具体描述
Max Scheler (1874-1928) was one of the major philosophers of the 20th Century. He was one of the three original phenomenologists - along with Husserl and Heidegger - who set the scene for phenomenological, existential and life philosophy, which dominated Continental European philosophy in that era. Of those three he is the least well known, partly because he died relatively young, partly because he was half-Jewish and foretold the National Socialist regime in Germany, and therefore his books were banned for fifteen years, and partly because his writings were ahead of his time.
This translation, taken from his posthumous writings, carefully conserved by his widow, is of inestimable significance. It brings together most of what he wrote on metaphysics and human anthropology, the two topics which he was preoccupied with at the time of his death, and which he had promised would be full-length books. Anyone with any interest in the nature of the human being, and anyone with a sense that the current dispute between scientists and theologians is missing the point, should pounce on this book as providing a feast of inspiration.
作者简介
Translator:
John Cutting was born in Aberdeen, Scotland, and brought up in Yorkshire. He qualified as a doctor of medicine in London, then studied psychiatry and worked as a consultant psychiatrist at the Maudsley and Bethlem Hospitals and the Institute of Psychiatry in London for 20 years. For the last 15 years he has been studying philosophy with the aim of contributing to the growing discipline of philosophical psychopathology - explaining conditions such as schizophrenia and depression in philosophical terms.
目录信息
The Essential Theory and Typology of Metaphysical Systems and Weltanschauungen
My Theory of the Cognitive and Methodological Aspects of Metaphysics
The Constitution of the Human Being
The Metaphysics of the Human Being
The Metaphysics of Cognition
The Metasciences
Theory of the Causes of Everything
Supplementary Remarks
· · · · · · (收起)
读后感
用户评价
读完这本书，我感到一种强烈的、近乎原始的震撼。它的结构处理得非常大胆，仿佛一块被打碎的镜子，碎片被精心重组，反射出的是一种非线性的、多维度的现实图景。节奏的掌控堪称教科书级别——时而如疾风骤雨，信息量爆炸，令人喘不过气；时而又慢得如同冰川移动，每一个字都承载着千钧之力。这种张弛有度的叙事策略，使得阅读体验充满了动态感和不可预测性。对于习惯了传统线性叙事的读者来说，可能需要适应开头的迷宫感，但一旦适应，就会发现作者构建的这个复杂系统内部逻辑是何等的严谨而迷人。这不仅仅是故事，更像是一次对传统文学范式的挑战与重塑，充满了实验精神。
评分这部作品的叙事弧光简直令人拍案叫绝！作者以一种近乎哲学的笔触，缓缓铺陈出一个宏大而又细腻的世界观。它并非那种堆砌辞藻的矫饰之作，而是那种沉静下来才能真正体会到其深邃内涵的文字。我尤其欣赏它在描绘人物内心挣扎时的那种不动声色，仿佛只是轻轻拂过水面，却能引出层层涟漪。书中对“存在”与“意义”的探讨，并非给出僵硬的答案，而是巧妙地将问题抛回给读者，促使我们在合上书页后，依然久久不能平息内心的思索。那种知识与情感交织的平衡感，是很多文学作品难以企及的高度。它让你感觉到，你不是在阅读一个故事，而是在经历一场对自身认知边界的拓展，那种醍醐灌顶的瞬间，让人忍不住想立刻重读一遍，去捕捉那些初读时可能忽略的细微线索。
评分坦白说，初读时我略感吃力，并非语言晦涩，而是其思想密度实在太高。它像一坛陈年的老酒，需要时间去醒，去品味那种醇厚的后劲。作者似乎毫不留情地撕开了许多我们习以为常的“舒适区”的遮羞布，直面那些我们本能逃避的矛盾和悖论。然而，正是这种毫不留情的剖析，带来了一种独特的解放感。那些看似不相关的线索，在后半部分汇集成一股强大的洪流，将所有的铺垫清晰地揭示出来，那种“原来如此”的恍然大悟，带来的满足感是无以复加的。这更像是一场精心设计的智力探险，考验着读者的专注力和联想力，回报则是对世界更深一层的理解。
评分这部书最让我着迷的地方，在于它对“环境”和“内在秩序”之间关系的精妙刻画。作者似乎拥有一种罕见的透视能力，能够看到构成我们日常经验的那些底层代码。它不是那种高高在上的学术论著，而是将复杂的理论巧妙地融入到日常场景之中，使得抽象的概念变得触手可及，甚至带有某种诗意的温度。举例来说，书中对时间流逝的描述，就彻底颠覆了我以往的认知，它不再是均匀流动的刻度，而是一种可塑的、受观察者影响的实体。这种“发现”的乐趣贯穿始终，让人每翻过一页，都仿佛在重新校准自己的感官世界。阅读过程与其说是吸收信息，不如说是一次感官的重新布线。
评分我必须承认，这本书的艺术感染力是极其强大的。它没有刻意追求戏剧冲突，但字里行间却弥漫着一种宿命般的张力。作者的文字风格是冷静的，甚至是近乎疏离的，但这冷静反而衬托出主题的重量。它不像很多畅销书那样急于取悦读者，而是坚持自己的节奏和深度，这无疑会筛选掉一部分读者，但对于能够沉浸其中的人来说，它提供的价值是无可替代的。它真正做到了“言之有物”，并且是用一种近乎于“无言之美”的方式呈现的。合上它的时候，我感到自己像一个刚完成了一次漫长太空行走的人，重新踏足地球，眼前的景物虽然熟悉，但视角已经彻底不同了。
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