Rarely has anyone taken "Swan's Way" down a stranger path, and never with such intriguing results. What begins as a meditation on the fictional identity of the elegant "swan" of Proust's "In Search of Lost Time" becomes, through a series of turns and twists, an ingenious investigation of the character's real-life counterpart, Charles Haas. Part novel, part essay, part literary sleuthing, "Swan's Way" is a critical tour de force. Through an inspired reading of Proust's text, Henri Raczymow gradually unravels the multiple contradictions of Charles Swann's personality, brought into focus by the fault lines in Proust's narrative method. The author traces Swann's evolution and the multiple ways in which his Jewish identity keeps peeping through the veneer of respectability of this sophisticated dandy. Through a parallel inquiry into the history of the Jockey Club--to which Haas, a Jew, was, like Swann, exceptionally admitted--and the transformation of the German-Jewish Haas into the fashionable British Swann, "Swan's Way" evolves into an examination of the question of personal identity and posthumous survival. Haas's Jewish identity is the invisible thread that guides Raczymow through the maze of Proust's work, which serves as a backdrop against which fin de siecle French society enacts the ugly drama of anti-Semitism. Blurring the boundaries between life and fiction, "Swan's Way" leads the reader ever deeper into the unresolved question of literary and personal character.