Originally published in the 1930s, these essays on realism, expressionism, and modernism in literature present Lukacs's side of the controversy among Marxist writers and critics now known as the Lukacs-Brecht debate. The book also includes an exchange of letters between LukA!cs, writing in exile in the Soviet Union, and the German Communist novelist, Anna Seghers, in which they discuss realism, the European literary heritage, and the situation of the artist in capitalist culture.
没读之前有点担心很无聊读完后觉得自己跟卢卡奇的脑回路意外地搭。他啰嗦归啰嗦,以康/黑为二元基础建立的体系大厦倒真是一个森严的堡垒,他雄踞这个堡垒内向一切势力开枪。而卢卡奇的现实主义实在太复杂和矛盾,它们既如布莱希特理解的那样指代着一种巴尔扎克托尔斯泰式僵硬的形式,又意味着他所强调的不断的联系、控制变量的实验。但有一点是非常让人钦佩的,那就是对看似有条理的、严丝合缝的世界从未降低的警惕性。这大概是我看了这么久的卢卡奇后,觉得理解他的基础所在吧。
评分"Those who are awake have a world in common, but every sleeper has a world of his own."--Heraclitus
评分"Those who are awake have a world in common, but every sleeper has a world of his own."--Heraclitus
评分没读之前有点担心很无聊读完后觉得自己跟卢卡奇的脑回路意外地搭。他啰嗦归啰嗦,以康/黑为二元基础建立的体系大厦倒真是一个森严的堡垒,他雄踞这个堡垒内向一切势力开枪。而卢卡奇的现实主义实在太复杂和矛盾,它们既如布莱希特理解的那样指代着一种巴尔扎克托尔斯泰式僵硬的形式,又意味着他所强调的不断的联系、控制变量的实验。但有一点是非常让人钦佩的,那就是对看似有条理的、严丝合缝的世界从未降低的警惕性。这大概是我看了这么久的卢卡奇后,觉得理解他的基础所在吧。
评分"Those who are awake have a world in common, but every sleeper has a world of his own."--Heraclitus
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