发表于2024-12-22
Picasso and the Invention of Cubism 2024 pdf epub mobi 电子书
图书标签: art Cubism 英文 艺术史书单 艺术 美术 古技文 the
This work seeks to transform our understanding of Cubism, showing in detail how it emerged in Picasso's work of the years 1906-13, and tracing its roots in 19th-century philosophy and linguistics. Linking well-known paintings and sculptures to the hitherto-ignored drawings that accompanied them, Pepe Karmel demonstrates how Picasso's quest to depict the human body with greater solidity led, paradoxically, to its fragmentation; and how Picasso used the archaic model of stage space to free himself from conventional perspective, replacing the open window of Renaissance painting with a new projective space. Rejecting the usual distinction between "analytic" and "synthetic" Cubism, Karmel shows how Picasso's changing artistic goals were realized in the crystalline Cubism of 1907-09, the gridded Cubism of 1910-11, and the planar Cubism of 1912-13. In other chapters, Karmel discusses the empiricist philosophy championed by Hippolyte Taine, which encouraged the breakdown of painting into its abstract elements, and laid the groundwork for an art of mental association rather than naturalistic figuration. Similarly, contemporary philology provided the model for a visual language employing both metaphoric and metonymic (but not arbitrary) signs.
序言:立体主义中的形式与内容;1思想:经验论、象征论与装饰;立体主义的学说;2空间:舞台空间;风景与舞台空间;投影空间1906-09;两维格栅,08-09;三维网格10-12;3身体:反印象派;削切;开放形式起源;从体到量;从格到条;叠加面;新矛盾;4符号化:毕加索与符号;索绪尔的符号;语言与符号;艺术与语言;作为语言的立体主义;分解化几何;提喻式形像;提喻与叠加;简化与转化;布拉克与贴纸法;系列法与变形法;符号与建构;意义与快感;
评分序言:立体主义中的形式与内容;1思想:经验论、象征论与装饰;立体主义的学说;2空间:舞台空间;风景与舞台空间;投影空间1906-09;两维格栅,08-09;三维网格10-12;3身体:反印象派;削切;开放形式起源;从体到量;从格到条;叠加面;新矛盾;4符号化:毕加索与符号;索绪尔的符号;语言与符号;艺术与语言;作为语言的立体主义;分解化几何;提喻式形像;提喻与叠加;简化与转化;布拉克与贴纸法;系列法与变形法;符号与建构;意义与快感;
评分序言:立体主义中的形式与内容;1思想:经验论、象征论与装饰;立体主义的学说;2空间:舞台空间;风景与舞台空间;投影空间1906-09;两维格栅,08-09;三维网格10-12;3身体:反印象派;削切;开放形式起源;从体到量;从格到条;叠加面;新矛盾;4符号化:毕加索与符号;索绪尔的符号;语言与符号;艺术与语言;作为语言的立体主义;分解化几何;提喻式形像;提喻与叠加;简化与转化;布拉克与贴纸法;系列法与变形法;符号与建构;意义与快感;
评分序言:立体主义中的形式与内容;1思想:经验论、象征论与装饰;立体主义的学说;2空间:舞台空间;风景与舞台空间;投影空间1906-09;两维格栅,08-09;三维网格10-12;3身体:反印象派;削切;开放形式起源;从体到量;从格到条;叠加面;新矛盾;4符号化:毕加索与符号;索绪尔的符号;语言与符号;艺术与语言;作为语言的立体主义;分解化几何;提喻式形像;提喻与叠加;简化与转化;布拉克与贴纸法;系列法与变形法;符号与建构;意义与快感;
评分序言:立体主义中的形式与内容;1思想:经验论、象征论与装饰;立体主义的学说;2空间:舞台空间;风景与舞台空间;投影空间1906-09;两维格栅,08-09;三维网格10-12;3身体:反印象派;削切;开放形式起源;从体到量;从格到条;叠加面;新矛盾;4符号化:毕加索与符号;索绪尔的符号;语言与符号;艺术与语言;作为语言的立体主义;分解化几何;提喻式形像;提喻与叠加;简化与转化;布拉克与贴纸法;系列法与变形法;符号与建构;意义与快感;
Picasso and the Invention of Cubism 2024 pdf epub mobi 电子书