Sarah Waters, 35, was born in Pembrokeshire, South West Wales, United Kingdom. She studied English Literature at the undergraduate and postgraduate levels, at the universities of Kent and Lancaster. As a student she lived for two years in Whitstable, the sea-side town—famous for its oysters—in which her first novel, Tipping the Velvet, is partly set. In 1988 she moved to London; her first full-time job was in an independent bookshop; later she worked in public libraries. In 1991 she decided to return to postgraduate study, and she spent the next three years writing a Ph.D. thesis, on lesbian and gay historical fiction. She developed a daily writing routine, and a passion for language and composition. She had articles on gender, sexuality, and history published in various scholarly journals, including Feminist Review, Journal of the History of Sexuality, and Science as Culture.
But while working on her thesis, and becoming increasingly interested in London life of the nineteenth century, Waters began to conceive the historical novel that would become Tipping the Velvet. With the thesis complete, and supporting herself with bits of teaching and part-time library work, she started to write. The novel was finished in just over a year, and was published in the U.K. by Virago (1998) and in the U.S. by Riverhead (1999). The BBC is in the process of adapting the book into a major series with director Andrew Davies, who also directed the BBC’s adaptation of Jane Austen’s Pride and Prejudice and Anthony Trollope’s The Way We Live Now.
By 1991, Waters had already begun her second novel, Affinity. This was completed with help from a London Arts Board New London Writers Award, and appeared in the U.K. in 1999 and in the U.S. in 2000. Waters taught for a time for the Open University, a national educational institution offering undergraduate schooling to mature students from a range of social backgrounds. She has also tutored on creative writing programs. She published articles on literature as recently as 1999, but now devotes herself full time to the writing of fiction. Her third novel, Fingersmith, was completed in 2001, and she is currently at work on her next book. She still lives in London, a city she finds endlessly inspiring; but she dreams, too, of returning to a life by the sea.
Sarah Waters made the Granta list for 2003.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr Faraday know how closely, and how terrifyingly, their story is about to become entwined with his. Prepare yourself. From this wonderful writer who continues to astonish us, now comes a chilling ghost story.
發表於2024-12-19
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靈的疊加 撰文|於是 在歐洲有很多這樣的豪宅。一英鎊或一法郎賣給你,你卻需要幾十萬去維修。但它們依然矗立,遠遠望著高速公路和鄉間小路帶來新一代人類。它們就那樣風燭殘年,用與盛世不同的頹敗氣質講述時光和世代的存在。 在看這個故事時,我忘瞭去追索薩拉·沃特...
評分 評分靈的疊加 撰文|於是 在歐洲有很多這樣的豪宅。一英鎊或一法郎賣給你,你卻需要幾十萬去維修。但它們依然矗立,遠遠望著高速公路和鄉間小路帶來新一代人類。它們就那樣風燭殘年,用與盛世不同的頹敗氣質講述時光和世代的存在。 在看這個故事時,我忘瞭去追索薩拉·沃特...
評分采訪_ Sarah Warn 2009年5月10日 (感謝奧威爾幫助修改) 薩拉·沃特斯第一部描寫維多利亞時代英國女同性戀的小說《輕舔絲絨》給同性戀和異性戀讀者留下瞭深刻的印象,它與緊隨其後的兩部作品《半身》和《荊棘之城》閤稱為“維多利亞三部麯”。在她的第四部小說《守夜》的創...
評分華老師的第五本小說,說的是二戰之後,英格蘭沃裏剋郡(Warwickshire)一處日漸頹敗的大莊園百韆堂(Hundreds Hall)的人和事。因為是華老師,雖然我想,卻不能,做情節復述。我隻能站在遠處描摹一下它的輪廓。 1919年,法拉第醫生(Dr. Faraday)第一次踏入百韆堂,參加帝國紀...
圖書標籤: SarahWaters 英國 懸疑 小說 英文原版 Sarah_Waters Waters Sarah
個人不太喜歡!!
評分莊園裏那些慢慢浮齣水麵的陰謀,幽深的秘密和神秘事件,花瞭整整一周內每晚的前半夜,不願意潦草地去翻開它,拉嚴瞭窗簾擰亮床頭暗燈,就像在讀賽特菲爾德的《the 13th tale》,又像是《Rebecca》讀到末尾,她是謎一樣的幽靈,熊熊火光中的曼德麗莊園,Joan Fontaine在《Jane Eyre》最後聽見燃燒的大宅裏閣樓上從未齣現的女人瘋癲刺耳的尖笑。所有的謎底都在最後揭曉,而Sarah Waters卻留下一個不算詭怖卻蒼涼的結尾,中段的篇章那麼陰森神秘,可最後 sarah似乎留下瞭一個永遠的謎。
評分看罷中文版隻覺麵目可憎不想再讀,開擼原版竟然一發而不可收。爽快的閱讀感,哪怕多掉幾根頭發也值瞭
評分sw作品裏最難看的一本
評分我覺得小孩書一嚮是不可小覷的
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