具体描述
The inspirational tale of eight women who defied the confines of life in revolutionary Iran through the joy and power of literature. 'That room for all of us, became a place of transgression. What a wonderland it was! Sitting around the large coffee table covered with bouquets of flowers ! We were, to borrow from Nabokov, to experience how the ordinary pebble of ordinary life could be transformed into a jewel through the magic eye of fiction.' For two years before she left Iran in 1997, Azar Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. Shy and uncomfortable at first, they soon began to open up and speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading -- 'Pride and Prejudice', 'Washington Square', 'Daisy Miller' and 'Lolita' -- their Lolita, as they imagined her in Tehran. Nafisi's account flashes back to the early days of the revolution when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. Azar Nafisi's luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women's lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice.
作者简介
阿扎尔•纳菲西（Azar Nafisi）
伊朗裔美国女作家、学者、评论家。
1955年生于伊朗，13岁赴海外留学，26岁时获得美国俄克拉荷马州立大学文学博士学位。后归国任教于德黑兰大学等三所高校，但因在女性的穿着与行为等问题上与校方产生严重分歧而被辞退。1997年纳菲西返回美国，以访问学者的身份就职于约翰•霍普金斯大学。
除此书以外，纳菲西还在《纽约时报》、《华盛顿邮报》、《华尔街日报》等主流媒体上发表文化批评专栏，如今已成为美国炙手可热的评论家。
目录信息
读后感
“女警卫拿了张卫生纸，要我把脸上涂的那些乱七八糟的东西擦干净。 我说我什么也没涂，她就自己拿着卫生纸擦。由于结果令她不满意，因为我真的没化妆，她就更用力擦，擦到整层皮都快被她磨下来了……” 20世纪80年代，伊朗的大学教授阿扎尔·纳菲西正经历着这样荒谬的“...
评分http://www.douban.com/event/25777973/discussion/612935358/ 根据活动录音整理而成，已经校对，有些许次序的调换和语句的修改。 我的部分，基本是自己做的整理。 张阅：请问在座的各位，有没有在伊斯兰地区的朋友？那么日本朋友或者台湾朋友呢？ 有的吧...
评分澎湃新闻：为什么会写下《在德黑兰读洛丽塔》？ 纳菲西：与其说是作家选择了写作主题，不如说是这些主题选择了作家。我的某个经历、想法或某种情绪会牢牢抓住我，萦绕心间。我常常夜不能寐地思考这些，然后很快就想从各个角度调查并研究它，这是我开始创作的原因。住在伊朗的...
评分说起读这本书的由来，还得追溯到2017年6月的一个凌晨。那晚，偶然刷到南航旅游节活动，点进去刷着刷着，突然停在了“伊朗”二字。此前从未想过要去那里旅行。也许是介绍页面中的配图和文字吸引了我，也许是那晚大脑疲了，思维也迟钝了，亦或是因为曾经参加过的一个孤独星球中东...
评分刊《经济观察报》 由于众所周知的原因，北朝鲜的一举一动都被世人所关注着。这里所说的“众所周知的原因”，当然包括这个国度里充满了各种的禁忌。禁忌产生好奇，让世人对了解北朝鲜的心理更加强烈。前几年，报告文学作家叶永烈先生深入北朝鲜之后，出版了《真实...
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