The Origin of Perspective 2024 pdf epub mobi 電子書下載

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In part a response to Panofsky's Perspective as Symbolic Form, The Origin of Perspective is much more. In France it is considered one of the most important works of art history to have appeared in the last twenty years. With the exception of Michel Foucault's analysis of Las Meninas, it is perhaps the first time a structuralist method such as the one developed by Claude Levi-Strauss in The Way of the Masks has been thoroughly and convincingly applied to Western art.

The task Damisch has set for himself is to refute both the positivist critics, whose approach makes up the bulk of perspective studies and is based on a complete repression of Panofsky's early work, and the current pseudo-avant-gardist position (whether in the field of cinema studies or in literary criticism), which tends to disregard facts and theoretical analysis.

Damisch argues that if a theoretical analysis of perspective is possible, using all the tools of structuralist semiotics, it is only possible in the context of a close look at its appearance in history, beginning with the details of the "invention" of perspective.

In the first part Damisch reassesses Panofsky's account, considered here as the theoretical starting block. While he appreciates the extraordinary depth of Panofsky's text, Damisch exposes its shortcomings, and prepares to show through various examples that perspective in painting is not simply a matter of verisimilitude, but of thought, the notion of "thought in painting" being at the core of his work.

The second part of the book brings the historical invention of perspective into focus, discussing the experiments with mirrors made by Brunelleschi, connecting it to the history of consciousness via Jacques Lacan's definition of the "tableau" as "a configuration in which the subject as such gets its bearings.".

In the third - and most pointedly structuralist - part, Damisch traces the history of the "perspective paradigm," with a full discussion of the theoretical implications of its constitutive moments, in a brilliant analysis of the three known panel paintings of the "ideal City" produced in the quattrocento, in Piero della Francesca's works, in Carpaccio's works, and finally in Velasquez's Las Meninas.

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發表於2024-05-18

The Origin of Perspective 2024 pdf epub mobi 電子書下載

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Hubert Damisch的《透視之源（the Origin of Perspective）》一書試圖以結構主義的視角將透視看做是一個自洽的象徵係統，以此來反對藝術史研究中將透視看做一種作畫工具的慣例。在Damisch看來，“再現”並不是作畫的主要目的，透視更不是僅僅完成準確“再現”的科學手段。透視...

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Anglo-American art history barely registered the passage of Structuralism. This philosophical movement, which had such profound reverberations for other fields in the humanities, most notably linguistics and anthropology, was resolutely ignored by most art ...

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出版者:The MIT Press

作者:Hubert Damisch

出品人:

頁數:477

譯者:John Goodman

出版時間:1995-8-4

價格:USD 40.00

裝幀:Paperback

isbn號碼:9780262540773

叢書系列:

圖書標籤: 藝術史藝術理論透視於貝爾·達彌施建築理論藝術透視法繪畫

The Origin of Perspective 2024 pdf epub mobi 電子書下載

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The Origin of Perspective pdf epub mobi 用戶評價

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impossible to read, should be good, though.

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Damisch保留瞭帕諾夫斯基對透視的基本論點，即透視法關乎“構建”勝過“再現”，因為外在的世界依賴著而非脫離主體（即觀者）存在。同時，Damisch引入瞭拉康的“象徵秩序”，認為滅點與視點在平麵幾何中重閤，有著“他者”的價值。最喜歡的部分是將繪畫透視類比與舞颱透視，從圖像學層麵展開討論，但最終深入兩者所采用的透視法結構上進行比較，道齣觀者的位置並不決定透視的圖像，決定外觀的是地平綫的高低，即幾何秩序。作者從帕諾夫斯基的象徵形式齣發，卻又超越瞭帕對阿爾貝蒂理論的過度依賴，指齣十五世紀末至十六世紀初的三幅“烏爾比諾透視”作為一組互相關聯的係列如何與布魯內萊斯基的洗禮堂原型産生關係。Damisch的結構主義旨在超越圖像學、作者、斷代。

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看得頭大，太難讀瞭。而且感覺和MP的路子也不一樣，和拉康反而更有聯係一些。

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一個尋常的關於“看”的現象，一個不尋常的發展史，這是靈魂附體，還是靈光乍現？且聽DAMISCH娓娓道來

評分☆☆☆☆☆

impossible to read, should be good, though.

The Origin of Perspective 2024 pdf epub mobi 電子書下載