PHILOSOPHICAL MEDITATIONS ON ZEN BUDDHISM. By Dale S.
WrightC. ambridge,G reatB ritain:C ambridgeU niversityP ress,1 998. xv +227 pp.
In a workb rimmingw ith unobtrusivee ruditiona nd centeredo n the figureo f Huang
Po (d. 850), Dale Wright offers a seasoned account of a topic that is still very much
in need of clarificationn, amely,t he roleso f language,c onceptualityt,e xtualityi,n terpretation,
a nd historicald evelopmenti n Zen Buddhism.S ome recentc riticst end to
see Zen as incoherento r even hypocriticali n that this "speciatl ransmissiono utside
the sutras, not dependent on language and texts, pointing directly to mind" (quoted,
p. 64) in reality developed complex and varied textual and ritual traditions from
Buddhist-Christian Studies 21 (2001). ? by University of Hawai'i Press. All rights reserved.
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which the supposedly pure enlightenment experience cannot be siphoned out.
Wright argues that the critics themselves are often naive, giving an inverted reflection
of the naiveteo f earliers cholarss uch as John Blofeld,w ho saw Zen as centered
on an ineffableS upremeE xperienceq, uitei ndependento f the languageu sedt o point
to it. Nonetheless,W righth imselfi s in basica greemenwt ith the criticsa nd in radical
opposition to Blofeld (and to D. T. Suzuki). But he points out that the early Chinese
Zen masters speak in many voices, often anticipating the most sophisticated
insightso f theirc ritics.W right's tylei s veryu nliket hat of BernardF aureb, eings low,
serene,r eflectives, crupulous,a nd imbuedw ith the deepestr espectf or the Zen tradition.
Yeth is thought rejoinsF aure'as t many points.
The thrusto f Wright'sa rgumenti s to demystifyZ en enlightenmentb y reinserting
it in its varied linguistic, social, institutional, and historical contexts. He gives a
realistica nd holistic accounto f what Zen experiencem ust have been like for disciples
of HuangP o (pp. 187-192). His stresso n the linguisticalityo f all experiencec ertainly
illuminates the texture of Huang Po's world. But I am left wondering if there
is not anothera specto f Zen that is missedh ere.M odernp hilosophersh ave derived
much insightf romt he realizationth at thoughta nd perceptiona red eeplye mbedded
in language. But I do not know that anyone has proven that there can never be a
thinking or perception that is independent of language. Even the supposedly pantextualist
Derrida states somewhere that he does not exclude the possibility of nonlinguistict
hought. In most fieldso f inquiryt his abstruseq uestionm akesn o practical
difference,b ut in the case of Zen it is of cruciali mport.T he presuppositiono f
universalli nguisticalitye,s peciallyif it hardensi nto a dogma,m ay blocka ccesst o the
core of Zen experience.
Wrighta rguest hat thoughs ome Zen masterss oughtp relinguisticim mediacyt, he
majorityw ere deeplya wareo f the inseparabilityo f experiencea nd the languagei n
which it is grasped.B ut could it not be that prelinguisticim mediacyw as so much
takenf or grantedi n Zen that the masterss carcelyn eededt o insisto n it?W rights ays
that enlightenmenti tself is a linguistice vent,s ince it is often occasionedb y a verbal
statementa nd given immediatee xpressioni n anotherv erbals tatement.B ut to recognizet
he indispensabilitoyf languagef or conveyinge xperienceis not necessarilyto
imply that the experiencei tself is dependento n languageA. lthougha certainp oem
of Huang Po "strivesto make its anti-textualp oint, the masterm ust enter into the
textual world to do so, thus abandoning the position of 'no dependence on texts"'
(p. 22). Is it reallyn ecessaryt o see a contradictionh ere, given that, as Wrighth imself
points out, "no unanimity on the meaning of the mandate against 'words and
letters'e xisted"( p. 26)? Let us supposet hat the point is nonattachment o textsa nd
a realizationo f the intrinsici ndependenceo f enlightenmentf rom the limited perspectiveso
f textuality,l anguage,a nd conceptualt hought.T his is quite compatible
with intensive use of texts in practice.
