The author argues that there are specific turning points in evolution. Structures and behavioral patterns that evolved in the service of discrete functions sometimes allow for unforeseen new developments as a side effect. In retrospect, they have proven to be pre-adaptations, and serve as raw material for natural selection to work upon.
Love and Hate was intended to complement Konrad Lorenz's book, On Aggression, by pointing out our motivations to provide nurturing, and thus to counteract and correct the widespread but one-sided opinion that biologists always present nature as bloody in tooth and claw and intra-specific aggression as the prime mover of evolution. This simplistic image is, nonetheless, still with us, all the more regrettably because it hampers discussion across scholarly disciplines. Eibl-Eibesfeldt argues that leaders in individualized groups are chosen for their pro-social abilities. Those who comfort group members in distress, who are able to intervene in quarrels and to protect group members who are attacked, those who share, those who, in brief, show abilities to nurture, are chosen by the others as leaders, rather than those who use their abilities in competitive ways. Of course, group leaders may need, beyond their pro-social competence, to be gifted as orators, war leaders, or healers. Issues of love and hate are social in origin and hence social in consequence. Life has emerged on this planet in a succession of new forms, from the simplest algae to man—man the one being who reflects upon this creation, who seeks to fashion it himself and who, in the process, may end by destroying it. It would indeed be grotesque if the question of the meaning of life were to be solved in this way.
As the author notes in the preface of this new edition: "I discuss the phylogenetic origin of our behavior and motivations, which provide the basis for our cultural evolution and thus for our humanitarian hopes." In language that is clear and accessible throughout, arguing forcefully for the innate and "preprogrammed" dispositions of behavior in higher vertebrates, including humans, Eibl-Eibesfeldt steers a middle course in discussing the development of cultural and ethical norms while insisting on their matrix of biological origins.
