Contemporary Chinese Novels and Short Stories, 1949-1972

Contemporary Chinese Novels and Short Stories, 1949-1972 pdf epub mobi txt 電子書 下載2026

出版者:Harvard University Asia Center
作者:Meishi Tsai
出品人:
頁數:424
译者:
出版時間:1979-4-17
價格:USD 39.50
裝幀:Hardcover
isbn號碼:9780674166813
叢書系列:
圖書標籤:
  • 中國當代文學
  • 現代文學
  • 小說
  • 短篇小說
  • 1949-1972
  • 文學批評
  • 中國文學史
  • 文化研究
  • 紅色文學
  • 現實主義文學
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具體描述

Contemporary Chinese Novels and Short Stories, 1949-1972: A Literary Tapestry of a Transformative Era This collection offers a profound exploration into the vibrant and complex landscape of Chinese literature between 1949 and 1972, a period of immense societal upheaval and ideological transformation. It delves into the creative outpourings of a nation navigating its nascent communist identity, the echoes of revolutionary fervor, and the burgeoning aspirations of its people. Through a curated selection of novels and short stories, readers are invited to witness the unfolding narrative of modern China, as seen through the eyes of its writers. The literary output of this era is deeply intertwined with the political and social currents that shaped the People's Republic of China. The period commences with the establishment of the PRC in 1949, marking a definitive break with the past and the dawn of a new political order. Literature, as a powerful tool of propaganda and ideological dissemination, became a crucial medium for articulating the goals and values of the new regime. Writers were tasked with portraying the triumphs of the revolution, celebrating the working class and peasantry, and denouncing the perceived evils of feudalism, imperialism, and bourgeois ideology. This resulted in a significant body of work that often adhered to socialist realism, emphasizing clear moral distinctions, heroic characters, and optimistic resolutions. However, to pigeonhole the literature of this period solely as propaganda would be to overlook its inherent nuances and the individual voices that, even within constraints, sought to capture the human experience. The collection showcases stories that, while operating within the prevailing ideological framework, managed to imbue their narratives with genuine emotion, relatable characters, and keen observations of daily life. We encounter the struggles and triumphs of farmers as they collectivize their land, the dedication of workers striving to rebuild a nation, and the evolving roles of women in a society undergoing radical change. The impact of campaigns such as the Great Leap Forward and the early stages of the Cultural Revolution are reflected, albeit often indirectly, in the literary works that emerged, illustrating the immense pressure and expectations placed upon writers. The short story format, in particular, proved adept at capturing intimate moments and individual perspectives. These concise narratives often explored themes of personal growth, the challenges of adapting to new societal norms, and the complex relationships forged amidst collective endeavors. We see protagonists grappling with their past lives, embracing their new identities as citizens of a socialist state, and navigating the intricacies of personal relationships within a rapidly changing social fabric. The collection highlights authors who, through their mastery of language and narrative structure, were able to create compelling portraits of ordinary individuals caught in the currents of extraordinary historical events. The novels featured offer more expansive canvases, allowing for the development of complex characters and multifaceted plotlines. These longer works often delve into the broader societal shifts, examining the impact of land reform, the establishment of new industries, and the ideological indoctrination processes. They provide a window into the collective memory of the era, reflecting both the official narrative and the underlying human experiences that often defied easy categorization. The meticulous detail and descriptive power employed by many of these novelists transport the reader to the heart of the events, allowing for a visceral understanding of the era's aspirations and anxieties. While the ideological directives of the time undoubtedly shaped the direction of literary production, it is also crucial to recognize the creative evolution that occurred. Even within the parameters of socialist realism, writers found avenues for artistic expression, experimenting with narrative techniques, character development, and thematic exploration. The transition from the early years of nation-building, characterized by a fervent revolutionary spirit, to the increasingly ideologically charged atmosphere of the 1960s and early 1970s is palpable within the literary record. The collection implicitly traces this trajectory, demonstrating how literary styles and thematic preoccupations adapted to the shifting political climate. This compilation serves as an indispensable resource for anyone seeking to understand the literary and cultural history of China during this pivotal period. It moves beyond simplistic interpretations, offering a nuanced and comprehensive look at a literary tradition that was both a product of its times and a testament to the enduring power of storytelling. By engaging with these novels and short stories, readers gain invaluable insights into the hopes, dreams, and challenges of a nation forging its identity on the global stage, providing a rich and evocative tapestry of a transformative era in Chinese history.

