发表于2024-12-30
Backward Glances 2024 pdf epub mobi 电子书
The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...
评分The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...
评分The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...
评分The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...
评分The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...
图书标签: Lesbian Culture 酷儿 買了還未看 英文版 电影批评/理论 文学批评/理论 文化研究
Backward Glances reveals that the passionate love one woman feels for another occupies a position of unsuspected centrality in contemporary Chinese mass cultures. By examining representations of erotic and romantic love between women in popular films, elite and pulp fiction, and television dramas, Fran Martin shows how youthful same-sex love is often framed as a universal, even ennobling, feminine experience. She argues that a temporal logic dominates depictions of female homoeroticism, and she traces that logic across texts produced and consumed in mainland China, Hong Kong, and Taiwan during the twentieth century and the early twenty-first. Attentive to both transnational cultural flows and local particularities, Martin shows how loving relations between women in mass culture are usually represented as past experiences. Adult protagonists revel in the repeated, mournful narration of their memories. Yet these portrayals do not simply or finally consign the same-sex loving woman to the past—they also cause her to reappear ceaselessly in the present.
As Martin explains, memorial schoolgirl love stories are popular throughout contemporary Chinese cultures. The same-sex attracted young woman appears in both openly homophobic and proudly queer-affirmative narratives, as well as in stories whose ideological valence is less immediately clear. Martin demonstrates that the stories, television programs, and films she analyzes are not idiosyncratic depictions of marginal figures, but manifestations of a broader, mainstream cultural preoccupation. Her investigation of representations of same-sex love between women sheds new light on contemporary Chinese understandings of sex, love, gender, marriage, and the cultural ordering of human life.
考察1920年代至今华语文学及影视剧中的(类)女同叙事如何将女性间的情欲刻画为青春怀旧的对象。马嘉兰认为这一时间限定(同性欲望先于女性步入异性婚姻)在铭刻异性恋霸权、目的论叙事的同时,也通过召唤未完成的“过去”来实现对“当下”的批判性干预。书中的议题与酷儿理论对queer temporality的思考有许多可对话的地方,不过全书除了一处注释引用Edelman之外没有触及任何相关讨论,对酷儿理论的介入主要集中在对《暗柜认识论》的回应。
评分考察1920年代至今华语文学及影视剧中的(类)女同叙事如何将女性间的情欲刻画为青春怀旧的对象。马嘉兰认为这一时间限定(同性欲望先于女性步入异性婚姻)在铭刻异性恋霸权、目的论叙事的同时,也通过召唤未完成的“过去”来实现对“当下”的批判性干预。书中的议题与酷儿理论对queer temporality的思考有许多可对话的地方,不过全书除了一处注释引用Edelman之外没有触及任何相关讨论,对酷儿理论的介入主要集中在对《暗柜认识论》的回应。
评分考察1920年代至今华语文学及影视剧中的(类)女同叙事如何将女性间的情欲刻画为青春怀旧的对象。马嘉兰认为这一时间限定(同性欲望先于女性步入异性婚姻)在铭刻异性恋霸权、目的论叙事的同时,也通过召唤未完成的“过去”来实现对“当下”的批判性干预。书中的议题与酷儿理论对queer temporality的思考有许多可对话的地方,不过全书除了一处注释引用Edelman之外没有触及任何相关讨论,对酷儿理论的介入主要集中在对《暗柜认识论》的回应。
评分考察1920年代至今华语文学及影视剧中的(类)女同叙事如何将女性间的情欲刻画为青春怀旧的对象。马嘉兰认为这一时间限定(同性欲望先于女性步入异性婚姻)在铭刻异性恋霸权、目的论叙事的同时,也通过召唤未完成的“过去”来实现对“当下”的批判性干预。书中的议题与酷儿理论对queer temporality的思考有许多可对话的地方,不过全书除了一处注释引用Edelman之外没有触及任何相关讨论,对酷儿理论的介入主要集中在对《暗柜认识论》的回应。
评分考察1920年代至今华语文学及影视剧中的(类)女同叙事如何将女性间的情欲刻画为青春怀旧的对象。马嘉兰认为这一时间限定(同性欲望先于女性步入异性婚姻)在铭刻异性恋霸权、目的论叙事的同时,也通过召唤未完成的“过去”来实现对“当下”的批判性干预。书中的议题与酷儿理论对queer temporality的思考有许多可对话的地方,不过全书除了一处注释引用Edelman之外没有触及任何相关讨论,对酷儿理论的介入主要集中在对《暗柜认识论》的回应。
Backward Glances 2024 pdf epub mobi 电子书