Konstantin Stanislavsky (1863–1938) was one of the most innovative and influential directors of modern theatre and his System and related practices continue to be studied and used by actors, directors and students. Maria Shevtsova sheds new light on the extraordinary life of Stanislavsky, uncovering and translating Russian archival sources, rehearsal transcripts, production scores and plans. This comprehensive study rediscovers little-known areas of Stanislavsky's new type of theatre and its immersion in the visual arts, dance and opera. It demonstrates the fundamental importance of his Russian Orthodoxy to the worldview that underpinned his integrated System and his goals for the six laboratory research studios that he established or mentored. Stanislavsky's massive achievements are explored in the intricate and historically intertwined political, cultural and theatre contexts of tsarist Russia, the 1917 Revolution, the volatile 1920s, and Stalin's 1930s. Rediscovering Stanislavksy provides a completely fresh perspective on his work and legacy.

‘Rediscovering Stanislavsky is more than a step back in history. It offers a fresh new look at one of the key masters of modern theatre, and it makes him relatable to those of us who create and study theatre today. This book is written by a scholar who is uniquely familiar with the key contemporary theatre practitioners, and their work, and who can relate history to today's theatre practices – both in the academia and at the premier international venues. Maria Shevtstova uncovers the secret behind Stanislavsky' unmatched influence by stressing his unparalleled versatility as actor, director, theatre manager and entrepreneur, musicologist, designer, technician, researcher, pedagogue, experimentalist, scholar and author. Stanislavsky, as depicted by Shevtsova, lived and breathed theatre, just as today he symbolizes it. Everyone who wants to fathom the meaning behind Stanislavsky's greatness, must read this book!'

Andrei Malaev-Babel - Professor of Theatre and Head of Acting, Florida State University/Asolo Conservatory for Actor Training

‘Maria Shevtsova's book is astonishing. Her views on Russian theatre and on European theatre in general and on Stanislavsky in particular are always fascinating. But in her latest book she has surpassed herself. Professor Shevtsova gives a breathtaking account and elucidations of so many aspects of Stanislavsky's work, which are so often imprisoned in theories caged in other theories, or are simply not understood. Others are just not known. To hear about the transgressive aspects of his philosophy is invigorating. Professor Shevtsova's comprehensive coverage of his work manages both to locate him in the context of his times while also liberating his spirit so that he can be appreciated in his epic universality. A tour de force.'

Declan Donnellan