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對於任何想要深入研究中國現代文學發展脈絡的學者或愛好者來說,這套選集是不可繞過的基石。它提供瞭一個清晰的時間軸,展示瞭從解放區文學到十七年文學,再到文革前夕的文學景觀是如何一步步構建和演變的。我尤其欣賞編者在選材上的嚴謹性,他們沒有僅僅挑選那些“標準範本”,而是納入瞭大量可能在當時並不那麼“主流”,但卻極具研究價值的篇目。這種細緻的考量,讓讀者能夠清晰地追蹤到文學創作受政治氣候影響的敏感度。比如,某些描寫農村閤作化的細節,其措辭的微妙變化,本身就蘊含著政策調整的信號。閱讀它,需要的不僅僅是文學素養,更需要對中國近現代史有基本的瞭解,纔能真正體會到每一句話背後潛藏的曆史重量和時代迴響。它要求讀者成為一個主動的解碼者,而非被動的接受者。

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這本書最讓我感到震撼的,是它對“改造”這一主題的反復叩問與展現。從1949年開始,幾乎所有的敘事都圍繞著“如何成為一個新人”、“如何建設一個新世界”展開。我注意到,早期的作品充滿瞭對舊世界的批判和對新秩序的熱烈擁護,那種昂揚的鬥誌是毋庸置疑的。然而,隨著時間的推移,特彆是在七十年代初期的幾篇作品裏,我捕捉到瞭一種微妙的轉嚮——那種理想主義的激情似乎被更深沉的、更內化的思考所取代。人物開始在集體的洪流中尋找自我存在的微小空間,盡管這種尋找是小心翼翼的,甚至是帶著某種自我審查的痕跡。這讓我不禁思考,在那種高壓的意識形態下,文學的真實性是如何艱難地尋求齣路的?這些作品就像一麵棱鏡,摺射齣那個年代知識分子和普通人內心深處的矛盾與掙紮,那是一種被時代推著走,卻又不甘心完全被塑形的復雜人性。

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總而言之,拋開政治標簽不談,從純文學欣賞的角度來看,這批作品的敘事技巧和情感深度,仍然擁有不容忽視的價值。雖然有些作品的敘事模式如今看來略顯程式化,但其中湧現齣的天纔的筆觸和對人性的敏銳觀察,是跨越時代的。我發現自己開始關注那些邊緣人物——那些在宏大敘事中被簡化處理的小角色,他們是如何在時代的縫隙中努力活下去的。這些故事,就像深埋在曆史土壤下的種子,有些已經枯萎,但有些則以一種沉默的方式,積蓄著力量,等待著被重新發現和解讀。這本書帶給我的,不是一個簡單的閱讀體驗,而是一場與過去時空的深度對話,它讓我對“文學與時代的關係”有瞭更深刻、更復雜也更具敬畏感的理解。它厚重,但絕對值得你投入時間去細細品味其中的每一層肌理。

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這本厚重的《當代中國小說與短篇故事,1949-1972》簡直是一部活的曆史教科書,隻是它的文字是滲透著時代的脈搏和人性的掙紮。我花瞭整整一個夏天沉浸其中,那種感覺就像是穿越迴瞭那個風雲變幻的年代。首先映入眼簾的,是那些描繪新中國成立初期,人民如何從舊社會泥濘中掙脫齣來的敘事。你會看到那些淳樸的農民,他們對土地的依戀和對新生活的嚮往,是多麼的真實而又飽含激情。作者們筆下的人物,他們的喜怒哀樂,他們的集體主義的覺醒與個人情感的微妙衝突,都被刻畫得入木三分。我尤其喜歡其中幾篇關於“大躍進”時期的短篇,雖然篇幅不長,但那種宏大敘事背景下個體的無力和堅持,讀來令人唏噓不已。它不僅僅是文學作品的匯編,更像是那個特定曆史階段的一份珍貴檔案,讓我對那個時代有瞭更立體、更富有人情味的理解,遠比教科書上的描述要深刻得多。翻閱這些文字,仿佛能聞到那個年代特有的塵土味和食堂裏飄齣的飯菜香。

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深入閱讀之後,我發現這套選集在藝術處理上展現瞭極大的多樣性,這纔是它真正的魅力所在。有人會以為這個時期的文學作品都是韆篇一律的“樣闆戲”風格,但事實恰恰相反。有的作傢偏愛現實主義的白描手法,用極其剋製的語言描繪著日常生活的波瀾不驚,卻在不動聲色間蘊含著巨大的張力。比如那些關於城市工人生活的片段,那種對生産細節的精準捕捉,那種對勞動之美的歌頌,讀起來有一種沉靜的力量。而另一些作品則大膽采用瞭象徵和隱喻,尤其是在一些過渡時期的作品中,那種對革命浪漫主義的探索,雖然帶著明顯的時代烙印,但其想象力的飛揚仍然令人贊嘆。這種風格上的跨度,使得整部作品讀起來絕不枯燥,它像一個巨大的調色盤,雖然主色調是紅色,但其間點綴的層次和陰影,卻豐富得讓人目不暇接。每一個作者都在用自己的獨特聲綫,為那個時代的史詩譜寫著不同的樂章。

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