You know the authors’ names. You recognize the title. You've probably used this book yourself. And now The Elements of Style –the most widely read and employed English style manual–is available in a specially bound 50th Anniversary Edition that offers the title's vast audience an opportunity to own a more durable and elegantly bound edition of this time-tested classic.
Offering the same content as the Fourth Edition, revised in 1999, the new casebound 50th Anniversary Edition includes a brief overview of the book's illustrious history. Used extensively by individual writers as well as high school and college students of writing, it has conveyed the principles of English style to millions of readers. This new deluxe edition makes the perfect gift for writers of any age and ability level. Fifty Years of Acclaim for The Elements of Style , by William Strunk Jr. and E.B. White I first read Elements of Style during the summer before I went off to Exeter, and I still direct my students at Harvard to their definition about the difference between 'that' and 'which.' It is the Bible for good, clear writing.”-- Henry Louis Gates Jr. “For writers of all kinds and sizes the world begins and ends with Strunk and White’s Elements of Style . Only something to actually write abouttrumps the list of what is required to put words together in some kind of coherent way. I treasure its presence in my life and salute its fifty years of glory and accomplishment."-- Jim Lehrer “ The Elements of Style remains an unwavering beacon of light in these grammatically troubled times. I would be lost without it.” -- Ann Patchett "To the extent I know how to write clearly at all, I probably taught myself while I was teaching others -- seventh graders, in Flint, Michigan, in 1967. I taughtthem witha copy of Strunk & White lying in full view on my desk, sort of in the way the Gideons leave Bibles in cheap hotel rooms, as a way of saying to the hapless inhabitant: ‘In case your reckless ways should strand you here, there's help.’ S&W doesn't really teach you how to write, it just tantalizingly reminds you that there's an orderly wayto go about it, that clarity's ever your ideal, but -- really -- it's all going to be up to you." -- RichardFord “ The Elements of Style never seems to go out of date. Its counsel is sound and funny, wise and unpretentious. And while its precepts are a foundation of direct communication, Strunk and White do not insist on a way of writing beyond clear expression. The rest is up to the imagination, the intelligence within.” -- David Remnick, editor of The New Yorker “It’s the toughness–the irreverence and implicit laughter–that attracted me to the little book when I was seventeen. I fell in love with Strunk & White’s loathing for cant and bloviation, the ruthless cutting of crap, jargon, and extra words. For me, that skeptical directness included a tacit permission by The Elements of Style to break its rules on occasion: an alloy of generosity in the blade, a grace I still admire and still learn from.” -- Robert Pinsky “In the quest for clarity, one can have no better guides than Strunk and White. For me, their book has been invaluable and remains essential.” -- Dan Rather "Eschew surplusage! A perfect book."--Jonathan Lethem "Not until I started teaching writing and I reread The Elements of Style did I realize that most everything I would be teaching young writers, and everything I would be learning myself as a writer, was contained between the covers of this slim, elegant, wise little book. -- Julia Alvarez “Strunk and White seared their way into my brain long ago, and I benefit from them daily.” -- Steven J. Dubner, co-author of Freakonomics “Since high school, I have kept a copy of this book handy. That should be unnecessary. I should, by now, have fully internalized The Elements of Style . But sometimes I get entangled in a paragraph that refuses to be ‘clear, brief, bold.’ I dip back into The Elements of Style and am refreshed.
After Scott Simon interviewed me on NPR about whether the word ‘e-mail’ needs a hyphen (yes, it does), some listeners, including friends of mine, wondered why I had answered in the affirmative when asked, in passing, ‘Are you a drunken white man?’ Those listeners misheard. ‘Strunk and White man’ was what Scott said.” -- Roy Blount Jr. “Strunk & White--writing's good-natured law firm--still contains enough sparkling good sense to clean up the whole bloviating blogosphere." -- Thomas Mallon “I used Strunk -- that’s what we called it, Strunk -- as a student at Berkeley fifty years ago. I didn't know that it was new, and that we were the first generation to be educated in The Elements of Style . I got a firm foundation in the English language, learned to write basically, and could depict the realistic world.Then I was able to become an impressionist and expressionist.” -- Maxine Hong Kingston “Strunk and White's gigantic little book must be the most readable advice on writing ever written. Side by side with Roget, Shakespeare, the Bible, and adictionary, it's an essential forevery writer's shelf.” -- X.J. Kennedy...
