She has been hailed by Michael Chabon as “the most darkly playful voice in American fiction” and by Neil Gaiman as “a national treasure.” Now Kelly Link’s eagerly awaited new collection--her first for adult readers in a decade--proves indelibly that this bewitchingly original writer is among the finest we have.
Link has won an ardent following for her ability to take readers deep into an unforgettable, brilliantly constructed fictional universe with each new story. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll.
Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids...These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded in sly humor and an innate generosity of feeling for the frailty--and the hidden strengths--of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do.
Kelly Link's debut collection, Stranger Things Happen, was a Firecracker nominee, a Village Voice Favorite Book and a Salon Book of the Year -- Salon called the collection "...an alchemical mixture of Borges, Raymond Chandler, and "Buffy the Vampire Slayer." Stories from the collection have won the Nebula, the James Tiptree Jr., and the World Fantasy Awards. Her second collection, Magic for Beginners, was a Book Sense pick (and a Best of Book Sense pick); and selected for best of the year lists by Time Magazine, Salon, Boldtype, Village Voice, San Francisco Chronicle, and The Capitol Times. It was published in paperback by Harcourt. Kelly is an editor for the Online Writing Workshop and has been a reader and judge for various literary awards. With Gavin J. Grant and Ellen Datlow she edits The Year's Best Fantasy & Horror (St. Martin's Press). She also edited the anthology, Trampoline. Kelly has visited a number of schools and workshops including Stonecoast in Maine, Washington University, Yale, Bard College, Annandale-on-Hudson, NY, Brookdale Community College, Brookdale, NJ, Lenoir-Rhyne College, Hickory, NC, the Imagination Workshop at Cleveland State University, New England Institute of Art & Communications, Brookline, MA, Clarion East at Michigan State University, Clarion West in Seattle, WA, and Clarion South in Brisbane, Australia. Kelly lives in Northampton, MA. She received her BA from Columbia University and her MFA from the University of North Carolina at Greensboro. Kelly and her husband, Gavin J. Grant, publish a twice-yearly zine, Lady Churchill's Rosebud Wristlet -- as well as books -- as Small Beer Press.
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坦白说,我关注这本书的重点在于其潜在的文化影响力,而非单纯的故事性。在这个信息碎片化爆炸的时代,能够沉下心来写出一部具有持久讨论价值的作品越来越难了。我很好奇,作者是如何平衡那种极具现代感的题材和传统叙事技巧的。我的一个主要的衡量标准是,它是否能引发一场关于特定社会现象或伦理困境的广泛讨论。如果这本书能做到这一点,那么它的价值就远超书本本身,它会成为一种文化现象的催化剂。我甚至已经提前在脑海中构思好了,如果它足够出色,我一定要找一些文学社团的朋友一起进行深入的文本分析,特别是关于那些可能被忽略的细节和伏笔。这种期待感让我对内页的文字充满了敬畏,仿佛里面藏着某种尚未被揭示的宇宙规律。我希望它能提供一个全新的视角去观察我们习以为常的世界,那种“拨开迷雾见真相”的阅读体验,才是我追求的终极目标。
评分这本新书刚到手没多久,我简直迫不及待地想翻开它,但说实话,它给我的第一印象完全是建立在封面和腰封上的那些引人入胜的宣传语。我尤其被那个关于“时间悖论与道德困境”的描述深深吸引住了,感觉作者对人性的幽微之处有着非同寻常的洞察力。我常常在想,一个如此宏大且复杂的概念,如果处理不好,很容易流于说教或者故弄玄虚。所以,我抱着一种既期待又略带审慎的态度开始阅读。我期望看到的是那种能够挑战我固有思维模式的叙事结构,而不是那种平铺直叙、缺乏新意的线性故事。我希望作者能构建一个逻辑严密却又充满情感张力的世界,让读者在跟随主角经历那些惊心动魄的抉择时,也能感受到内心深处的共鸣。目前来看,这本书的排版和纸张质感非常舒适,拿在手里有一种沉甸甸的满足感,这对于深度阅读来说是一个很好的物理基础。我对故事中涉及到的哲学思辨部分特别好奇,希望它能提供一些关于“选择的重量”的深刻见解,而不是仅仅停留在表面的戏剧冲突上。
评分我最近的状态是处于一种对平庸文学感到极度厌倦的时期,所以当我在书店里偶然瞥见这本书时,那种强烈的“非同凡响”的预感几乎是瞬间产生的。它的定价不菲,这通常意味着要么是内容极其扎实,要么就是装帧设计极其用心,而我更倾向于前者。我特别关注作者以往的作品风格,虽然我以前没接触过,但根据这次的宣传语推测,这应该是一部需要读者投入大量精力去解构和品味的“硬核”作品。我预设它会包含大量复杂的隐喻和多层叙事线索,这对我来说是一种挑战,也是一种享受。我希望能读到那种读完一个章节后,需要停下来,点上一杯咖啡,对着窗外发呆好一会儿,才能消化其中蕴含的巨大信息量和情感冲击。如果它能像我期待的那样,在文学层面上有所突破,比如在语言的运用上能达到一种近乎诗意的精准,那它无疑将成为我今年书单上的重头戏。我最害怕的就是那种为了追求“深刻”而堆砌辞藻的作品,希望这不是那样。
评分这本书的宣传材料给我的感觉,似乎它在试图构建一个极其精密的机械装置,每一个齿轮和发条都必须咬合得天衣无缝,才能让整个叙事机器流畅运转。我对此类结构严谨的作品有着近乎偏执的喜爱。我阅读时会非常留意情节推进的节奏感和因果链条的完整性。任何一个突然出现的、解释不足的“巧合”或者“ Deus ex machina ”式的解围,都会立刻让我出戏,并对整部作品的智力含量打上一个大大的问号。因此,我对作者的逻辑构建能力抱有极高的期望。我期待看到的是那种,在你以为已经猜到结局时,作者却能用一个你完全没有预料到的、但回想起来又无比合理的转折来让你拍案叫绝的叙事技巧。这不仅仅是关于“发生了什么”,更是关于“为什么会发生,以及它是如何被精心编织出来的”的智力游戏。我愿意花上数倍的时间去梳理那些复杂的因果关系,只要最终的回报是精神上的震撼。
评分从包装上散发出的那种低调的、却又透露着一股强大自信的气场来看,这本书似乎并不需要用浮夸的词藻去吸引眼球。它更像是在对潜在的读者发出一种邀请,邀请那些有足够耐心和深度去探索它内涵的人。我倾向于认为,这类作品往往在语言的颗粒度和情绪的细腻捕捉上做得非常出色。我希望它能触及到那种难以言喻的、介于快乐与痛苦之间、或者希望与绝望并存的复杂情绪。我追求的不是简单的“感动”或“恐惧”,而是那种能够让你在阅读结束后,对自己的人生经历产生一次深刻的重新审视和校准的体验。如果一本书能做到这一点,它就不仅仅是一本书了,它成为了你生命中一个重要的里程碑。我非常期待这本书能提供这种沉浸式的、近乎冥想般的阅读过程,让我能够暂时逃离日常的喧嚣,进入一个由文字构建的、更为真实和深刻的维度。
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