From Publishers Weekly In this gem of a novel， Schine ( To the Birdhouse ) combines a lucid， witty sendup of academia with an artfully contrived love story. At age 28， Margaret Nathan is famous: her book， The Anatomy of Madame de Montigny ， has become a surprise bestseller， adopted by feminists， deconstructionists and even the French. But Margaret is ill-prepared for the resulting press of admirers: forgetful and socially maladroit， she depends on her husband， the patient， sociable， pedagogical Edward， to guide her. Margaret would rather be working on her next project， an analysis of an 18th-century manuscript entitled Rameau's Niece . Schine has woven throughout her text an admirable pastiche of a "philosophic" (in the parlance of the time， synonymous with pornographic ) dialogue by an anonymous hack who owes whole passages to Helvetius， Condorcet， Locke and Kant--and， of course， Diderot's Rameau's Nephew and Les Bijoux indiscrets . As in A. S. Byatt's Possession ， too close study of her subject leads Margaret to imitation. After a solo trip to Prague， she begins a "philosophical" investigation of her love of Edward， questioning how she can be sure of her judgment in the absence of points of comparison. The plot proceeds with the same dizzy abstractedness that marks Margaret's erotic perambulations， but the book's greatest charm is Schine's smart and very funny observations of a postmodern "cultural elite，" made up of those who toast ". . . the liberation of the signifier，" and of 40-year-olds still boasting about their SAT scores. Copyright 1993 Reed Business Information， Inc. From Library Journal Although she considers herself happily married to a gregarious Englishman who teaches at Columbia University and is an inveterate quoter of poetry， Margaret Nathan， author of a best-selling scholarly biography， finds that her equilibrium is thrown when she chances upon Rameau's Niece ， the manuscript of an 18th-century French erotic novel. Haunted by the sensual images that passages from Rameau's Niece have triggered， Margaret finds herself sexually attracted to a woman friend， a gay male friend， her dentist， and several other acquaintances， and she begins to question the viability of her marriage. Schine controls her quirky plot line with the same wit and style demonstrated in her earlier novels， Alice in Bed (o.p.) and To the Birdhouse ( LJ 5/15/90). She satirizes marriage， philosophy， intellectuals， sexuality， and the relentless search for self-knowledge through Margaret's efforts at fulfillment and liberal quotes from Rameau's Niece. Brainy but forgetful and shy， despite her accomplishments， Margaret is a refreshing character. Recommended for most collections.- Harriet Gottfried， NYPLCopyright 1993 Reed Business Information， Inc. See all Editorial Reviews