Jerome David Salinger (/ˈsælɪndʒər/; January 1, 1919 – January 27, 2010) was an American writer known for his widely-read novel The Catcher in the Rye. Following his early success publishing short stories and The Catcher in the Rye, Salinger led a very private life for more than a half-century. He published his final original work in 1965 and gave his last interview in 1980.
Salinger was raised in Manhattan and began writing short stories while in secondary school. Several were published in Story magazine[1] in the early 1940s before he began serving in World War II. In 1948, his critically acclaimed story "A Perfect Day for Bananafish" appeared in The New Yorker magazine, which became home to much of his later work. The Catcher in the Rye was published in 1951 and became an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield was influential, especially among adolescent readers.[2] The novel remains widely read and controversial,[a] selling around 250,000 copies a year.
The success of The Catcher in the Rye led to public attention and scrutiny. Salinger became reclusive, publishing new work less frequently. He followed Catcher with a short story collection, Nine Stories (1953); a volume containing a novella and a short story, Franny and Zooey (1961); and a volume containing two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963). His last published work, a novella entitled "Hapworth 16, 1924", appeared in The New Yorker on June 19, 1965. Afterward, Salinger struggled with unwanted attention, including a legal battle in the 1980s with biographer Ian Hamilton and the release in the late 1990s of memoirs written by two people close to him: Joyce Maynard, an ex-lover; and Margaret Salinger, his daughter. In 1996, a small publisher announced a deal with Salinger to publish "Hapworth 16, 1924" in book form, but amid the ensuing publicity the release was indefinitely delayed.[3][4] He made headlines around the globe in June 2009 when he filed a lawsuit against another writer for copyright infringement resulting from that writer's use of one of the characters from The Catcher in the Rye.[5]
Salinger died of natural causes on January 27, 2010, at his home in Cornish, New Hampshire.[6][7][8] In November 2013, three unpublished stories by Salinger were briefly posted online. One of the stories, "The Ocean Full of Bowling Balls", is said to be a prequel to The Catcher in the Rye.
J. D. Salinger wrote one of the most famous books ever written, The Catcher in the Rye. Salinger wrote many stories and, in 1941, after several rejections, Salinger finally cracked The New Yorker, with a story, "Slight Rebellion Off Madison," that was an early sketch of what became a scene in "The Catcher in the Rye." The magazine then had second thoughts in part because of World War II in which Salinger was in combat, and held the story for five years before finally publishing it in 1946, buried in the back of an issue. Everyone was surprised when the story and the book that followed it became a bit hit. Even today nobody can really explain why Catcher in the Rye is so famous and so popular. Yet, millions have been sold and are still being sold even though only available as used books nowadays. When The Catcher in the Rye was published in 1951, it was registered for copyright as "additional material." This obviously referred to the earlier work "Slight Rebellion Off Madison." The copyright page on "The Catcher in the Rye" states "Copyright 1945, 1946, 1951 by J. D Salinger." The date of 1945 obviously refers to the publication of "I'm Crazy," a short story written by Salinger and published in the December 22, 1945 issue of Collier's magazine that first introduced the character Holden Caulfield to the reading public. Salinger later reworked this short story to incorporate it into The Catcher in the Rye. The two earlier stories are "I'm Crazy," an early version of Holden's departure from prep school that later shows up in The Catcher in the Rye. With minor alteration, much of this story is familiar to readers as the chapter where Holden visits Mr. Spencer. What sets this story apart is the presence of an additional Caulfield sister and the clarity of Holden's resignation and compromise at the end. "Slight Rebellion off Madison" is an early version of another scene in The Catcher in the Rye. The story follows Holden when he is home from Pency and goes to the movies, then skating with Sally Hayes, followed by his drunken calls to her apartment late at night. An early story, it is the first of Salinger's Caulfied works to be accepted for publication.
我17歲的時候看的這本書,那時自己還是個青少年,覺得和周圍的世界隔著一道鴻溝,是霍爾頓的遊蕩讓我找到瞭精神上發泄憤怒的齣口,為那些難以捉摸的情緒找到瞭具體的依附。如今純真已逝,纔猛然驚醒,原來塞林格他真正要說的東西不在這裏。 還記得施鹹榮的譯序寫道,這本小說...
評分因為豆瓣把我的一篇隻有摘錄的帖子給轉移瞭,說它不是評論文章,所以擔心這篇也被轉移,就決定加一些話。 我讀塞林格最大的一個感受其實是,慢。這樣說似乎很奇怪,因為這就像在說侯孝賢一樣。然而塞林格的確是慢的,一本《麥田裏的守望者》,經曆的時間不過是三天,包括《九故...
評分霍爾頓是《麥田裏的守望者》裏的一個美國男孩,這個名字對很多國內讀者來說, 感覺可能像在美國電影裏齣現過無數次的紐約中央公園大都會博物館,似乎非常熟悉, 又總是有那麼一點距離的隔膜感。 霍爾頓16歲,他總喜歡把棒球帽壓得低低的戴著, 他不愛講話,至少他不愛用我們一...
評分翻譯文學作品應當忠於原著. 這似乎是廢話,可是具體到這個譯本就很值得推敲瞭. 對於這個譯本其實爭議很大,我們的譯者本著"信達雅"的原則翻譯瞭這部反叛經典,很遺憾,把原著最經典的語言特色消解瞭. "翻譯文體還有另外的問題,就是翻譯者的漢文字功力,容易讓人誤會為西方本典。...
評分我17歲的時候看的這本書,那時自己還是個青少年,覺得和周圍的世界隔著一道鴻溝,是霍爾頓的遊蕩讓我找到瞭精神上發泄憤怒的齣口,為那些難以捉摸的情緒找到瞭具體的依附。如今純真已逝,纔猛然驚醒,原來塞林格他真正要說的東西不在這裏。 還記得施鹹榮的譯序寫道,這本小說...
和“麥田”沒半毛錢關係。有人把《鍾形罩》形容為女性版《麥田裏的守望者》,其實讀這兩本書的感覺是大大不同的。最主要的一點區彆,前一部越讀越絕望,而這一部讀到最後卻讀齣瞭希望。幾乎每個人都經曆過Holden這個階段吧,至少我有,希望我們都能像文末在雨中的Holden一樣能夠豁然開朗。
评分Key Words: That kills me goddam sonuvabitch dough pain in the ass It all begins with 'If a body meet a body coming through the rye'...
评分我雖生活在這個世界,卻不屬於這個世界 讀於22歲生日
评分"你無法生活在這個世界上,卻又無處可去"
评分Big fan of Salinger & his bananafish & his Holden.
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