During the 1990s illegally imported compact discs, known as dakou CDs, flooded into China, opening up the music world to Chinese youth and inspiring them to experiment with new sounds and new lifestyles. Quickly, dakou became the label for a new generation of Chinese, a vibrant generation no longer tied to the Maoist past. Based on fifteen years of fieldwork in Beijing, Shanghai, and Hong Kong, China with a Cut surveys the music that emerged in 1990s China and makes a case for its involvement in the rise of China as a cultural and economic global power.
具體描述
讀後感
用戶評價
觀點有點oldschool啦，不過某些洞察還是很有道理的。
评分匆匆掃瞭遍，內容很初級無新意，大量訪談。對東西方dichotomy的態度倒是和藝術史老師講得很像（但這點也是匆匆帶過）
评分沒有怎麼解讀打口。前兩章按照流派來的，硬核、民謠要拉兩邊。再來兩章是套路，沒啥意思。
评分似乎什麼都談到瞭，但又沒談齣什麼，且無趣… 最有價值的可能是90年代中期那波搖滾樂手的訪談材料；天鵝絨監獄，不錯的隱喻
评分通過一學期文獻轟炸讀起有感覺多瞭！可考慮翻譯
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