Contemporary Chinese Novels and Short Stories, 1949-1972

Contemporary Chinese Novels and Short Stories, 1949-1972 pdf epub mobi txt 电子书 下载 2026

出版者:Harvard University Asia Center
作者:Meishi Tsai
出品人:
页数:424
译者:
出版时间:1979-4-17
价格:USD 39.50
装帧:Hardcover
isbn号码:9780674166813
丛书系列:
图书标签:
  • 中国当代文学
  • 现代文学
  • 小说
  • 短篇小说
  • 1949-1972
  • 文学批评
  • 中国文学史
  • 文化研究
  • 红色文学
  • 现实主义文学
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具体描述

Contemporary Chinese Novels and Short Stories, 1949-1972: A Literary Tapestry of a Transformative Era This collection offers a profound exploration into the vibrant and complex landscape of Chinese literature between 1949 and 1972, a period of immense societal upheaval and ideological transformation. It delves into the creative outpourings of a nation navigating its nascent communist identity, the echoes of revolutionary fervor, and the burgeoning aspirations of its people. Through a curated selection of novels and short stories, readers are invited to witness the unfolding narrative of modern China, as seen through the eyes of its writers. The literary output of this era is deeply intertwined with the political and social currents that shaped the People's Republic of China. The period commences with the establishment of the PRC in 1949, marking a definitive break with the past and the dawn of a new political order. Literature, as a powerful tool of propaganda and ideological dissemination, became a crucial medium for articulating the goals and values of the new regime. Writers were tasked with portraying the triumphs of the revolution, celebrating the working class and peasantry, and denouncing the perceived evils of feudalism, imperialism, and bourgeois ideology. This resulted in a significant body of work that often adhered to socialist realism, emphasizing clear moral distinctions, heroic characters, and optimistic resolutions. However, to pigeonhole the literature of this period solely as propaganda would be to overlook its inherent nuances and the individual voices that, even within constraints, sought to capture the human experience. The collection showcases stories that, while operating within the prevailing ideological framework, managed to imbue their narratives with genuine emotion, relatable characters, and keen observations of daily life. We encounter the struggles and triumphs of farmers as they collectivize their land, the dedication of workers striving to rebuild a nation, and the evolving roles of women in a society undergoing radical change. The impact of campaigns such as the Great Leap Forward and the early stages of the Cultural Revolution are reflected, albeit often indirectly, in the literary works that emerged, illustrating the immense pressure and expectations placed upon writers. The short story format, in particular, proved adept at capturing intimate moments and individual perspectives. These concise narratives often explored themes of personal growth, the challenges of adapting to new societal norms, and the complex relationships forged amidst collective endeavors. We see protagonists grappling with their past lives, embracing their new identities as citizens of a socialist state, and navigating the intricacies of personal relationships within a rapidly changing social fabric. The collection highlights authors who, through their mastery of language and narrative structure, were able to create compelling portraits of ordinary individuals caught in the currents of extraordinary historical events. The novels featured offer more expansive canvases, allowing for the development of complex characters and multifaceted plotlines. These longer works often delve into the broader societal shifts, examining the impact of land reform, the establishment of new industries, and the ideological indoctrination processes. They provide a window into the collective memory of the era, reflecting both the official narrative and the underlying human experiences that often defied easy categorization. The meticulous detail and descriptive power employed by many of these novelists transport the reader to the heart of the events, allowing for a visceral understanding of the era's aspirations and anxieties. While the ideological directives of the time undoubtedly shaped the direction of literary production, it is also crucial to recognize the creative evolution that occurred. Even within the parameters of socialist realism, writers found avenues for artistic expression, experimenting with narrative techniques, character development, and thematic exploration. The transition from the early years of nation-building, characterized by a fervent revolutionary spirit, to the increasingly ideologically charged atmosphere of the 1960s and early 1970s is palpable within the literary record. The collection implicitly traces this trajectory, demonstrating how literary styles and thematic preoccupations adapted to the shifting political climate. This compilation serves as an indispensable resource for anyone seeking to understand the literary and cultural history of China during this pivotal period. It moves beyond simplistic interpretations, offering a nuanced and comprehensive look at a literary tradition that was both a product of its times and a testament to the enduring power of storytelling. By engaging with these novels and short stories, readers gain invaluable insights into the hopes, dreams, and challenges of a nation forging its identity on the global stage, providing a rich and evocative tapestry of a transformative era in Chinese history.