美国大学校园人手一册的英语语法书籍。
如果一个英文作家不知道这本书,那他肯定不是个英文作家。这本出版了将近百年的小书,已经成为了最有影响的英文写作指导书。先是由教授William Strunk Jr.自行出版,拿这本书教他的学生。他的学生E. B.怀特后来成了《纽约客》的编辑,并奠定了它幽默与优雅并存的文风。当出版社...
评分最近接受一个网站的采访。其中一个问题是,给你最大影响的书是什么? 我给出的答案是 strunk & white 「the elements of style」。 我是在高中的时候读到这本书的。多年后才知道这是一本经典之作。但当时只是在高中那个收藏并不丰富的图书馆里,想找本英文写作的书。我当时正...
评分这书开头非常简单,但翻到最后才发觉朴实无华的语法讲要背后的学问。 作为一名阅读爱好者,读到优秀的文字时,其实我不会特别有感觉。因为读的时候早就已经顺着作者的思想游走了,哪里顾得了去细细体味措词造句背后的艺术。可是,读到不好的文字时,却常常难受得抓耳挠腮。啰...
评分I bought this book for almost two years, but never finished reading it. Appealing stories always distract me. I take seriously to enhance my writing this time. The fellowing is my note. Part One: 11 principles of usage 1. Form the possessive singular of n...
评分W. Strunk Jr.的原著版本和E.B. White修订增补的版本有较大不同。 除了在前几章中的规则有增删外,White还单独增加了一章新的内容“An Approach to Style”,主要讲解了一些写作的宏观原则。这些原则和前几章所讲的规则相比,更抽象更一般化,有些原则不仅限于英文写作,也可...
我最近翻阅了一本关于城市生态学的专业读物《水泥丛林中的呼吸》。这本书的论述方式极具说服力,它没有采用那种堆砌数据图表的沉闷方式,而是巧妙地运用了大量具体的案例研究来支撑其核心观点——现代城市规划正在系统性地削弱人类与自然界的联系,并由此引发了诸多心理健康问题。作者将目光投向了那些被我们习以为常的“灰色空间”,比如高耸的玻璃幕墙和单调的混凝土街道,并对比了拥有丰富绿色基础设施的城市是如何提升居民幸福感的。书中一个关于“微气候感知”的章节让我印象深刻,它详细分析了光照角度、风道设计如何影响行人的情绪波动。我开始留意自己每天通勤路上的每一个细节,那棵在人行道上艰难生存的树、那个被高楼遮挡了大部分阳光的广场,都带有了新的意义。这本书极大地拓宽了我对“环境”这个概念的理解,它不再仅仅是远处的山川湖海,而是我们脚下和头顶上的每一个立方米空间。对于任何关心居住环境质量的人来说,这都是一本必读的启示录。
评分《香料贸易与大航海时代:一座失语的桥梁》这本书的学术深度和广度令人叹为观止。它聚焦于15世纪到17世纪间,东西方在香料贸易网络中的相互塑造,但其核心论点远超简单的经济史范畴。作者采取了一种“自下而上”的史学视角,不再仅仅关注那些国王和殖民者,而是深入挖掘了那些为贸易提供动力的无数水手、翻译、中介商和种植园奴隶的故事。书中对“味道”这一感官体验的社会学解读尤为精彩。例如,它如何解释欧洲社会如何从对胡椒的狂热追逐,逐步转向对肉豆蔻和丁香的迷恋,以及这种转变背后所反映的社会阶层流动和权力更迭。我尤其赞赏作者跨学科研究的能力,将人类学、植物学、海洋工程学和地缘政治学无缝衔接起来,构建了一个极为扎实的论证体系。阅读过程中,我感觉自己仿佛置身于一艘满载丁香的商船甲板上,亲历着那些改变世界的力量是如何通过一小撮珍贵香料汇集起来的。这本书是历史爱好者寻求新颖视角和严谨考据的绝佳选择。
