Mao's Cultural Army

Brian DeMare is an Assistant Professor in the Department of History, Tulane University, where he teaches courses on modern Chinese history. He has published articles in two of the top journals in the field, The China Journal and Modern Chinese Literature and Culture, and lived in China for five years. During that time, he conducted several research trips into the countryside, visiting archives and interviewing active drama troupes and has ties with Chinese academics studying the countryside in Shanxi. One of his main research sites is Long Bow, well-known in the West due to William Hinton, who wrote Fanshen, about land reform in that village.

出版者:Cambridge University Press

作者:Brian James DeMare

页数:272

出版时间:2015-5-7

价格:USD 99.00

装帧:Hardcover

isbn号码:9781107076327

丛书系列:Cambridge Studies in the History of the People's Republic of China

图书标签:海外中国研究历史当代中国中共党史当代中国史中国英文原版江旷

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Charting their training, travels, and performances, this innovative study explores the role of the artists that roamed the Chinese countryside in support of Mao's communist revolution. DeMare traces the development of Mao's 'cultural army' from its genesis in Red Army propaganda teams to its full development as a largely civilian force composed of amateur and professional drama troupes in the early years of the PRC. Drawing from memoirs, artistic handbooks, and rare archival sources, Mao's Cultural Army uncovers the arduous and complex process of creating revolutionary dramas that would appeal to China's all-important rural audiences. The Communists strived for a disciplined cultural army to promote party policies, but audiences often shunned modern and didactic shows, and instead clamoured for traditional works. DeMare illustrates how drama troupes, caught between the party and their audiences, did their best to resist the ever growing reach of the PRC state.

用户评价

稍有常识的人都知道戏是“假”的。可结合Rosemary A. Roberts《Maoist Model Theatre：The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution》阅读

感觉有的问题洪长泰的硕士学生讲了一些，然后跟韩晓莉的书也有重合。

我们Tulane自己人，必须推荐一下。

稍有常识的人都知道戏是“假”的。可结合Rosemary A. Roberts《Maoist Model Theatre：The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution》阅读

我们Tulane自己人，必须推荐一下。