Dance was at the core of Renaissance social activity in France and had important connections with most major issues of the period. This finely illustrated book provides the first full account of the pivotal place and high status of dance in sixteenth-century French culture and society.Margaret M. McGowan examines the diverse forms of dance in the Renaissance, contemporary attitudes toward dance, and the light this throws on moral, political, and aesthetic concerns of the time. Among the subjects she covers are: expectations of dance; style, costume, music, and social coding; court dance versus social dancing; dance and the Valois dynasty; professional dancers, virtuosos, and choreographers; burlesque; opposition to dance; and dance and the people. Remarkably, McGowan's sophisticated analysis of formal dance treatises enables her to recreate a sense of the actual practice of Renaissance dance and the mechanics of making a ballet. Nearly one hundred illustrations, many of them rare, accompany the engrossing text.