Blofeld explains that texts were useful to the learner but cast aside when enlightenmentw
as reachedW. righta rguest hat the enlightenede xperiencem ust "continue
to hold within it, and to be supplementedb y, the influencea nd outcomeo f reading"
(p. 23). Blofeld might reply that if one learning to swim uses an inflated tube, then
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castsi t away,t he swimmingi s no longeri n any way supplementedb y the tube, and
to reintroducet he tube would be an absurd irrelevance.B ut why then, Wright
objects, did enlightened masters continue to read? One might reply that they read
without attachment to or dependence on their reading. Wright suggests that the
doctrineo f dependentc o-originatione ntailst hat enlightenmenti s alwaysd ependent
on the textuala nd historicalf actorst hat occasioni t. To be sure,o ne might reply,b ut
only in the sense that emptinessc an be seen as dependento n the particularb asiso f
which it is the emptiness.T o attaine nlightenmenti s to be releasedf rom the attachments
and delusionst hat tie us to the samsaricr ealma nd in this sense to breakt he
chain of dependent co-arising. From the space of freedom thus attained one revisits
the realmo f dependentc o-originationa nd seesi t in its emptinessZ. en enlightenment
is a realizationo f emptinessi n connectionw ith a certainc oncretep atho r careera nd
continues to be enacted in relation to that path. The enlightened scholar does not
ceaset o be a scholarb ut realizesth e emptinesso f his learninga nd has a freedr elationship
to it. Rereadingth e sutrasn ow becomesa way of reapingt he harvesto f enlightened
vision.
Wrightg ivesa fine accounto f enlightenmenta s awarenesos f dependentc o-origination,
which is identicalw ith awarenesso f emptiness,a ccordingt o Madhyamaka
logic. But he is averse to any suggestion that emptiness is something ultimate, invariable,
or timeless.T herea ref our rhetoricasl trategiesin Zen dialogues-strangeness,
direct pointing, silence, and disruption-all of which express the awakened state of
"one who no longer seeks solid ground, who realized that all things and situations
are supported,n ot by firm grounda nd solid self-natureb, ut ratherb y shiftinga nd
contingent relations"( p. 100). Enlightenmenth as not to do with some precious
inners ubjectivee cstasyb ut with co-respondingt o what is going on in the here-andnow
situation, grasped in its emptiness. Zen rhetoric, including the unnerving
silences,i s "designedto disorientateo ne'sr elationt o everything"(p 97). It breakst he
hold of substantialisdt elusion,e nshrinedi n the habitualf abricationos f language,s o
as to awaken one to emptiness, an awakening that brings joyful freedom based on
intelligent insight into the way things really are. That means that Zen enlightenment
is fully aware of its concrete context, and that "beyond the Zen rhetoric of timelessness,
we find historicalc ontextualizationto be centralt o their self-understanding"
(p. 106).
But can this rhetorico f timelessnessr eallyb e writteno ff as a red herring?E veni f
insighti nto the textureo f one'sh istoricalh erea nd now is parto f enlighteneda wareness,
this does not necessarilya lign Zen with the contemporaryp hilosophicald octrine
of universal historicity. Wright points out that Zen disciples aspire to "go
beyond"t heirm aster:" Pai-chang''tsr ansmissioonf mind't o HuangP o will haveb een
effectivea nd completeo nly at the point that Huang Po has transcendedP ai-chang's
'mind'i n the act of creatively'g oingb eyond'i t" (p.1 39). This, he claims,i ntroduces
pluralismh, istoricitya, nd individualc reativityin to the hearto f Zen awakeninga, nd
disqualifies" essentialistn"o tions of an unvaryinge xperience.B ut perhapst his is a
case of havingt o run very fast to stay in the same place. Perhapst he "samenesso"f
what the Zen mastersd iscoveri s somethingl ike the "samenesso"f love, as celebrated
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by the poets,a samenesst hatp romptsa n evern ew varietyo f poetici nvention.I n that
case, without harpingo n the identityo f the experiencei n a literal-mindedfa shion,
we could still maintain that Zen awakening concerns a single reality that is not in
itself subject to historical change. To give a homelier analogy: a teacher of English
might surpassh is predecessorisn developingn ew and more effectivem ethods,b ut
the end result,t he transmissiono f competencei n the Englishl anguage,r emainst he
same.
Wright sees mind-to-mind transmissiona s a mythicala ccount of the creative
interactiono f mastersa nd disciples,p romptedb y concernsw ith institutionall egitimation:
"It may be that, insteado f 'mind-to-mindt ransmissiong' iving rise to the
recording of historical lineage, it was actually the other way round" (p. 141). But
againI wonderi f Huang Po'ss tatement," Mindi s transmittedw ith Mind and these
Mindsd o not differ"r eallyr eferst o "ane xactr eplicao f the Buddha''sa wakening"(p' .
142); the word "replica"is surelyi napplicablet o "awakeningu"n der any circumstances.
