米亞·科托（Mia Couto）,莫桑比剋詩人、小說傢，當今非洲葡萄牙語文學的中堅力量。十四歲開始在報刊發錶詩歌，已齣版作品三十多部，譯成二十三種語言，長篇小說處女作《夢遊之地》入選“20世紀最偉大的12部非洲小說”，2013年獲葡語文學最高奬項卡濛斯文學奬，與薩拉馬戈 同等殊榮；2014年擊敗村上春樹，獲得有“美國諾貝爾文學奬”之稱的紐斯塔特國際文學奬；2015年憑《耶穌撒冷》入圍布剋國際文學奬，2017年，最新作品《母獅的懺悔》入選都柏林文學奬短名單，被認為是近年來諾貝爾奬最有力競爭者。他開創性地將葡萄牙語與莫桑比剋民族性相融閤，使非洲文學煥發齣前所未有的新生機。

A dark, poetic mystery about the tribal women of Kulumani and the lionesses that hunt them

Told through two haunting interwoven diaries, Mia Couto's Confession of the Lioness reveals the enigmatic world of Kulumani, an isolated village in Mozambique whose traditions and beliefs are threatened when ghostlike lionesses begin hunting and killing the women who live there.

Mariamar, a young woman from the village, finds her life thrown into chaos just as the marksman hired to kill the lionesses, the outsider Archangel Bullseye, arrives in town. Mariamar's sister was recently killed in one of the attacks, and her father has imprisoned her in his home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel attempts to track the lionesses out in the wilderness, but when he begins to suspect there is more to these predators than meets the eye, he slowly starts to lose control of his hands. The hunt grows more and more dangerous, until it's no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their culture, and the animal predators closing in, it becomes clear that the lionesses might not be real lionesses at all, but rather spirits conjured by the ancient witchcraft of the women themselves.

Both a riveting mystery and a poignant examination of women's oppression, Confession of the Lioness combines reality, superstition, and magic realism in an atmospheric, gripping novel.