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In Encyclopedia of an Ordinary Life , Amy Krouse Rosenthal has ingeniously adapted the centuries-old format of the encyclopedia to convey the accumulated knowledge of her lifetime in a poignant, wise, often funny, fully realized memoir. Using mostly short entries organized from A to Z, many of which are cross-referenced, Rosenthal captures in wonderful and episodic detail the moments, observations, and emotions that comprise a contemporary life. Start anywhere—preferably at the beginning—and see how one young woman’s alphabetized existence can open up and define the world in new and unexpected ways.
An ordinary life, perhaps, but an extraordinary book.
Cross-section of ordinary life at this exact moment
A security guard is loosening his belt.
A couple is at a sushi restaurant with some old friends. They are reminiscing. In the back of their minds, they are thinking of being home.
A woman is trying to suck on a cherry Lifesaver but will end up biting it in six seconds.
A little boy is riding the train home with his dad after spending the day together at his office.
A man is running back into a grocery store to look for a scarf he dropped. He will leave with the phone number of a woman who will become his wife.
Words the author meant to use
Flair, Luxurious, Panoply, Churlish, Dainty, Folly
Wines that go nicely with this book
reds: Marcel Lapierre Morgon (France), Alario Dolcetto d’Alba Costa Fiore (Italy)
whites: King Estate Pinot Gris (Oregon), Landmark Chardonnay Overlook (California)
Book, standing in the bookstore holding a
If I am standing there with the book in my hand, one of three things has already happened: Friend recommended it. Read a good review. Cover caught my eye.
I can appreciate a cool cover. But it’s like the extra credit part of a test—it only enhances an already solid grade. Getting it right won’t help if most everything else is wrong. And getting it wrong won’t hurt if most everything else is right. (There are countless books I cherish whose covers I don’t like too much, or cannot even now recall.) The interior of the book—the terrain of its pages, where all those words took me, the tiny but very real spot it ultimately occupies in my mind—that becomes the book.
Next I go to the flaps. The front flap needs to intrigue/not bore me, and the bio needs to tell me just enough about the author. I’ll do my best to extract the author’s entire existence from their 2-X-2 inch photo.
Off to the back cover. I’ll be momentarily impressed when I see a blurb by a hot writer like ____, but I know that it is just as likely that I’ll like the book as hate it regardless of these quotes. I look at them in a more voyeuristic way, like a literary gaper’s delay: Wow, the author knows So and So. Bet they send each other clever text messages. Really the only thing I can gauge from the blurbs is my own pathetic jealousy level.
To get a true sense of the book, I have to spend a minute inside. I’ll glance at the first couple pages, then flip to the middle, see if the language matches me somehow. It’s like dating, only with sentences. Some sentences, no matter how well-dressed or nice, just don’t do it for me. Others I click with instantly. It could be something as simple yet weirdly potent as a single word choice (tangerine). We’re meant to be, that sentence and me. And when it happens, you just know.
