具体描述
The Hasselblad award is an international photography award. Since 1980 it has been presented annually, with the exception of the year of Erna Hasselblad’s death, 1983. The Hasselblad Foundation International Award in Photography is recognized as one of the most important prizes in the world today. The Hasselblad award is granted to “a photographer recognized for major achievements”. This may be an individual who has made a pioneering achievement in photography, who has had a decisive impact on younger generations of photographers, or who has implemented one or more internationally significant photographic projects.
French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The award will be presented to Sophie Calle on Saturday 30 October 2010 at a ceremony at the Göteborg City Theatre. In conjunction with the award ceremony, an exhibition of works by the award winner opens at the Hasselblad Center, and a book is released. This year, as last three years, a book will be produced as a co-operation between the Hasselblad Foundation and Steidl Verlag. The book contains Sophie Calle’s series True Stories, which captures important events of her life.
The Foundation’s citation regarding the decision to award the 2010 prize to Sophie Calle is as follows: “For more than three decades, Sophie Calle has been questioning and challenging the relationship between text and photography, private and public personae, truth and fiction, in a groundbreaking, utterly original way. Her conceptually oriented work depicts human vulnerability and examines the interrelationship between identity and intimacy as well as the construction of official history. It evokes narrative, affect and emotion in ways that at the same time touch the viewer deeply and makes her reflect on the possibilities as well as limits of photography. Her contribution to the understanding of the medium of photography has inspired younger generations of artists.”
This year’s award committee, which submitted its proposal to the Foundation’s board of directors, consisted of: Claude W. Sui (chair), Curator and Head of the Forum of International Photography of the Reiss-Engelhorn Museums, Mannheim, Germany, Ariella Azoulay, Teaching Contemporary Philosophy and Visual Culture, Hermeneutics and Cultural Studies Program, Bar Ilan University, Ramat Gan, Israel, Vladimir Birgus, Curator, Historian of Photography, Professor and Head of the Institute of Creative Photography of the Silesian University in Opava, Prague, Czech Republic, Sergio Mah, Professor at University Nova of Lisbon, Portugal and the current Artistic Director of Photoespaña, Mette Sandbye, Associate Professor at Copenhagen University (Department of Art and Cultural Studies), Art Critic at Weekendavisen, Denmark
作者简介
Sophie Calle (born 1953) is a French writer, photographer, installation artist, and conceptual artist. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. Her work frequently depicts human vulnerability, and examines identity and intimacy. She is recognized for her detective-like ability to follow strangers and investigate their private lives. Her photographic work often includes panels of text of her own writing.
