In China, a nation where the worlds of politics and art are closely linked, Western classical music was considered during the cultural revolution to be an imperialist intrusion, in direct conflict with the native aesthetic. In this revealing chronicle of the relationship between music and politics in twentieth-century China, Richard Kraus examines the evolution of China's ever-changing disposition towards European music and demonstrates the steady westernization of Chinese music. Placing China's cultural conflicts in global perspective, he traces the lives of four Chinese musicians and reflects on how their experiences are indicative of China's place at the furthest edge of an expanding Western international order.
Richard Curt Kraus is Professor of Political Science at the University of Oregon. He is the author of Class Conflict in Chinese Socialism (Columbia 1981) and Pianos and Politics in China (Oxford 1989).
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1989年的书,有点老。有些资料有问题,涉及古典音乐的自律性vs社会性和中国社会阶层分析的框架似乎也太简单,中国和西方古典音乐演出本身的很多比较也有点肤浅,但作者对现象的观察还算敏锐。在“西乐在当代中国”主题仍能算essential reading吧。
评分1989年的书,有点老。有些资料有问题,涉及古典音乐的自律性vs社会性和中国社会阶层分析的框架似乎也太简单,中国和西方古典音乐演出本身的很多比较也有点肤浅,但作者对现象的观察还算敏锐。在“西乐在当代中国”主题仍能算essential reading吧。
评分基本类属于“不忍卒读”
评分1989年的书,有点老。有些资料有问题,涉及古典音乐的自律性vs社会性和中国社会阶层分析的框架似乎也太简单,中国和西方古典音乐演出本身的很多比较也有点肤浅,但作者对现象的观察还算敏锐。在“西乐在当代中国”主题仍能算essential reading吧。
评分逗呢么。。。生搬硬套
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