲弄本身,被視為城邦健康運作的一部分。劇本中彌漫著一種對生命本能的肯定,對理性過度教條化的反抗,以及對簡單快樂的追求。它提醒我們,在所有復雜的政治博弈和社會規範之下,人依然是充滿欲望、情感和原始幽默感的生物。作者的敘事節奏把握得極好,總能在緊張的對峙中巧妙地插入一些齣乎意料的轉摺,讓你在緊張感和放鬆感之間反復拉扯,最終達到一種和諧的張力釋放。這部作品集與其說是一本古代戲劇的記錄,不如說是一份關於人類如何麵對荒謬、如何用笑聲來對抗壓迫的永恒指南。

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這本書的閱讀體驗,用“酣暢淋灕”來形容或許還不夠貼切,更像是一次精神上的“洗禮”與“顛覆”。那些描繪女性力量覺醒的篇章,簡直是女性主義思潮的先聲,雖然是以喜劇的形式呈現,但其核心訴求的堅定性卻不容小覷。想象一下,在那個男性主導的社會結構中,一位劇作傢竟敢如此大膽地構想一場徹底顛覆傳統的和平運動,這需要何等的勇氣和對社會弊病的清晰認知?劇中的角色塑造尤其立體,每一個女性形象都不是扁平化的符號,她們有著鮮明的個性和堅定的信念,為瞭達成目標,她們展現齣瞭超乎尋常的智慧和組織能力。我尤其沉醉於那些充滿想象力的情節設置,它們以一種近乎荒誕的方式,將嚴肅的主題——戰爭與和平——轉化成瞭一場全民參與的、充滿智慧博弈的鬧劇。這種將嚴肅議題娛樂化而不失其深度的技巧,是真正的大師手筆。讀罷掩捲,我腦海中迴蕩的,不僅僅是那些讓人捧腹大笑的橋段,更是關於權力、性彆與和平的復雜思考,讓人不得不重新審視既有的秩序。

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這部古典喜劇選集,簡直是古希臘戲劇的狂歡盛宴!我得說,光是作者的名字——阿裏斯托芬,就足以讓人對即將展開的諷刺和辛辣産生無限的期待。讀完這幾部作品,我仿佛親身站在雅典的劇場裏,被那些充滿生命力和智慧的對白深深吸引。首先,那股子對時弊的毫不留情的批判精神,真是讓人拍案叫絕。作者似乎對當時雅典的政治、社會風氣瞭如指掌,並用一種近乎粗糲卻又無比精妙的幽默感將其層層剝開。你會看到那些道貌岸然的政客是如何在舞颱上被描繪得如此滑稽可笑,他們的虛僞和無能暴露無遺。這種直擊人心的諷刺力量,即便是兩韆多年後的今天讀來,依然具有強大的現實意義。它提醒我們,無論時代如何變遷,人性的弱點和權力的傲慢似乎總是有著驚人的相似性。我特彆欣賞作者對於語言的掌控力,那些看似鬍鬧的場景和對話,背後蘊含著對人性深刻的洞察和對美好生活的嚮往。閱讀過程就像是一場酣暢淋灕的辯論,你既能感受到那種無拘無束的自由氣息,又不得不承認其中蘊含的深刻哲理。

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這部作品集展現的,是古希臘喜劇藝術爐火純青的技藝。它的結構復雜,節奏變化多端,時而如同疾風驟雨般的對白交鋒,時而又轉入到對特定社會現象的誇張模仿。我發現作者在處理不同主題時,其筆觸的細微差彆非常耐人尋味。當他探討教育與智識的異化時,那種尖銳的批評幾乎要刺穿紙麵,每一個用來嘲諷蘇格拉底及其同類的比喻都充滿瞭典故和學識,需要讀者具備一定的背景知識纔能完全領會其精妙之處,但這反過來又增加瞭閱讀的深度和樂趣——仿佛在進行一場跨越時空的智力遊戲。而一旦轉入到更貼近普通民眾日常生活的矛盾衝突,語言又變得俚俗、直接,充滿瞭市井的煙火氣。這種在學院派的譏諷與民間喜劇的粗獷之間自由切換的能力,無疑是這部劇作持久魅力的關鍵所在。它證明瞭真正的藝術可以超越階層和身份的界限,用同一種語言的力量去觸動最廣泛的聽眾。

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閱讀這些文本,最讓我感到震撼的,是它們所蘊含的對“秩序”的反叛精神。它不是簡單的抱怨或哀嘆,而是一種積極的、建設性的破壞欲望。劇中的衝突往往源於對既定規則的不滿,無論是對戰爭的狂熱還是對僵化傳統的盲從,作者都毫不留情地將其置於顯微鏡下進行解剖。這種反抗的姿態,尤其體現在那些充滿奇思妙想的場景設計中。你很難想象,在那個時代,舞颱上竟然會齣現如此富有創意的、超越現實的解決方案。這些方案往往是極端的、理想化的,但正是這種誇張的理想化,纔反襯齣現實世界的荒謬和不可理喻。我喜歡這種“做夢”的能力,即通過戲劇的想象力,去構建一個“如果……將會怎樣”的平行世界,以此來審視我們自己身處的現實。每一次閱讀,都像是一次對既定思維模式的挑戰,讓人忍不住想要跳齣自己的舒適區,去質疑那些被視為理所當然的事情。

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Clouds還是挺好笑的……

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Lysistrata微冷 Pheidippides賣萌....

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Clouds還是挺好笑的……

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Amazon上的預覽功能真是好,當年被教授請去旁觀彆的課上同學演的Lysistrata, 拿瞭一份無頭無尾復印版,今兒終於找到其他信息瞭。。。話說這個劇兩韆多年後仍在啓發非洲婦女:http://www.theguardian.com/commentisfree/2009/may/01/kenya-women-sex-strike

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Clouds還是挺好笑的……

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