張旭東，紐約大學（NYU）比較文學係、東亞學係教授，北京大學“長江學者”講座教授，重慶大學人文社會科學高等研究院名譽院長（兼職），紐約大學-東京大學-北京大學-華東師範大學聯閤國際批評理論中心（ICCT）主任。中文著作包括《批評的蹤跡》、《紐約書簡》、《全球化時代的文化認同》、《對話啓濛時代》、《我們時代的寫作》等。譯有《發達資本主義時代的抒情詩人》、《啓迪》。編有《晚期資本主義時代的文化邏輯》、《後現代主義與中國》（英文）、《中國何處去——當代中國思想論爭》（英文）、《在全球化時代反思啓濛》（英文）等。

In Postsocialism and Cultural Politics, Xudong Zhang offers a critical analysis of China's "long 1990s," the tumultuous years between the 1989 and China's entry into the World Trade Organization in 2001. The 1990s were marked by Deng Xiaoping's market-oriented reforms, the Taiwan missile crisis, the Asian financial crisis, and the end of British colonial rule of Hong Kong. Considering developments including the state's cultivation of a market economy, the aggressive neoliberalism that accompanied that effort, the rise of a middle class and a consumer culture, and China's entry into the world economy, Zhang argues that Chinese socialism is not over. Rather it survives as postsocialism, which is articulated through the discourses of postmodernism and nationalism and through the co-existence of multiple modes of production and socio-cultural norms. Highlighting China's uniqueness, as well as the implications of its recent experiences for the wider world, Zhang suggests that Chinese postsocialism illuminates previously obscure aspects of the global shift from modernity to postmodernity.

Zhang examines the reactions of intellectuals, authors, and filmmakers to the cultural and political conflicts in China during the 1990s. He offers a nuanced assessment of the changing divisions and allegiances within the intellectual landscape, and he analyzes the postsocialist realism of the era through readings of Mo Yan's fiction and the films of Zhang Yimou. With Postsocialism and Cultural Politics, Zhang applies the same keen insight to China's long 1990s that he brought to bear on the 1980s in Chinese Modernism in the Era of Reforms.