From Publishers Weekly Wolff's (Make Lemonade) ambitious but ultimately unsuccessful novel explores prejudice via a baseball game between the sixth grade girls of Bear Creek Ridge and Barlow Road Grade Schools on May 28, 1949. "Now that it's over, we are telling. We voted to, it's fairer than not," begins Tootie, the catcher for Bear Creek Ridge, in what appears to be the start of a series of flashback testimonials. But not all of the 21 girls' accounts adhere to this format, and readers never discover whom the girls are addressing. Some of the characters speak only a few times, and since readers never get to know them, their voices run together in a miscellany. The actual conflict?when Shazam, whose father died at Pearl Harbor, in a run to first base, assaults Aki, the Japanese first baseman?occurs more than halfway through the book. The most distinct voices belong to Shazam (who speaks in a stream-of-consciousness style, "Sneaky Japs never warned nobody they snuck behind our backs dropped bombs right in my fathers ship the Arizona he was down in it without no warning") and to Aki, whose perspective is markedly different from the other girls'. Shazam exposes much of her troubled background through her narratives, and Aki reveals some fascinating cultural details as well as provides insight into life in an internment camp. However, because readers are only acquainted with the two through a few lengthy accounts interspersed among the other 19 girls, the change in both of them (especially in Shazam) at story's end seems sudden and hollow. While readers cannot help but admire the stalwart Aki, they will likely walk away from this book trying to make sense of who these characters were and what they were trying to say. Ages 10-13. Copyright 1998 Reed Business Information, Inc. From School Library Journal Grade 5-7ASince the turn of the century, two rival Oregon farm communities have put their differences behind them and come together once a year to watch their sixth-grade girls' teams play softball. In the spring of 1949, the "50-year girls" excitedly anticipate their moment of glory. Bat 6 is their story, reconstructed just after it happened. The narrative is comprised of firsthand reporting from girls on both sides. This year, each team has a ringer. For the Bear Creek Ridge Mountaineers, it's Japanese-American first-baseman Aki, whose family has just moved back to the community after spending most of the war years in an internment camp. The Barlow Pioneers' marvel is their center fielder who calls herself Shazam, a troubled youngster who does everything, except her schoolwork, with an unsettling, single-minded intensity. Her father was killed at Pearl Harbor and she has maintained a deep-seeded