皮特·恩格倫（Peter Englund）

1957年生於瑞典布登。作傢、曆史學傢、烏普薩拉大學教授，作品被譯成15種語言傳播在世界各地。2002年，入選瑞典學院（頒發諾貝爾文學奬的機構）院士，2009年至2015年5月31日，擔任瑞典學院常任秘書。他曾經長期在巴爾乾地 區、阿富汗、伊朗從事戰地記者工作——他不是在書齋，而是在戰地獲得瞭更真實的戰爭體驗——他針對波爾塔瓦會戰所寫的突破性著作單在瑞典就售齣超過25萬冊。他善於以個體的感受、情緒體現戰爭的復雜性，被稱為“當代講述戰術、殺戮、戰爭心理至為傑齣的一位作傢”“高超的說書人”。

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陳信宏 譯

颱灣大學外國語文學係畢業。曾獲梁實鞦文學奬等多個翻譯奬項，目前為專職譯者。譯有《好思辨的印度人》《機場裏的小旅行》《宗教的慰藉》《1661，決戰熱蘭遮：中國對西方的第一次勝利》等。

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萬 之 校

1952年生於江蘇常熟，祖籍湖南湘潭。本名陳邁平，筆名為萬之。為長期居住瑞典的中文作傢、文學編輯和翻譯傢。曾擔任《今天》文學雜聲編輯。著有小說集《十三歲的足球》、文學評論集《諾貝爾文學奬傳奇》及譯著《阿尼阿拉號》《航空信》等。2015年，獲瑞典學院翻譯奬。

In this masterly, highly original narrative history, Peter Englund takes a revelatory new approach to the history of World War I, magnifying its least examined, most stirring component: the experiences of the average man and woman—not only the tragedy and horror but also the absurdity and even, at times, the beauty.

The twenty people from whose journals and letters Englund draws are from Belgium, Denmark, and France; Great Britain, Germany, and the Austro-Hungarian Empire; Italy, Australia, and New Zealand; Russia, Venezuela, and the United States. There is a young man in the British army infantry who had been considering emigrating until the war offered him its “grand promise of change” and a middle-aged French civil servant, a socialist and writer whose “faith simply crumbled” at the outbreak of war. There is a twelve-year-old German girl thrilled with the news of the army’s victories because it means that she and her classmates are allowed to shout and scream at school. There is an American woman married to a Polish aristocrat, living a life of quiet luxury when the war begins but who will be moved, ultimately, to declare: Looking Death in the eyes, one loses the fear of Him. From field surgeon to nurse to fighter pilot, some are on the Western Front, others in the Balkans, East Africa, Mesopotamia. Two will die, one will never hear a shot fired; some will become prisoners of war, others will be celebrated as heroes. But despite their various war-time occupations and fates, genders and nationalities, they will be united by their involvement—witting or otherwise—in The Great, and terrible, War.

A brilliant mosaic of perspectives that moves between the home front and the front lines, The Beauty and the Sorrow reconstructs the feelings, impressions, experiences, and shifting spirits of these twenty particular people, allowing them to speak not only for themselves but also for all those who were in some way shaped by the war, but whose voices have been forgotten, rejected, or simply remained unheard.