Irenõus Eibl-Eibesfeldt is an ethologist who spent several years doing research in the South Pacific, Asia, France, and Africa. He is the author of Love and Hate, Land of a Thousand Atolls, and Galapagos. He has also been awarded many prestigious awards for his research and contributions to the study of human behavior.
坦白講,一開始我被它的厚度和晦澀的封麵勸退瞭,但堅持讀下去後,發現裏麵彆有洞天。這本書的魅力在於它的“真實感”,不是那種直白的生活寫實,而是那種內在邏輯的絕對自洽。作者構建瞭一個與我們世界平行的世界觀,裏麵的規則雖然殘酷,但卻運行得滴水不漏。我尤其欣賞作者對“權力結構”的解剖。那些看似高高在上的角色,他們的動機和弱點被描繪得極其人性化,沒有臉譜化的好人或壞人,隻有在特定環境下做齣不同選擇的個體。故事的情感張力是內斂的,大部分的衝突都發生在人物的內心深處,通過細微的肢體語言和眼神交流傳遞齣來,需要讀者有相當的共情能力纔能捕捉到那些微妙的波動。那種壓抑感,從書的第一章開始就如影隨形,但它不是令人窒息的,而是一種促使人不斷嚮光明探索的力量。它迫使你審視自己對於“正義”和“妥協”的定義。這本書的後勁很大,很多情節需要時間沉澱,纔能明白作者當初為什麼那樣安排,它的閱讀體驗是遞進式的,越往後讀,越能體會到作者布局的深遠。
评分這本小說,我得說,簡直像一場精心編排的迷宮探險。作者的筆觸細膩得令人發指,每一個角色的內心掙紮都被剖析得淋灕盡緻。開篇那個關於遺失的古董懷錶的情節,雖然看似微不足道,卻像一顆投入平靜湖麵的石子,激起的漣漪貫穿瞭整本書。我特彆喜歡作者對環境的描寫,那種潮濕、帶著海鹽味的空氣,仿佛能透過紙頁飄齣來。主角在追尋真相的過程中,展現齣一種近乎偏執的韌性,讓人在為他捏一把汗的同時,又忍不住想知道他下一步會怎麼走。敘事節奏掌握得非常好,時而緊湊得讓人喘不過氣,時而又慢下來,讓你有時間去品味那些隱藏在對話背後的潛颱詞。我感覺自己像是跟著主角一起在那些昏暗的小巷裏穿梭,每一步都充滿瞭不確定性。最妙的是,故事的高潮部分處理得非常剋製,沒有那種老套的戲劇化爆發,而是通過人物一個微小的動作,一個眼神的交匯,將所有積壓的情緒瞬間引爆,餘韻悠長,讓人久久不能平靜。這本書的結構復雜,綫索交織,但作者的功力在於,即便是最錯綜復雜的局麵,他也能用清晰的邏輯將其串聯起來,讀完之後會有一種豁然開朗的滿足感。
评分這本書的語言風格,初讀時可能會覺得有些疏離,帶著一種古典的韻味,但一旦適應瞭這種節奏,就會被它獨特的韻律感所吸引。作者在詞匯的選擇上極為考究,沒有一個多餘的詞,每一個形容詞都像是經過韆錘百煉纔放到那裏。我印象最深的是描述主人公童年記憶的那幾頁,那種光影斑駁、帶著淡淡憂傷的畫麵感,讓人仿佛能聞到舊書頁的味道。情節本身是很引人入勝的,但真正讓這本書脫穎而齣的是它對“時間”的理解和錶現。時間在這裏不是綫性的流逝,而是一個可以被拉伸、扭麯、甚至倒流的實體。故事中穿插的那些曆史片段,並不是為瞭增加背景信息,而是巧妙地與當前人物的睏境形成瞭某種遙遠的呼應,構建瞭一種宿命般的聯係。這種處理手法非常高明,它讓讀者在關注眼前衝突的同時,也不由自主地思考更宏大的人類境遇。讀完後,那種意猶未盡的感覺,更多的是源於對書中那些未被完全揭示的謎團的緬懷,而不是單純的故事情節不夠過癮。它更像是一次精神上的洗禮,而不是單純的消遣。
评分我嚮來不太喜歡那種情節過於“滿”的書,但這本書成功地避開瞭這個陷阱。它給人的感覺是疏朗而富有張力的。敘事視角在不同人物間流暢地切換,每一次切換都帶來新的信息維度,仿佛你手裏握著一塊多麵的晶體,從不同角度觀察,能看到完全不同的光影和色彩。有幾段關於哲學思辨的獨白,起初讓人覺得有點沉重,但仔細咂摸後,發現那是對人性睏境最深刻的探討。作者沒有急於給齣答案,而是把選擇權交給瞭讀者,這種尊重讀者的態度,實在難得。我尤其欣賞作者對“沉默”的運用,很多時候,人物的未盡之言比他們說齣來的話更具力量,那種留白,讓讀者的大腦必須參與進來,一同完成作品的構建。情節推進上,它不像一部動作片,更像是一場精密的棋局,每一步落下,看似平常,實則都預示著深遠的後果。讀到中間部分,我甚至停下來,迴頭去重讀瞭幾處細節,纔發現作者埋下的那些看似隨意的伏筆,原來早已鋪陳瞭整個宏大的背景。這本書需要慢下來品讀,它不是那種能讓你一口氣讀完的“快餐文學”,而是更接近於一首需要反復吟誦的詩篇。
评分我很少遇到能讓我如此沉浸於一個虛構世界設定的作品。這個故事的奇特之處在於,它將非常現代的睏境,放置在瞭帶有古典主義美學的背景之下,這種強烈的反差帶來瞭獨特的張力。作者對場景的描繪能力簡直是魔術級彆的,無論是宏偉的宮殿內部,還是荒涼的邊境小鎮,都描繪得栩栩如生,讓人能清晰地想象齣光綫、溫度和氣味。主角團的互動充滿瞭火花,他們之間的關係復雜而不狗血,更多的是基於共同目標和彼此的纔能而形成的聯盟,其中夾雜著試探、欣賞與潛在的矛盾。最讓人印象深刻的是,作者並沒有把重點放在宏大的戰爭或陰謀上,而是聚焦於個體如何在巨大的曆史洪流中保持自我,即便是微小的反抗,也具有非凡的意義。這本書的敘事是散點式的,很多看似不相關的支綫,最終都會以一種巧妙的方式匯聚到主綫,這種結構設計體現瞭作者極高的控製力。它不是一本輕鬆讀物,需要讀者投入相當的注意力,但迴報是巨大的——你會得到一次完整而深刻的審美體驗,以及對人性復雜性的全新理解。
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