Minimalism

出版者:Phaidon Press

作者:James Meyer

页数:204

出版时间:2010-5-22

价格:GBP 14.95

装帧:Paperback

isbn号码:9780714856537

图书标签:Minimalism极简主义Phaidon英语艺术音乐英文艺术史书单

Minimalism comprises one of the key movements in post-war art. The term 'minimalism' was coined to describe the work of a group of American artists who, in the 1960s, produced a decidedly unexpressionistic, reductive work with a hard industrial feel. While numerous minimalist painters exist, among them Robert Ryman, Robert Mangold and Brice Marden, most of the key Minimalists - Andre, Flavin, Judd, LeWitt and Morris - produced sculptures or, as some put it, 'specific objects' or 'objects in a world of objects'. Although none of the artists actually accepted the term 'Minimalism', their common use of serial, modular or repeating forms (from Carl Andre's floor sculptures of readymade bricks or Judd's stacked boxes) as well as the abstraction and industrial production of the work, drew these artists' work together. As opposed to the vulgar and populist Pop Art, Minimalism, like conceptualism, considered itself 'high art'. These artists' aim was to create an art that was non-hierarchical (no single part of the work takes precedence over any other) and thus entirely democratic. With direct access to many of the artists' archives, this book is the most comprehensive and definitive sourcebook on Minimalism available. Survey: critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence. Works: this title provides an extensive colour plate section with extended captions for every artwork. The excellent selection of images illustrates the surprising variety of work, and also relates it to other artists such as Eva Hesse and Robert Smithson.

用户评价

极简主义绝对是强迫症的最爱

纯粹当图册看了，感觉Minimalism 的作品一定要有一个“场”来把能量传递出去，这个“场”可以是一件系列作品的阵列，也可以是一种在比较大的空间里的“占据”。如果没有这个“场”的话，单单抽离出来就显得比较没那么有感染力了。

作为极简主义的基本入门和了解再好不过。

Mumok: Malerei mit Kalkül

作为极简主义的基本入门和了解再好不过。