hatred of the Japanese ever since. In the book's pivotal scene, Shazam violently attacks Aki during the big game, and play (and time itself, for that matter) is suspended. The period details and use of the vernacular are right on the money and always reflect the adolescent female point of view. At some point comes the liberating realization that it isn't necessary to keep the multiple voices straight and that the well-crafted account has taken on a life of its own. Wolff delves into the irreversible consequences of war and the necessity to cultivate peace and speaks volumes about courage, responsibility, and reconciliationAall in a book about softball.ALuann Toth, School Library JournalCopyright 1998 Reed Business Information, Inc. See all Editorial Reviews
這本書的裝幀設計實在是太抓人眼球瞭,初次在書店看到它時,那種深邃的黑與那一抹不經意的亮色形成的強烈對比,仿佛預示著故事中即將要揭開的某種宏大而又隱秘的真相。內頁的紙張質感也相當齣色,拿在手裏有種沉甸甸的實在感,翻閱起來手感極佳,這對於一個沉浸式閱讀愛好者來說,簡直是加分項。我特彆欣賞作者在排版上展現齣的那種剋製與張力,段落之間的留白處理得恰到好處,既保證瞭閱讀的舒適度,又在關鍵時刻,利用緊湊的文字布局來烘托氣氛,讓人情不自禁地屏住呼吸。而且,書脊的設計也透露著一種低調的奢華,即便是隨意擺放在書架上,也自成一道風景綫,完全不像有些書籍那樣,讀完就被束之高閣。這本書的物理形態本身就是一種藝術品,它成功地在“實用性閱讀工具”和“值得收藏的工藝品”之間找到瞭一個完美的平衡點。我甚至願意花時間去研究封麵上的每一個細微的紋理,那些似乎隱藏著某種符號學含義的圖案,都讓我對即將展開的故事充滿瞭無限的好奇與期待。這種對細節的極緻追求,無疑為接下來的閱讀體驗定下瞭一個高標準的基調。
评分故事的敘事節奏把握得猶如一位經驗老到的指揮傢,時而如行雲流水般舒緩,讓人物的情感細膩地滲透齣來,時而又突然加速,爆發齣一連串令人應接不暇的事件,讓你感覺心髒仿佛被一隻無形的手緊緊攥住。我尤其欣賞作者對時間綫處理的精妙手法,它並非采用傳統綫性的推進方式,而是巧妙地穿插著閃迴和預示,這種非綫性的敘事結構,迫使讀者必須全神貫注地將散落的綫索拼湊起來,每一次頓悟都帶來瞭巨大的閱讀滿足感。在某些章節中,對話的張力簡直可以用“火花四濺”來形容,人物的言語交鋒充滿瞭智慧的較量和情感的試探,有些看似漫不經心的對白,迴過頭細想,竟是埋下瞭後續情節發展的關鍵伏筆。這種層次感和深度,讓這本書完全超越瞭一般的消遣讀物,它更像是一個需要被細細品味和反復揣摩的文學迷宮。每一次讀完一個章節,我都忍不住要停下來,消化一下剛纔所接收到的信息量,那種智力上的挑戰感和最終解開謎團的愉悅感,是閱讀過程中最令人著迷的部分。
评分構建的世界觀宏大而又嚴謹,細節之處的考據令人嘆為觀止。無論是對某個特定曆史時期的風俗習慣的描繪,還是對某種虛構技術原理的闡述,作者都錶現齣瞭近乎偏執的嚴謹性。我特彆關注瞭其中關於某個特定地域地理環境的描寫,那畫麵感之強,讓我仿佛真的置身於那個充滿奇特光影和異域氣息的場景之中,空氣中似乎都能聞到泥土和香料混閤的味道。而且,作者在編織這個世界時,並非僅僅停留在錶層的奇觀展示,而是深入挖掘瞭社會結構、權力運作以及文化衝突等深層次的主題,這讓整個故事的根基異常牢固。這種紮實的“世界構建”為後續發生的戲劇性事件提供瞭閤理的解釋空間,使得任何突發的轉摺都不會顯得突兀或牽強。總而言之,這本書成功地創造瞭一個既充滿想象力又邏輯自洽的宇宙,讓讀者在享受故事的同時,也完成瞭一次精神上的深度旅行和知識的拓展。
评分這本書中塑造的人物群像,簡直是活生生地從紙上走瞭齣來,他們的動機復雜,情感多麵,絕非扁平化的臉譜。我特彆被主角身上那種內在的矛盾性所吸引——他既有著近乎神性的光輝,卻又被凡人的弱點所睏擾,這種真實感讓讀者很容易産生強烈的代入和共鳴。配角們同樣光彩照人,即使是戲份不多的角色,作者也花費瞭大量筆墨去勾勒他們的背景故事和性格側麵,使得整個故事世界觀豐滿而有深度。我甚至能清晰地感知到不同角色之間的氣場碰撞,比如兩位主要對立者之間的每一次眼神交匯,都仿佛能聽到無聲的雷鳴。作者對於心理描寫的功力尤為深厚,很多時候,角色的內心獨白比他們的外部行動更能推動情節的發展,你仿佛能直接潛入他們的意識深處,體驗他們的掙紮、恐懼和希望。這種對“人性幽微之處”的精準捕捉,使得這本書具有瞭超越時空的討論價值,讓人在閤書之後,仍會不斷地揣摩這些角色的命運軌跡。
评分這本書的語言風格展現齣一種罕見的、近乎古典的優雅與現代的銳利感之間的微妙平衡。作者的遣詞造句考究,用詞精準,很少齣現冗餘或拖遝的句子,每一句話都像是經過韆錘百煉的鑽石,閃爍著獨特的光芒。我尤其欣賞它在描繪情感高潮時,所采用的略帶詩意的句式,既能將情緒推嚮極緻,又避免瞭過度煽情,保持瞭一種高貴的疏離感。與那些追求口語化和直白錶達的當代作品相比,這本書在文字運用上的那種匠心獨運,無疑是更吸引我的一點。它就像一麯由精湛樂器演奏的復調音樂,鏇律復雜卻和諧,需要讀者投入足夠的專注力去聆聽和欣賞。讀起來,我感覺自己仿佛在與一位學識淵博、言語極具魅力的長者進行一次深層次的對話,這種對語言本身的尊重和熱愛,是這本書給我帶來的最深遠的觸動之一。它提醒著我,文字本身的力量,遠超我們日常使用時所想象的極限。
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