When Nancy Silverton began serving sandwiches one night a week at Campanile, her and husband Mark Peel’s award-winning restaurant, she envisioned a laid-back and intimate evening when she’d be able to relax, chat with customers, and have some fun devising new and creative recipes. Well, she hasn’t had much time to relax: Sandwich Night became one of Campanile’s busiest nights, a vastly popular weekly tradition in Los Angeles and the place to be on Thursdays. And since then, sandwiches have become the latest craze to hit the American food scene.
The reason for Sandwich Night’s success is easy to understand: the sandwiches are incredible. They’re gourmet meals that happen to sit on bread, the furthest thing away from the boring old sandwiches that we usually content ourselves with. Instead of PB&J or tuna salad, how about Braised Artichokes, Ricotta, and Mint Pesto with Pine-Nut Currant Relish? Or Eggplant, Seared Tuna, and Anchoïade? Or even Bacon, Avocado, and Watercress? These open-faced sandwiches are innovative dishes that taste wonderful, look beautiful, and are perfect for entertaining.
The closed-faced sandwiches are delicious new takes on well-loved standards like the Croque Monsieur, the Monte Cristo, the Reuben, and, of course, everyone’s favorite, the Classic Grilled Cheese. Also included are Nancy’s creative sort-of sandwiches—Fondue the Swiss Way, Snackbreads, and Skewered Mozzarella—and tea sandwiches, wonderful creations that will banish memories of limp watercress and insipid egg salad forever. As if this isn’t enough, there are the mouthwatering sandwich cakes and cookies, like the Open-Faced Berry Brioche Sandwich, Chocolate Cake Club Sandwich, and Almost Oreos.
There are recipes for some truly addictive bar snacks, like Cheese Fritters and Candied Spicy Walnuts, to serve before the meal. And there are also recipes for tantalizing spreads and condiments that go well beyond the ordinary. Finally, for the cook who wants to make everything from scratch, Nancy has included recipes for different breads, from Brioche to Hot Dog Buns, based on those from her world-famous La Brea Bakery.
Written in Nancy’s charming, down-to-earth style, these recipes are versatile and easy to follow. As good to look at as they are to eat, these sandwiches offer a new, creative solution to entertaining and will be a valuable addition to the home cook’s repertoire. The result: Sandwich Night is sure to be a hit in your home, too.
