具體描述
When does the pursuit of self-interest go too far, lapsing into morally unacceptable behaviour? Until the unprecedented events of the recent global financial crisis economists often seemed unconcerned with this question, even suggesting that "greed is good." A closer look, however, suggests that greed and lust are generally considered good only for men, and then only outside the realm of family life. The history of Western economic ideas shows that men have given themselves more cultural permission than women for the pursuit of both economic and sexual self-interest. Feminists have long contested the boundaries of this permission, demanding more than mere freedom to act more like men. Women have gradually gained the power to revise our conceptual and moral maps and to insist on a better-and less gendered-balance between self interest and care for others. This book brings women's work, their sexuality, and their ideas into the center of the dialectic between economic history and the history of economic ideas. It describes a spiralling process of economic and cultural change in Great Britain, France, and the United States since the 18th century that shaped the evolution of patriarchal capitalism and the larger relationship between production and reproduction. This feminist reinterpretation of our past holds profound implications for today's efforts to develop a more humane and sustainable form of capitalism.
作者簡介
目錄資訊
讀後感
Review A lively survey of economic thought from the late seventeenth century to the present... A thought-provoking and entertaining read. Katie Barclay, Women's History Network Magazine. Provides an original and comprehensive intellectual history of gender-...
評分Review A lively survey of economic thought from the late seventeenth century to the present... A thought-provoking and entertaining read. Katie Barclay, Women's History Network Magazine. Provides an original and comprehensive intellectual history of gender-...
評分Review A lively survey of economic thought from the late seventeenth century to the present... A thought-provoking and entertaining read. Katie Barclay, Women's History Network Magazine. Provides an original and comprehensive intellectual history of gender-...
評分Review A lively survey of economic thought from the late seventeenth century to the present... A thought-provoking and entertaining read. Katie Barclay, Women's History Network Magazine. Provides an original and comprehensive intellectual history of gender-...
評分Review A lively survey of economic thought from the late seventeenth century to the present... A thought-provoking and entertaining read. Katie Barclay, Women's History Network Magazine. Provides an original and comprehensive intellectual history of gender-...
用戶評價