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对于任何想要深入研究中国现代文学发展脉络的学者或爱好者来说,这套选集是不可绕过的基石。它提供了一个清晰的时间轴,展示了从解放区文学到十七年文学,再到文革前夕的文学景观是如何一步步构建和演变的。我尤其欣赏编者在选材上的严谨性,他们没有仅仅挑选那些“标准范本”,而是纳入了大量可能在当时并不那么“主流”,但却极具研究价值的篇目。这种细致的考量,让读者能够清晰地追踪到文学创作受政治气候影响的敏感度。比如,某些描写农村合作化的细节,其措辞的微妙变化,本身就蕴含着政策调整的信号。阅读它,需要的不仅仅是文学素养,更需要对中国近现代史有基本的了解,才能真正体会到每一句话背后潜藏的历史重量和时代回响。它要求读者成为一个主动的解码者,而非被动的接受者。

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这本书最让我感到震撼的,是它对“改造”这一主题的反复叩问与展现。从1949年开始,几乎所有的叙事都围绕着“如何成为一个新人”、“如何建设一个新世界”展开。我注意到,早期的作品充满了对旧世界的批判和对新秩序的热烈拥护,那种昂扬的斗志是毋庸置疑的。然而,随着时间的推移,特别是在七十年代初期的几篇作品里,我捕捉到了一种微妙的转向——那种理想主义的激情似乎被更深沉的、更内化的思考所取代。人物开始在集体的洪流中寻找自我存在的微小空间,尽管这种寻找是小心翼翼的,甚至是带着某种自我审查的痕迹。这让我不禁思考,在那种高压的意识形态下,文学的真实性是如何艰难地寻求出路的?这些作品就像一面棱镜,折射出那个年代知识分子和普通人内心深处的矛盾与挣扎,那是一种被时代推着走,却又不甘心完全被塑形的复杂人性。

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总而言之,抛开政治标签不谈,从纯文学欣赏的角度来看,这批作品的叙事技巧和情感深度,仍然拥有不容忽视的价值。虽然有些作品的叙事模式如今看来略显程式化,但其中涌现出的天才的笔触和对人性的敏锐观察,是跨越时代的。我发现自己开始关注那些边缘人物——那些在宏大叙事中被简化处理的小角色,他们是如何在时代的缝隙中努力活下去的。这些故事,就像深埋在历史土壤下的种子,有些已经枯萎,但有些则以一种沉默的方式,积蓄着力量,等待着被重新发现和解读。这本书带给我的,不是一个简单的阅读体验,而是一场与过去时空的深度对话,它让我对“文学与时代的关系”有了更深刻、更复杂也更具敬畏感的理解。它厚重,但绝对值得你投入时间去细细品味其中的每一层肌理。

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这本厚重的《当代中国小说与短篇故事,1949-1972》简直是一部活的历史教科书,只是它的文字是渗透着时代的脉搏和人性的挣扎。我花了整整一个夏天沉浸其中,那种感觉就像是穿越回了那个风云变幻的年代。首先映入眼帘的,是那些描绘新中国成立初期,人民如何从旧社会泥泞中挣脱出来的叙事。你会看到那些淳朴的农民,他们对土地的依恋和对新生活的向往,是多么的真实而又饱含激情。作者们笔下的人物,他们的喜怒哀乐,他们的集体主义的觉醒与个人情感的微妙冲突,都被刻画得入木三分。我尤其喜欢其中几篇关于“大跃进”时期的短篇,虽然篇幅不长,但那种宏大叙事背景下个体的无力和坚持,读来令人唏嘘不已。它不仅仅是文学作品的汇编,更像是那个特定历史阶段的一份珍贵档案,让我对那个时代有了更立体、更富有人情味的理解,远比教科书上的描述要深刻得多。翻阅这些文字,仿佛能闻到那个年代特有的尘土味和食堂里飘出的饭菜香。

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深入阅读之后,我发现这套选集在艺术处理上展现了极大的多样性,这才是它真正的魅力所在。有人会以为这个时期的文学作品都是千篇一律的“样板戏”风格,但事实恰恰相反。有的作家偏爱现实主义的白描手法,用极其克制的语言描绘着日常生活的波澜不惊,却在不动声色间蕴含着巨大的张力。比如那些关于城市工人生活的片段,那种对生产细节的精准捕捉,那种对劳动之美的歌颂,读起来有一种沉静的力量。而另一些作品则大胆采用了象征和隐喻,尤其是在一些过渡时期的作品中,那种对革命浪漫主义的探索,虽然带着明显的时代烙印,但其想象力的飞扬仍然令人赞叹。这种风格上的跨度,使得整部作品读起来绝不枯燥,它像一个巨大的调色盘,虽然主色调是红色,但其间点缀的层次和阴影,却丰富得让人目不暇接。每一个作者都在用自己的独特声线,为那个时代的史诗谱写着不同的乐章。

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