One of the most innovative, provocative, and influential of America's contemporary artists, Bruce Nauman spent his formative years in Northern California - first as a graduate student at the University of California, Davis, then living in and around San Francisco. This splendidly illustrated book explores Nauman's relationship to the place where he created his earliest and most strikingly original works during the mid to late 1960s. "A Rose Has No Teeth" demonstrates that Nauman established much of his artistic vocabulary during this period and that he laid the groundwork for fundamental ideas he addressed throughout his oeuvre, such as the role of the artist, the function of art, and the primacy of the idea over its form. Curator Constance M. Lewallen describes how the late 1960s were not only a time of political and social change in the San Francisco Bay Area; this was also a watershed period in art internationally, when Minimalism gave way to Post-minimalism and Conceptual Art, expanding into performance, film and video, installation, text works, and the photographic documents. This book shows that Nauman was at the forefront of these revolutionary changes and almost single-handedly redefined what it meant to be an artist.
具体描述
读后感
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有