评分说实话,我对传记类的书籍一向不太感冒,总觉得它们太过拘谨和教条,但《光影炼金术师:某位早期电影先驱的未公开日记》完全颠覆了我的看法。这本书的叙事视角非常独特,它不是从旁观者的角度去评判这位电影大师的一生,而是直接呈现了他私人日记中的只言片语。这使得人物形象变得极其立体和真实,充满了矛盾性——他既有对艺术近乎偏执的追求,也有那个时代知识分子常见的傲慢与脆弱。我特别着迷于那些关于早期电影制作细节的描述,比如如何在没有完善绿幕技术的年代,通过精妙的布景和光线控制,创造出令人信服的视觉奇观。那些关于如何“偷光”的技巧,以及如何说服顽固的投资者支持他那些“不切实际”的镜头设想的段落,读来像是在看一部幕后悬疑剧。这本书的价值在于它不仅仅记录了一个人的职业生涯,更像是一扇窗,让我们得以窥见一个伟大艺术家的内心世界是如何在商业压力和创作激情中不断拉扯、最终淬炼出永恒光芒的。
评分我最近读完了一本令人耳目一新的小说,它讲述了一个关于时间旅行的复杂故事,名叫《时间的褶皱》。这本书最让我惊叹的是作者构建世界观的精妙程度。叙事线索交织在一起,时间线索仿佛是一张巨大的蜘蛛网,每一个微小的变动都会引发蝴蝶效应般的连锁反应。我尤其喜欢主人公在面对道德困境时的挣扎,他必须在拯救所爱之人与维护宇宙基本秩序之间做出抉择。作者对物理学概念的阐释非常到位,不是那种枯燥的教科书式描述,而是巧妙地融入到角色对话和环境描写之中,使得那些高深的理论也变得触手可及。小说的高潮部分,主角试图在过去和未来之间架设一座桥梁,那段描写紧张到让我手心冒汗,仿佛我本人也置身于那场时空对决之中。这本书的后劲很大,读完后我花了整整一个下午来梳理脑海中那些碎片化的信息,试图拼凑出完整的图景。它不仅仅是一部科幻作品,更是一部关于选择、宿命与自由意志的哲学探讨,非常值得那些喜欢深度思考的读者去细细品味。
评分最近沉迷于一本名为《失落的星图》的奇幻史诗,简直无法自拔。这本书的魅力主要源于它对异域文化的细腻刻画。作者似乎花费了数年时间去研究和构建这个架空的世界——阿瑟瑞亚。从沙漠部落的祭祀仪式到极地冰原上独居法师的隐秘生活,每一个文化群体都有其独特的语言体系、宗教信仰和复杂的政治结构。书中对魔法系统的设定也极为严谨,它不是随意施展的奇迹,而是需要学习、消耗能量,并且受制于自然法则的“科学”。我最欣赏的是主人公并非传统意义上的“天选之子”,他更像是一个被命运推着走的普通人,他的成长充满了血泪和不确定性。尤其是当他深入到禁忌的古代遗迹中,面对那些超越凡人理解的古老实体时,那种渺小感和敬畏感被刻画得淋漓尽致。全书的节奏把握得非常好,既有宏大的战争场面,也有细腻的内心独白,让读者既能感受到史诗的磅礴,又不失人物的温度。读完后我立刻上网去搜索关于书中那些虚构神祇的“背景故事”,可见其设定的吸引力之大。
评分又感叹又辛酸好吗!
评分卓越三折入手~~质感特别好~~当然也很好读~~看到封面上的E.B.White激动了一下~~结果后来在kindle上读完的电子版,呃……
评分又感叹又辛酸好吗!
评分E.B.White还是学生的时候, William Strunk, Jr拿着这本小书给他上课, 那是1919年; 约莫四十年后, White将老师的心血整理出版; 几个月前, Mr. Wang带着这本他在Cornell学习时外教送的书, 给我们读了几句; 今天, 我把它看了. 虽不免有种学生一代不如一代之感, 读时仿佛能想象老先生当年的耳提面命, 因反省自己平日写作时说了多少废话浑话. 如果你遇到这本书, 就把它买了吧, 它是有生命的.
评分囧,好貴!原版咩?前幾天看過中文版,覺得特別坑爹。書還在媽媽公司……媽媽付的款不過XD。
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