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**书评三:** 阅读体验如同置身于一个精心布置的装置艺术展中,每一个章节都是一个独立却又相互关联的展品。作者的叙事结构似乎遵循着一种内在的、非线性的逻辑,这使得阅读过程充满了探索的乐趣。我发现自己常常需要停下来,回味刚刚读过的一段话,因为它往往蕴含着多层意义。这部作品展现了极高的智识水准,但奇怪的是,它读起来毫不费力,反而有一种自然的流动感。它没有刻意去迎合任何潮流,保持着一种坚定的独立性。书中对于人类情感中那些灰色地带的刻画尤其精彩,那些不被主流叙事所歌颂的犹豫、妥协和微小的胜利,都被精准地捕捉了下来。这使得人物形象立体而真实,让人产生强烈的共鸣。如果你期待的是一蹴而就的快感,你可能会感到有些不耐烦;但如果你愿意投入时间和心力去慢慢品咂,你会发现其中蕴含的宝藏远超你的想象。它需要你的主动参与,去填补那些留白之处,去完成最后的解读。
评分**书评二:** 我必须承认,一开始我对这个书名有些犹豫,总觉得“普通”二字可能会导向平淡无奇。然而,这本书彻底颠覆了我的预设。它不是那种情节跌宕起伏的小说,也不是理论体系严密的学术著作,它更像是一面魔镜,映照出存在本身最微妙的肌理。作者的语言风格极为独特,夹杂着一种近乎诗意的疏离感,使得即便是描绘最琐碎的片段,也充满了令人玩味的力量。我尤其被其中几处对于时间流逝的描绘所震撼,那种对瞬间的捕捉和拉伸,让人深刻体会到“当下”的重量。它成功地将我们从习惯性的“目标导向”思维中抽离出来,转而关注过程本身的美学价值。这本书的价值不在于它告诉了你什么,而在于它让你**如何**去感受。对于那些厌倦了过度包装和矫饰的叙事,渴望一种返璞归真的阅读体验的读者来说,这无疑是一剂清新的良药。它不试图解决任何问题,它只是安静地存在着,就像生活本身一样,引人深思却从不强迫。
评分**书评五:** 这本书的文字密度极高,但其密度并非源于华丽的辞藻堆砌,而是基于对主题的深刻挖掘。每一次翻页都像是在进行一次微小的心理探险。作者构建了一个独特的语境,使得读者不得不抛弃既有的阅读习惯,去适应这种独特的节奏和视角。我发现自己读这本书的时候,常常会不自觉地放慢语速,试图让自己的思维跟上作者那种近乎冥想的状态。其中对于人际关系中那些微妙的“不确定性”的探讨,尤其触动人心。它不提供任何断言,只是将各种可能性并置,让读者自己去感受那种模棱两可带来的不安与美感。它成功地避开了所有陈词滥调,带来了一种清新且极具原创性的阅读体验。这本书更像是一次漫长而私密的对话,作者在你耳边低语着关于存在的种种细微观察,而你则被完全地吸引和说服,不是因为论证的严密,而是因为感受的真切。这是一部需要时间来沉淀的作品,其回味悠长,远超阅读本身。
评分**书评一:** 这部作品简直是一场沉浸式的体验,让人仿佛置身于一个既熟悉又陌生的世界。作者以极其细腻的笔触,勾勒出日常生活中的诸多侧影,那些我们习以为常却从未深思的瞬间,被赋予了全新的光芒。阅读过程中,我不断地在字里行间寻找那些似曾相识的场景,那种感觉就像是突然发现自己内心深处某个被遗忘的角落被悄悄点亮。叙事的节奏把握得恰到好处,时而舒缓如潺潺流水,时而又因某个突如其来的洞察而让人心头一紧。尤其欣赏作者处理细节的方式,每一个微小的动作、每一个不经意的对白,都像是精心打磨的宝石,折射出丰富的光泽。这本书并非提供宏大的史诗,而是专注于捕捉那些稍纵即逝的“真实”,它邀请读者放慢脚步,重新审视自己被匆忙的生活所忽略的周遭。读完之后,世界似乎没有发生任何改变,但我的观看世界的方式却已然不同,多了一份温柔的审视和体谅。它提醒我们,最深刻的哲学往往就隐藏在最平凡的日常之中,等待着我们去发现和珍视。
评分**书评四:** 这部书的魅力在于其近乎**反高潮**的叙事策略。它拒绝了所有戏剧化的手法,而是选择了一条更艰难、但也更诚实的道路——直面生活的平淡无奇。这种平淡并非空洞,恰恰相反,它是一种高密度的存在感。书中对于日常物件的描摹,比如一把旧椅子、一盏灯光的角度,都带着一种近乎迷信的重视,仿佛这些无生命的物体也肩负着某种不为人知的记忆和使命。我特别喜欢作者在行文中偶尔流露出的那种略带自嘲的幽默感,它像细小的气泡,打破了偶尔可能出现的沉重,让阅读过程保持着一种轻盈的基调。它不是一本用来炫耀学识的书,而是用来**内化**体验的书。我感觉自己像一个学徒,在作者的引导下,重新学习如何去观察,如何去倾听,如何去感知那些我们习惯性忽略的频率。对于现代社会中那些感觉与自身经验产生脱节的读者,这本书提供了一个绝佳的锚点,将我们稳稳地固定在“此刻”的土地上。
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