具体描述
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'Casa de Lava' is a 1994 film by Portuguese filmmaker Pedro Costa.
35 years old at the time, he traveled to the islands of Cape Verde in the AtlanticOcean to shoot this second feature of his, which on completion signaled to the world the presence of an outstanding talent.
During the course of the production preparation, he compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay. Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
This green covered notebook, overflowing with collage and dog-eared from his hands, became an autonomous object, a visual record of Costa's way of thinking.
Reproducing the original book in full color, we've included an exclusive
interview with Pedro Costa by Nuno Crespo and a text by Philippe Azoury (both in portuguese, english and french).
作者简介
Pedro Costa (b. Lisboa,1959)
Born in Lisbon, he left his course of studies in History to attend classes taught by the poet and filmmaker António Reis at the Lisbon Film School. His first film 'O Sangue / Blood' had its world premiere at the Mostra Cinematografica di Venezia in 1989.
'Casa de Lava', his second feature, shot on the Island of Fogo in Cabo Verde, was shown in Cannes, 'Un Certain Regard', in 1994.
His other feature films include 'Ossos', 'In Vanda's Room' and 'Where Does Your Hidden Smile Lie?', on the work of Danièle Huillet and Jean-Marie Straub.
Recently he directed 'Sweet Exorcist', a segment of the omnibus feature 'Centro Histórico', with Manoel de Oliveira, Aki Kaurismaki and Victor Erice.
His work has been presented in galleries and museums around the world.
He is one of the invited artists of the Cuban Pavilion at the Venice Biennale 2013.
More about the artist: www.pedro-costa.net
目录信息
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用户评价
这是一部关于“时间”和“记忆”的史诗级探讨。作者似乎对线性时间的概念持有一种玩味的怀疑态度，书中对过去的回溯和对未来的预示交织在一起，形成了一种近乎永恒的叙事场域。我尤其着迷于那些关于记忆如何被重塑和遗忘的描写，它们不仅仅是情节的推进器，更是理解人物动机的核心钥匙。书中构建的世界观宏大而细致，仿佛作者在构建一个平行宇宙，其中的历史、文化和伦理体系都自洽且充满魅力。阅读它，就像是参与了一场漫长而深刻的考古挖掘工作，每翻开一页，都有新的发现和对既有认知的颠覆。它需要的不仅仅是时间投入，更需要一种愿意迷失在复杂结构中的勇气。最终的收获是巨大的，它拓宽了我对叙事潜能的想象边界，让我意识到故事可以承载如此多的维度和深度。
评分这本书给我的直观感受是“美学上的极致”。不仅仅是语言上的华丽，更多的是作者对于画面感构建的偏执。每一个场景的描述都像是一幅精心构图的油画，色彩、阴影、线条的运用都达到了令人赞叹的成熟度。我常常想象着将书中的某些段落直接搬上银幕，那种强烈的视觉冲击力是毋庸置疑的。更难得的是，这种对形式美的追求并未牺牲内容的深度。相反，这些华丽的表象成为了承载沉重主题的有力载体，形成了一种独特的张力——即极致的表象下涌动着最原始的生命力和情感暗流。对于那些对文学表现形式有着极高要求的读者来说，这本书绝对不容错过。它展示了语言艺术可以达到的那种近乎雕塑般的精确性和永恒感，让人忍不住反复咀嚼那些措辞精妙的句子。
评分读完这本书，我感觉自己的思维被彻底激活了。它探讨的主题并非新颖，但其独特的切入角度和层层递进的逻辑推演，却让那些熟悉的概念焕发出了全新的生命力。作者似乎对哲学和社会学的洞察有着异乎寻常的敏感度，使得许多原本抽象的理论在故事的推动下，变得具体而富有冲击力。我常常需要停下来，合上书本，思考其中抛出的那些尖锐的问题，那种“哦，原来可以这样理解”的顿悟感，贯穿了整个阅读过程。叙事结构的设计也颇为精妙，并非简单的线性发展，而是巧妙地运用了时间错位和多重视角，这种结构上的挑战性，恰恰是吸引我一口气读完的强大动力。它要求读者保持高度的专注，同时也给予了回报——一个更加立体和深刻的理解世界的方式。这本书无疑是一次智力上的盛宴，是那种读完后会想立即与人激烈讨论一番的佳作。
评分这本书简直是本令人沉醉的文字迷宫，作者的叙事功力如同高超的织工，将错综复杂的情感线索编织得天衣无缝。我尤其欣赏它对人性幽微之处的捕捉，那些平日里我们小心翼翼隐藏起来的恐惧、渴望和矛盾，都被毫不留情地摊开在读者面前。故事的节奏掌握得极其精准，时而如疾风骤雨，将人卷入高潮迭起的冲突之中，时而又回归到静谧的内省时刻，让人有机会喘息并消化刚刚经历的情感冲击。那种沉浸式的体验，仿佛我不是在阅读，而是亲身经历了主人公们生命中的那些关键转折点。特别是对环境氛围的描绘，细腻到足以让人感受到空气的温度和光线的角度，这种环境与人物心理的完美融合，使得整个故事拥有了一种近乎舞台剧的张力和美感。全书读罢，我并未感到情节的枯竭，反而有种意犹未尽的留恋，仿佛刚从一场盛大而真实的梦境中醒来，久久不能平复。
评分坦白讲，这本书的阅读体验是极为“私人化”的。它并非那种强行向你灌输观点的作品，而更像是一面镜子，映照出的是你内心深处那些不愿直面的部分。主人公的挣扎、他们的失败与微小的胜利，都带着一种令人心惊的真实感。阅读过程中，我数次因为某句精准地描述了自己曾经的某种无力感或狂喜而感到震撼。作者成功地避免了说教，而是通过细腻的行动和内心独白，让读者自己去建构意义。这种“共同创作”式的阅读体验非常珍贵。它要求读者放下预设的期待，完全敞开心扉去接受角色带来的所有复杂性和矛盾性。读完后，我感觉自己与书中人物建立了一种奇特的“战友”关系，仿佛他们经历的那些考验，也磨砺了我自己的一部分心性，留下了深刻的印记。
评分The scrapbook marks the moment the filmmaker became aware of the kind of film he was interested in, the things he wanted to talk about, the people he wanted to discover and, above all, the language he wanted to speak.
评分The scrapbook marks the moment the filmmaker became aware of the kind of film he was interested in, the things he wanted to talk about, the people he wanted to discover and, above all, the language he wanted to speak.
评分The scrapbook marks the moment the filmmaker became aware of the kind of film he was interested in, the things he wanted to talk about, the people he wanted to discover and, above all, the language he wanted to speak.
评分在拍摄落入俗世时科斯塔所做的拼贴笔记，二跑DVD花絮有这本书影像资料，有需要的我可以导一份。
评分The scrapbook marks the moment the filmmaker became aware of the kind of film he was interested in, the things he wanted to talk about, the people he wanted to discover and, above all, the language he wanted to speak.
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