W hy not read" do not differ"a s meaning" don ot fundamentallyo r essentially
differ"?W right addressest his possibility,a lreadyf ound in the Zen sources:
"Whilet he substanceo r essenceo f mind couldb e saidt o be identicalb etweene qually
enlightenedm asterst, he way this 'awakeningf'u nctionsi n the worldm ight differs ignificantly"(
p. 142). He arguest hat such a differentiationa nd hierarchyo f substance
and function is discreditedi n Madhyamakat hought as well as in contemporary
deconstructivep hilosophy.B ut one could still be certaint hat an identicalr ealityi s
transmittede, ven if one could not pretendt o distilli t in a pure form from the variety
of its realizationsI.n some sensea piece of music is substantiallyid enticald espite
the infinite varietyo f individualp erformancesW. hat is to preventZ en awakening
havingt his degreeo f substantiaild entity?I n this sense, "to maintaina n essencef or
enlightenmenti n the fact of its changinga ppearancess"e emsq uite defensible.I do
not see that it "inevitablyp ushes the elusive' essenceo f enlightenment'o ut of the
finitew orldi nto a transcendenrt ealma boutw hich nothingc an be said becauseo ne
encounterso nly its appearances("p . 145). The essenceo bviouslye xistsi n all its realizations(
which only a Platonistw ould call its "appearances"a)s, the music existsi n
all its performancess,o that therei s no call to formulatei t in some abstracte xtraperformativesp
ace.W e could even claimt hat koan literaturer, ightlyi nterpretedh, as
something of the objectivity of a musical score, helping its student find the way to
the awakeningi t reflectsT. he insistenceo n identityi n the Zen texts is perhapso nly
a way of sayingt hat Zen discoversa realitya nd does not merelyi nventi t. To say that
Zen awakeningis "bestc onceived,n ot as a timeless,a historicael ssence,b ut as a continuallye
volving,h istoricalr ealizationo f successiveg enerationsh' ighesta spirations"
(p. 144) may not do phenomenologicajlu sticet o contemplativee xperiencew, hose
discoveriesa re "ever-anciente,v er-new,"a nd do seem to claim an independenceo f
languagea nd history.F or Wright,t he experienceo f emptinesse ntails" denialo f all
claimst o truth and absolutenessi,n cludingi ts own claim to know somethingu ltimately
truthful about all claims" (p. 197). Again, I wonder if Zen statements to the
effectt hat nothing is "known"o r "obtained"in enlightenmentr eallyu nderminet he
(nonconceptual) truth and ultimacy of the experience. Perhaps they serve only as
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phenomenologicali ndicators of the non-graspabilityo f enlightened insight (as
expoundedb y Wright,p p. 199-200), without the implicationso f radicale pistemological
scepticism that the phrase "denial of all claims to truth" suggests.
Wrightc ontestst he use of "enlightenmenta"s the standardE nglisht erm for the
Zen experiencep, ointingo ut that therei s no exacte quivalentf or it in HuangP o and
suggestingt hat it attemptst o graftt he Zen worldo nto the EuropeanE nlightenment
(p. 182). This is far-fetched;" enlightenmenti"s a fairlys traightforwartdr anslation
of Japaneses atori.I t is also far-fetchedt o characterizteh e claim that Zen perceives
"thingsa s they are"a s a "rhetoricafilg ured rawnf romE uropeanr ationalism("p . 182),
ultimatelyd erivingf rom Descartesu' se of meditationt o purifyt he mind so as to see
clearly and without prejudice. The obvious source of the expression is Sanskrit
tathata( thusness,s uchness),w hich D. T. Suzukia ssociatesw ith the homelyJ apanese
expressionsk ono-mamaa nd sono-mama", justa s it is." I noticed some slight inaccuraciesi
n Wright'sc ritiqueo f Blofeld.N ote 22 on page 186 reads:" The Zen master
is thought 'to clothe invisible Reality in the garments of the religion then and there
prevailing'( Blofeld, TheZ en Teachingo f Hui Hai, p. 18)." In fact, in the passage
quoted Blofelds ayst he oppositeo f this: he speakso f "threea lternatives-to remain
silent . . .; to clothe invisible Reality. . .; or to point the way by systematically
demolishinga ll the categorieso f thought.. ... It is this last approachw hich gaver ise
to ... Zen."A gain,W rights ayst hat Blofelds eesE nlightenmenat s "anU ltimateP erfection
lying beyond the realmo f ever-changingfo rms"( p. 184), but the reference
in Blofeld'st ext is to the objecto f PureL andf aith.
A mere review is not the place to resolve the issues dealt with in Dale Wright's
profoundly attentive study of a classic moment in Zen history. As we continue to
strugglew ith these issues,h is book will remaina landmarkp oint of reference.
Joseph S. O'Leary
SophiaU niversityT, okyo
發表於2024-11-23
Philosophical Meditations on Zen Buddhism (Cambridge Studies in Religious Traditions) 2024 pdf epub mobi 電子書 下載
圖書標籤: 海外禪宗研究 哲學 zen Wright 黃檗 禪宗 禪 宗教
理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
評分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
評分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
評分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
評分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
Philosophical Meditations on Zen Buddhism (Cambridge Studies in Religious Traditions) 2024 pdf epub mobi 電子書 下載