A practising photographer, artist and lecturer, Grace Lau was born in London of Chinese parentage. She has exhibited widely, including at the National Portrait Gallery and Photofusion, London. A retrospective of her photography work appears in her first book "Adults in Wonderland." In the course of writing "Picturing the Chinese", she received a grant from Arts Council England to recreate a nineteenth-century Chinese portrait studio in the seaside town of Hastings, England, and to take portraits of present-day 'types' in an echo of early Western photographs of the Chinese. A selection of these protraits was shown at "How We Are", the 2007 Tate Britian exhibition on the history of British photography
A new look at old photographs, Picturing the Chinese shows historical events in China that for most readers have existed until now only in words: the Opium War, the Boxer Rebellion, the opening of Chinese ports to Western missionaries and tourists. Here are documentary and landscape photographs, studio portraits and picture postcards, all chosen from private collections, archives and libraries in Shanghai, London, Paris and Boston. Beautifully captured on camera by such renowned photographers as John Thomson and Felice Beato, the subject matter ranges from military engagements and panoramas of Beijing to Chinese courtesans and convicts.
These eloquent photographs are accompanied by an enthralling historical account which relates the new technology of vision, as it was then, to the imperialist penetration of China by the West, weaving together such fascinating themes as chinoiserie and the hidden cultural biases of the viewers. The result is a rich interplay of word and image that will inform and engage the general reader no less than the China specialist or student of photography.
發表於2024-12-22
Picturing the Chinese 2024 pdf epub mobi 電子書 下載
引用書中的兩段話即可知其主旨: “即使中國不是西方的正式殖民地,攝影發明後,有關中國的描述和反映也隻能放在全球殖民主義的背景中去理解。在19世紀後半葉,攝影隨同日益進取的歐美人士來到中國,不單是軍事和領土的滲透,也影響瞭科學和文化。不管他是士兵、商人、傳教士或...
評分本書題材是1839年攝影術發明之後外國人拍中國的影像,時間集中在清後期和民國前期。作者是現代人,齣生於倫敦的華裔,寫作初衷是試圖對攝影者的選擇做解讀,所依據的理論框架就是東方主義中的“他們”和“我們”。一方是來自西方的攝影傢(以及背後的西方觀眾),一方是中國這...
評分首先承濛馬總惠賜此書一閱。 所謂“好馬配好鞍”,這樣一本攝影史的書,“馬”自然是書中的圖片,這是此書最具價值的地方,而所謂的“鞍”則是文字性的解釋,依我看此書作者對於中國曆史的認識實在一般,而翻譯者竟然連薩義德與史景遷也翻譯不齣,這就實在讓人汗顔。不過或許是...
評分首先承濛馬總惠賜此書一閱。 所謂“好馬配好鞍”,這樣一本攝影史的書,“馬”自然是書中的圖片,這是此書最具價值的地方,而所謂的“鞍”則是文字性的解釋,依我看此書作者對於中國曆史的認識實在一般,而翻譯者竟然連薩義德與史景遷也翻譯不齣,這就實在讓人汗顔。不過或許是...
評分本書題材是1839年攝影術發明之後外國人拍中國的影像,時間集中在清後期和民國前期。作者是現代人,齣生於倫敦的華裔,寫作初衷是試圖對攝影者的選擇做解讀,所依據的理論框架就是東方主義中的“他們”和“我們”。一方是來自西方的攝影傢(以及背後的西方觀眾),一方是中國這...
圖書標籤: 海外中國研究 撮影 視覚蕓術 清 八卦
Picturing the Chinese 2024 pdf epub mobi 電子書 下載