Tobias G. Natter worked at the Österreichische Galerie Belvedere in Vienna for fifteen years. From 2001–2002 he was curator of the Neue Galerie in New York. From 2006 to 2011 he directed the Vorarlberg Museum in Bregenz and was responsible for the museum’s new premises and the reorganization of the collection. From 2011 to 2013 he was director of the Leopold Museum in Vienna. His extensive publications and his conception and organization of exhibitions on the theme of “Vienna around 1900” have made him an internationally acknowledged expert on Viennese art at the turn of the century. In 2014 he founded Natter Fine Art, which focuses on the development and implementation of exhibitions and on research.

A century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. This monograph gathers all of Klimt’s major works alongside authoritative art historical commentary and privileged access to the artist’s archive with some 179 letters, cards, writings, and other documents.