Carlos Rojas is Associate Professor of Chinese Cultural Studies, Women’s Studies, and Arts of the Moving Image at Duke University.
Carlos Rojas presents a sweeping survey of the historical and political significance of one of the world's most recognizable monuments. Although the splendor of the Great Wall has become virtually synonymous with its vast size, the structure's conceptual coherence is actually grounded on the tenuous and ephemeral stories we tell about it. These stories give life to the Wall and help secure its hold on our collective imagination, while at the same time permitting it to constantly reinvent itself in accordance with the needs of each new era. Through an examination of allusions to the Wall in an eclectic array of texts - ranging from official dynastic histories, elite poetry, and popular folktales, to contemporary tourist testimonials, children's songs, and avant-garde performance art - this study maps out a provocative new framework for understanding the structure's function and significance. This volume approaches the Wall through the stories we tell and contends that it is precisely in this cultural history that we may find the Wall's true meaning, together with the secret of its greatness.
討論關於長城的文化神話,總的來說是把長城具有的unity和historical continuity作為不斷重新整閤的結果。具體case study有曆時性地討論一些著名的長城故事是如何逐漸變化成型的(比如孟薑女的故事),也有分析現代以來長城如何被徵用以投射不同的觀點。看得齣來巫鴻在紀念碑性那本書中關於“長安的形象”一章對本書的影響。
评分很多可以再擴展一下。講現代那章應該加上瞿鞦白對'萬裏長城'的各種挪用。
评分很多可以再擴展一下。講現代那章應該加上瞿鞦白對'萬裏長城'的各種挪用。
评分討論關於長城的文化神話,總的來說是把長城具有的unity和historical continuity作為不斷重新整閤的結果。具體case study有曆時性地討論一些著名的長城故事是如何逐漸變化成型的(比如孟薑女的故事),也有分析現代以來長城如何被徵用以投射不同的觀點。看得齣來巫鴻在紀念碑性那本書中關於“長安的形象”一章對本書的影響。
评分討論關於長城的文化神話,總的來說是把長城具有的unity和historical continuity作為不斷重新整閤的結果。具體case study有曆時性地討論一些著名的長城故事是如何逐漸變化成型的(比如孟薑女的故事),也有分析現代以來長城如何被徵用以投射不同的觀點。看得齣來巫鴻在紀念碑性那本書中關於“長安的形象”一章對本書的影響。
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