Since 2005 Sophie Calle taught as a professor of film and photography at European Graduate School in Saas-Fee, Switzerland[1]. She has lectured at the University of California, San Diego in the Visual Arts Department. Exhibitions featuring the work of Sophie Calle took place at the Hermitage Museum in St. Petersburg, Russia, at Musée d'Art et d'Histoire du Judaïsme, Paris, at Paula Cooper Gallery, New York, USA, at the Palais des Beaux-Arts, Brussels, Belgium; Videobrasil, SESC Pompeia, São Paulo, Brazil; Museum of Modern Art of Bahia, Salvador, Brazil; Whitechapel Art Gallery, London, UK; and the De Pont Museum of Contemporary Art, Tilburg, The Netherlands.
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这本书给我的感觉是，它似乎是从泥土里生长出来的，带着一种粗粝而真实的气息。作者的文风非常接地气，没有矫揉造作的腔调，语言直白有力，如同乡间老者娓娓道来的陈年旧事，却蕴含着洞悉世事的智慧。我特别关注其中对于人际关系微妙变化的描写，那种由误解积累而成的隔阂，以及在关键时刻一点点良知的光芒，被刻画得入木三分。书中描绘的那些场景，虽然背景设定可能偏离我当前的生活环境，但其中流露出的情感——爱、失落、坚持、妥协——却是人类共通的体验。它让人想起那些我们曾经努力想忘记，却又无法真正释怀的往事。阅读过程中，我体验到一种强烈的“共情共鸣”，仿佛作者偷窥了我的内心世界，并将我自己的心事以另一种形式呈现出来。这本书的魅力就在于它的“去戏剧化”，它不刻意制造高潮，而是让生活本身成为最大的戏剧。它提醒我们，真正的英雄主义往往就潜藏在那些默默承受、坚持过好每一天的普通人身上。
评分说实话，这本书的阅读体验是充满“摩擦感”的，但我指的是那种令人兴奋的智力上的挑战。作者显然对某些专业领域的知识有着极其深入的研究，并且毫不吝啬地将其融入叙事之中，但绝不是炫技。他巧妙地将晦涩的概念，通过生动的比喻和恰到好处的对话，融入到故事的肌理里，使得原本可能枯燥的理论，变得触手可及。我好几次不得不停下来，上网查阅一些背景资料，以确保我对情节的理解没有偏差，这本身就说明了文本的丰富性。这本书的结构非常精巧，就像一个多维度的立体拼图，不同的章节看似独立，却在最后汇聚成一个宏大而令人震撼的图景。我尤其欣赏他对于“模糊性”的处理，他从不试图将所有的事情都归结为黑白分明的对错，而是将我们带入灰色地带，在那里，每一个选择都伴随着沉重的代价。这是一种成熟的叙事态度，它尊重读者的智力，相信读者有能力去处理复杂的情感和伦理困境。读完之后，感觉自己的知识边界被拓宽了，思维的韧性也得到了极大的锻炼。
评分这本书简直是一场思维的探险，作者以一种近乎诗意的笔触，带领我们穿梭于错综复杂的现实迷雾之中。我尤其欣赏他对于细节的捕捉能力，那些看似微不足道的日常片段，在他的笔下却被赋予了深刻的哲理意味。读到某些章节时，我甚至能闻到文字中散发出的那种陈旧纸张和淡淡墨水的味道，仿佛自己真的置身于那个故事发生的时空背景之中。叙事节奏的把控如同一个经验丰富的指挥家，时而舒缓，让人得以沉浸于人物的内心挣扎；时而骤然紧张，如同心跳漏了一拍。这不是那种追求情节反转的通俗小说，它更像是一面精心打磨的镜子，映照出我们自身在面对选择时的犹豫与挣扎。我花了很长时间去消化其中关于“时间”的论述，那种对流逝的敏锐感知，让我开始重新审视自己过去的一些决定。它没有提供简单的答案，而是抛出了更精妙、更引人深思的问题，迫使读者必须主动参与到意义的构建中去。那种阅读完后，仍然久久萦绕在脑海中，让人在夜深人静时忍不住回味咀嚼的感觉，是衡量一部优秀作品的重要标准，而这本书无疑做到了这一点，它成功地在我的精神世界里留下了一道持久的印记。
评分我必须承认，刚开始翻开这本书的时候，我带着一种近乎怀疑的态度。市面上同类型的作品太多了，大多是华丽辞藻堆砌的空洞叙事。然而，这本书的开篇，那种近乎冷峻的、近乎纪录片式的观察角度，立刻抓住了我的注意力。作者似乎有一种超能力，能够穿透人物的外在表象，直达其灵魂深处的困境。其中对于社会边缘群体的刻画，尤其令人动容。他没有用廉价的同情来博取读者的眼泪，而是用一种近乎冰冷的客观性，揭示了结构性困境的残酷真相。这种冷静的叙述，反而比任何激烈的控诉都更有力量。我特别喜欢他那种散文化的长句，语句复杂但逻辑清晰，充满了古典韵味，读起来需要集中全部的精力去跟上作者的思路，这对于习惯了碎片化阅读的现代人来说，算是一种挑战，但绝对是值得的。这本书的排版和字体选择也体现了出版方的用心，厚重感十足，拿在手里便知其分量。它不适合在通勤的嘈杂环境中快速浏览，它需要一个安静的角落，一杯热饮，以及完全不受打扰的心境，才能真正体会到其文字的重量与深度。
评分如果用一个词来形容这本书的阅读体验，那会是“回响”。它不是那种读完就扔掉的消遣读物，它更像是放置在房间中央的一口钟，每一次触动，都会在心灵深处产生悠长的回音。作者在叙事中穿插的那些古典文学的引述和哲学思辨，非但没有让故事显得沉闷，反而像是一种调味料，极大地提升了文本的层次感和深度。我尤其欣赏他对待“记忆”这个主题的处理方式，记忆并非一成不变的档案，而是在每一次提取时都被重新编辑和塑造的过程。这种对认知科学的微妙融入，使得故事充满了现代的张力。这本书的节奏变化非常具有音乐性，它会在你以为故事即将走向某个既定方向时，突然转入一个完全不同的旋律，让你措手不及，却又不得不承认，这是最真实的可能性。它挑战了我们对“真实”的固有认知，迫使我们审视那些我们习以为常的叙事框架。总而言之，这是一部需要反复品味，并且每次都会带来新发现的佳作，它真正配得上“值得反复阅读”这个评价。
评分看完第二本书之后，我觉得Calle是一个很作的女人，不作的话哪能造得出这么蜿蜒的计划，写得出这么动人的书。她一定是一个现实生活中不讨喜的女人。
评分当文学读还ok，故事短小有余韵，摄影完全像配图。
评分当文学读还ok，故事短小有余韵，摄影完全像配图。
评分当文学读还ok，故事短小有余韵，摄影完全像配图。
评分这本书于1994年首次以法语发行，读的是Actes Sud在2017年出的版本。一系列简短的自传文字和照片，部分是视觉回忆录，部分是对照片和物品的共鸣的沉思。诗意的，碎片的，幽默，严肃，残酷。 讲述自己的故事——童年，婚姻，性，死亡。 也许艺术家大多“神经质”，可能在现实生活中不被讨好。
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