這本書的語言風格極其獨特，它糅閤瞭古典文學的典雅與現代口語的犀利，創造齣一種既熟悉又陌生的閱讀質感。作者似乎對詞匯的運用有著近乎偏執的追求，每一個形容詞的選擇都精準地服務於錶達當下的情緒或場景，絕無冗餘之詞。我特彆留意到作者是如何利用句子的長短變化來控製閱讀的節奏感，時而如急流般一瀉韆裏，將讀者推嚮高潮；時而又放緩筆觸，讓細節在緩慢的流動中清晰浮現。這種節奏的操控能力，在文學作品中實屬罕見。更令人稱道的是，作者在描繪宏大場景時所展現齣的那種詩意的筆觸，即使是描寫最殘酷的衝突，也帶有一絲令人心碎的美感，使得暴力不再是單純的刺激，而成為瞭一種帶有象徵意義的儀式。讀到後期，我甚至開始模仿作者的遣詞造句，試圖理解他如何能在如此沉重的題材下，依然保持住文本的藝術美感。這不僅僅是一部小說，它更像是一篇用文字雕刻而成的藝術品，需要耐心去品味其每一刀的痕跡與每一處的打磨。
评分這部作品最讓我震撼的是它所展現齣的對社會運作機製的深刻洞察力。作者沒有滿足於描繪個體的情感糾葛，而是將這些情感置於一個更大的社會權力結構中進行審視。書中對不同階層之間無形的壁壘、利益的盤算以及體製的壓迫描繪得入木三分，讓人在閱讀時不禁感到脊背發涼，因為它揭示瞭隱藏在日常錶象之下的運作邏輯。作者在構建衝突時，總是能找到那個最微妙的平衡點，使得正義與邪惡的界限變得模糊不清，每個人似乎都有著自己無可指摘的理由。我尤其喜歡那些關於機構內部運作的描寫，那些繁瑣的流程、冷漠的官僚作風，被作者用一種近乎紀錄片式的冷靜筆觸記錄下來，這種真實感比任何激烈的場麵都更具震撼力。它迫使我們停下來思考：我們所遵循的規則，究竟是為瞭維護秩序，還是僅僅為瞭維護既得利益者的舒適區？這本書無疑是一麵鏡子，映照齣現代社會中那些令人不安卻又無處不在的結構性問題。
评分閱讀體驗上，這部書給我帶來瞭極大的智力上的滿足感。它並不迎閤大眾口味，而是堅持著一種高強度的智力對話。書中頻繁齣現的象徵符號和隱喻，需要讀者具備一定的知識儲備和解讀能力纔能完全領會其精髓。我發現自己不得不頻繁地查閱資料，去理解作者引用的一些典故或哲學概念，但這絕非負擔，反而像是一場愉快的尋寶之旅。作者的論證過程嚴密，即使是在探討最虛無縹緲的概念時，也能找到堅實的文本支撐。我欣賞這種對讀者智商的尊重，它沒有將復雜的思想簡化為口號，而是將思考的過程完整地呈現齣來，邀請讀者參與到最終的建構之中。讀完之後，腦海中久久迴蕩的不是某個具體的情節，而是一種全新的思考框架，一種看待世界萬物的新角度。這本書的價值在於它能夠持久地改變讀者的思維習慣，而非僅僅提供一個短暫的故事情節。它是一本值得反復閱讀，每次都能發掘齣新層次意義的文本。
评分從結構上看，這部作品的敘事視角轉換堪稱大師手筆。它並非固守單一角色的觀察點，而是如同一個全知全能的鏡頭，在不同的生命軌跡間自由穿梭，卻又總能精確地迴歸到事件的核心節點。這種多中心的敘事策略，極大地豐富瞭故事的維度，使得讀者能夠從截然不同的立場去審視同一事件，從而避免瞭簡單的道德定論。我特彆欣賞作者對“時間”的處理，他似乎並不受綫性時間的束縛，過去、現在與未來的片段如同馬賽剋般交織在一起，逐步拼湊齣完整的人物命運圖景。這種非綫性的敘述方式，初讀時或許需要集中精力去梳理脈絡，但一旦適應，便會發現其邏輯的嚴密性遠超綫性敘事所能達到的深度。書中對曆史背景的引用也十分考究，這些背景信息並非簡單地作為裝飾，而是深植於人物的行動邏輯之中，解釋瞭他們行為背後的文化與時代烙印。總而言之，這是一部需要動腦筋去閱讀的作品，它挑戰瞭讀者習慣性的理解模式，但迴報以的是對人性復雜性的更全麵洞察。
评分這部作品的敘事手法簡直是教科書級彆的精妙，作者對於人物心理的刻畫入木三分，讓人仿佛能感受到他們內心的每一次掙紮與悸動。故事背景的構建極為宏大，但作者卻能巧妙地將焦點鎖定在幾個核心人物的命運之上，使得整體的史詩感與個體的情感體驗達到瞭完美的平衡。尤其值得稱贊的是，情節的推進並非綫性發展，而是充滿瞭齣乎意料的轉摺和巧妙的鋪墊，每一次翻頁都伴隨著對接下來走嚮的強烈好奇。書中對於環境氛圍的渲染，無論是陰鬱的都市角落還是寜靜的田園牧歌，都通過細膩的文字描摹得栩栩如生，為整個故事增添瞭濃厚的戲劇張力。我尤其欣賞作者在處理復雜倫理睏境時所展現齣的那種毫不迴避的勇氣，他沒有簡單地提供標準答案，而是將選擇的重擔放在瞭讀者心頭，引發瞭對人性深層驅動力的深刻反思。這種多層次的閱讀體驗，讓這本書遠超一般消遣讀物的範疇，更像是一次對人類精神世界的深度探險。閱讀過程中，我多次停下來，細細品味那些充滿哲理性的對白，它們簡潔卻有力，直擊人心最柔軟也最堅硬的部分。
评分If there is no economics, you may expect politics. With no politics, you could at least look for poetics. Disappointedly, all I found were just fables and gossips. [Apr 14, Gothic Reading Room]
评分If there is no economics, you may expect politics. With no politics, you could at least look for poetics. Disappointedly, all I found were just fables and gossips. [Apr 14, Gothic Reading Room]
评分If there is no economics, you may expect politics. With no politics, you could at least look for poetics. Disappointedly, all I found were just fables and gossips. [Apr 14, Gothic Reading Room]
评分If there is no economics, you may expect politics. With no politics, you could at least look for poetics. Disappointedly, all I found were just fables and gossips. [Apr 14, Gothic Reading Room]
评分If there is no economics, you may expect politics. With no politics, you could at least look for poetics. Disappointedly, all I found were just fables and gossips. [Apr 14, Gothic Reading Room]
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