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翻开《Mastering the Art of French Sauces》,我立刻被那种毫不妥协的传统精神所震撼。这完全不是那种为迎合现代快节奏生活而简化配方的速成指南,而是对经典法式烹饪精髓的致敬与传承。作者在介绍基础的五大母酱时,那种一丝不苟的态度简直让人肃然起敬。比如关于制作浓缩高汤(Fumet)的细节,他花了好几页篇幅来解释如何恰当地“撇除浮沫”,以及为什么必须使用冷水开始熬煮,这些看似微不足道的步骤,却决定了最终酱汁的清澈度和风味的纯净度。我照着书里那个关于“荷兰酱(Hollandaise)”的分解教学尝试了三次,前两次都因为加热速度太快而油水分离了,但当第三次我严格按照他说的“通过蒸汽浴缓慢升温,并不断用手动打蛋器搅拌以维持乳化稳定”时,那个光泽、浓郁、带着柠檬微酸的完美酱汁出现在我的碗里时,我几乎想为之欢呼。这本书最棒的一点是,它没有回避传统法餐的复杂性,反而鼓励读者去拥抱它,去尊重那些耗时的工序。读完之后,我感觉自己不仅仅是学会了做酱汁,更是理解了法餐背后那种对极致口感的执着追求。
评分天哪,我简直不敢相信我居然错过了这本书这么久!当我终于翻开《The Art of Sourdough Mastery》的那一刻,我就知道我找到了一个宝藏。这本书不仅仅是一本食谱集,它更像是一本关于时间、耐心和微生物世界的百科全书。作者对酵母的痴迷简直是感染人的,他没有简单地罗列步骤,而是深入剖析了每一个变量——水温、湿度、揉捏的手法如何影响最终面包的结构和风味。我尝试了他书中那个关于“自养启动子”的章节,那种将环境中的野生酵母培养成稳定菌群的过程,充满了科学的浪漫。成品出来的面包,外壳酥脆得能听到声音,内部组织充满了大气孔,带着一种复杂而微妙的酸香,完全不是我用商业酵母能轻易达到的境界。书中那些关于不同面粉特性的详尽描述,比如高筋粉与中筋粉在吸水性上的细微差别,以及它们在长时间冷发酵中表现出的行为模式,对我这个一直追求完美欧式硬皮面包的烘焙爱好者来说,简直是醍醐灌顶。我甚至开始用他们推荐的那个老式石磨面粉了,那口感和风味上的提升,让我觉得之前的所有努力都白费了,但同时也激发了我前所未有的热情去重新学习。这本书真正教会我的是:面包制作是一门艺术,但它的根基是严谨的科学。
评分《Zen and the Art of Motorcycle Maintenance》这本书,说实话,刚开始读的时候我有点迷茫,因为它表面上在讲摩托车的维修,但内核却像是在探讨形而上学的哲学。我期待的是那种清晰的、逐步的维修指南,结果却掉进了一个关于“质量”(Quality)的无底洞。主人公对摩托车的执着维护,实际上是一种对生命中每一个细节都追求卓越的隐喻。他将机械的精确性与艺术的审美感连接起来,这迫使我去重新审视我日常工作和生活中那些“差不多就行了”的部分。比如他描述如何判断螺栓是否拧得恰到好处——不是靠扭矩扳手的数字,而是靠“感觉”,那种机械与人之间微妙的共鸣。这种描述手法非常诗意,也极具挑战性。我花了好几个晚上才真正理解他关于“古典(Classical)”与“浪漫(Romantic)”两种思维模式的对比,这对我理解现代社会中技术与人文的冲突提供了全新的视角。它不是一本能让你立马修好车的手册,但它能让你在下一次拿起扳手时,带着一种全新的敬畏之心去对待手中的工具和正在进行的工作。
评分《100 Years of Solitude》——这本书,如果用“阅读体验”来形容,那简直就是经历了一场色彩斑斓、永不落幕的梦境。我读完最后一页时,感觉自己仿佛从一个充满潮湿热带气息、充斥着奇迹与衰败的马孔多小镇中醒来,那种失落感久久不能散去。马尔克斯的叙事方式简直是魔术,他能把飞升上天的女仆、预知未来的吉普赛人和永不停歇的暴雨,以一种极其平静、日常的口吻讲述出来,让你完全接受了这一切的荒诞不经。我最佩服的是他对家族世代兴衰的描绘,那种宿命般的循环感,让人既感到绝望,又忍不住想看看下一代会如何重蹈覆辙或打破桎梏。书中对于时间和记忆的模糊处理,使得过去、现在和未来仿佛同时存在于每一个句子中。我花了很长时间才适应这种不遵循线性时间表的叙事结构,但一旦适应,那种感觉就像是打开了一个全新的意识维度。这本书不是用来“读懂”的,而是用来“感受”的,它用最华丽的辞藻,讲述了人类永恒的孤独与爱。
评分我偶然间拿起了《The History of Cartography: Volume Six, High Renaissance》。作为一名对地理和历史有浓厚兴趣的业余爱好者,我原以为这会是一本枯燥的学术著作,充满了晦涩的术语和模糊的地图测绘记录。然而,编辑团队以令人难以置信的洞察力,将十六世纪欧洲的地图制作变成了一场场生动的历史剧。书中收录的那些手绘海图和早期行星图,其细节之丰富、色彩之鲜艳,简直是艺术品。更让我着迷的是,作者们揭示了地图绘制者在政治角力和宗教压力下,如何“选择性地”呈现信息。你看到那些殖民地地图上被刻意放大或模糊的海岸线,就立刻明白了权力如何塑造了我们对世界的认知。书中的插图质量高到令人发指,每一张地图都配有深入的背景分析,解释了为什么某位制图师会选择用特定符号来表示未知的区域。这本书让我意识到,地图从来都不是客观的记录,它们是那个时代最强大的宣传工具之一,也是最诚实的个人愿景的流露。
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