It,<br > THE FESTIVAL<br > SUMMER, 1969<br >the newscopter banked and turned, a muffled chopping<br >in the hot Texas sky. It dangled over the dancing mobs<br >caused Clint Backer to glance upward.<br >As he squinted into the glare, mounds of cartilage<br >[e heaps and valleys around the bridge of a nose that<br >been shattered years before in a Waco bar, the name<br >thich he no longer remembered, in a battle over a<br >1an whose face he had forgotten.<br >Snub-nosed shade from the copter passed over him,<br >lentarily hiding; the network of purple-white scars that<br >red his bare arms and chest.<br >But the insignia on the back of his leather vest was<br >flainly visible: the sign of a snarling wolf s-head, and<br >vord beneath it.<br >Wolves.<br >"They keep . ,,<br > coming and com,ng, the girl beside the<br >r pilot said into her headset as the chopper floated<br > "I<br >: t looks as if the entire generation wants to perpet-<br >he Summer of Love with this FaveRock Productions<br >rtm a makeshift camp outside Galveston."<br > 11<br >
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