Howard L. Goodman, Ph.D. Princeton University is editor of Asia Major (Academia Sinica, Taiwan). His focus is Chinese intellectual culture, 170-300 AD. His publications include Ts’ao P’i Transcendent (1998), “Sites of Recognition” (Early Medieval China, 2009), “Chinese Polymaths” (Asia Major, 2005).
This biography of the court scholar Xun Xu explores central areas of intellectual life in third-century China — court lyrics, music, metrology, pitch systems, archeology, and historiography. It clarifies the relevant source texts in order to reveal fierce debates. Besides solving technical puzzles about the material details of court rites, the book unfolds factional struggles that developed into scholarly ones. Xun’s opponents were major figures like Zhang Hua and Zhi Yu. Xun Xu’s overall approach to antiquity and the derivation of truth made appeals to an idealized Zhou for authority. Ultimately, Xun’s precision and methods cost him both reputation and court status. The events mark a turning point in which ideals were moving away from such court constructs toward a relatively more philosophical antiquarianism and towards new terms and genres of self-expression.
對音律的討論比較深入。但是否過度以後來人們想象的court faction來投射到三世紀?
评分對音律的討論比較深入。但是否過度以後來人們想象的court faction來投射到三世紀?
评分有幾處嚴重的史實錯誤。以及作者的腦洞足夠大……雖然有些cp發糖我很喜歡
评分a bit too diluted as a book... but the topic is an important one
评分對音律的討論比較深入。但是否過度以後來人們想象的court faction來投射到三世紀?
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