Nam June Paik (1932-2006) was one of the most innovative artists of the twentieth century, whose influence is still felt in music, the visual arts, film and video. Born in South Korea, Paik began his career as a composer in Japan and in Germany, where he met Karlheinz Stockhausen and John Cage and collaborated with Joseph Beuys. Moving to New York in 1964, he formed relationships with a number of artists associated with the Fluxus group, particularly the cellist Charlotte Moorman, who became one of his closest collaborators. He continued to experiment in performance and video art, using manipulated televisions as elements in sculptural works, creating robot sculptures and installations. An international range of contributors trace the course of Paik's life and career, exploring his connections with key figures in the twentieth-century avant-garde, his theoretical writings and his lasting influence. Extensively illustrated, with extracts from interviews and reminiscences from many who were close to Paik during his lifetime, this will be the most thorough and illuminating exploration of Paik's legacy yet published.
具體描述
讀後感
用戶評價
這本書的不僅是迴顧作品也是對Nam June Paik藝術生涯的一個迴顧，他的早期生涯他的思維方式他的作品他的同時期藝術傢朋友。裏麵有兩個對話很有意思，一個是他侄女說Nam June Paik幾乎不看電影不看電視，第二個是他說以後錄像裝置藝術在互聯網時代會有很大的發展。
评分之前JOHN CAGE的資料搜集竟然意外的在這本書産生關聯。但當時沒有看到白南準與他的關係，也算是搜集的不閤格瞭。
评分這本書的不僅是迴顧作品也是對Nam June Paik藝術生涯的一個迴顧，他的早期生涯他的思維方式他的作品他的同時期藝術傢朋友。裏麵有兩個對話很有意思，一個是他侄女說Nam June Paik幾乎不看電影不看電視，第二個是他說以後錄像裝置藝術在互聯網時代會有很大的發展。
评分很好的排版，很詳實的文字
评分之前JOHN CAGE的資料搜集竟然意外的在這本書産生關聯。但當時沒有看到白南準與他的關係，也算是搜集的不閤格瞭。
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