In a marvellous, thrilling re-creation of the world of Pride and Prejudice, P.D. James fuses her lifelong passion for the work of Jane Austen with her own great talent for writing crime fiction.
The year is 1803, and Darcy and Elizabeth have been married for six years. There are now two handsome, healthy sons in the Pemberley nursery, Elizabeth's beloved sister Jane and her husband, Bingley, live within seventeen miles, the ordered and secure life of Pemberley seems unassailable, and Elizabeth's happiness in her marriage is complete. But their peace is threatened and old sins and misunderstandings are rekindled on the eve of the annual autumn ball. The Darcys and their guests are preparing to retire for the night when a chaise appears, rocking down the path from Pemberley's wild woodland, and as it pulls up, Lydia Wickham, an uninvited guest, tumbles out, screaming that her husband has been murdered.
Death Comes to Pemberley is a powerful work of fiction, as rich in its compelling story, in its evocation of place, and its gripping psychological and emotional insight, as the very best of P. D. James. She brings us back masterfully and with delight to much-loved characters, illuminating the happy but threatened marriage of the Darcys with the excitement and suspense of a brilliantly crafted mystery.
Writing a sequel to so famous a classical literature work as Jane Austen’s Pride and Prejudice is not a task to be taken lightly with the writer’s reputation on the stake. Numerous attempts have been made but nothing great comes out of it. Therefore, it’...
评分Writing a sequel to so famous a classical literature work as Jane Austen’s Pride and Prejudice is not a task to be taken lightly with the writer’s reputation on the stake. Numerous attempts have been made but nothing great comes out of it. Therefore, it’...
评分Writing a sequel to so famous a classical literature work as Jane Austen’s Pride and Prejudice is not a task to be taken lightly with the writer’s reputation on the stake. Numerous attempts have been made but nothing great comes out of it. Therefore, it’...
评分Writing a sequel to so famous a classical literature work as Jane Austen’s Pride and Prejudice is not a task to be taken lightly with the writer’s reputation on the stake. Numerous attempts have been made but nothing great comes out of it. Therefore, it’...
评分Writing a sequel to so famous a classical literature work as Jane Austen’s Pride and Prejudice is not a task to be taken lightly with the writer’s reputation on the stake. Numerous attempts have been made but nothing great comes out of it. Therefore, it’...
奥斯汀笔下那份精巧的讽刺和对社会习俗的洞察力,在这部作品中得到了近乎完美的继承与延伸。我不得不承认,初翻开书页时,心中充满了对“续集”的复杂期待——既渴望重逢那些熟悉的人物,又害怕任何拙劣的模仿会玷污原作的纯粹。然而,作者(我指的是这本书的创作者,而非简·奥斯汀本人)展现出一种令人惊叹的细腻笔触,他们没有试图去模仿奥斯汀那种尖锐的、旁观者的讥诮,而是将叙事视角更深地沉浸于人物的内心世界。伊丽莎白·班内特,如今已是彭伯利的女主人,她的智慧和略带叛逆的火花,在婚姻的现实面前并未完全熄灭,而是转化成了一种更为沉稳、但也更具张力的内在力量。我们看到她如何处理家族间微妙的地位差异,如何平衡达西先生那份近乎刻板的责任感与她自身对自由思考的渴望。书中的冲突并非源于误解或傲慢的言语,而是扎根于那个时代女性在维护自我与履行社会角色之间的永恒拉锯。尤其是当涉及到家庭成员的婚事和财产问题时,那种看似平静水面下涌动的暗流,读起来让人屏息凝神,生怕任何一个不慎的举动就会引来无休止的流言蜚语。这种对“得体”与“真情”之间微妙平衡的描摹,比任何戏剧性的情节都要引人入胜,因为它触及了每一个渴望在既定框架内活出自我的人的内心深处。
评分这部作品的叙事节奏处理得极为高明,它没有采用传统侦探小说那种线性推进的紧张感,反而更像是一部精心打磨的室内剧,将所有的主要矛盾都聚焦在彭伯利那宏伟却又处处受限的社交空间内。当我读到关于庭院中那些看似无伤大雅的闲谈和眼神交锋时,我几乎能闻到壁炉里燃烧的木柴味和女主人擦拭家具时散发的柠檬油香。作者成功地构建了一种“高压锅”式的环境:所有人都在同一屋檐下,共享着同样的利益,却又被各自的抱负和恐惧所驱使。我尤其欣赏处理达西先生那几位远亲的方式。他们身上那种老派的、根深蒂固的阶级优越感,与达西夫妇的“新贵”身份形成了一种微妙的张力。这种张力并非体现在争吵上,而在于那些精心挑选的词汇、恰到好处的沉默以及对礼仪的刻意强调或忽略。每一次茶会,每一次舞会,都像是一场微型的战役,考验着伊丽莎白的应变能力。这让读者不得不去细品那些未说出口的话,去揣摩一个手势、一次不经意的咳嗽所蕴含的社交密码。这需要读者具备极高的专注力,因为任何一个被忽略的细节,都可能成为揭示人物真实意图的关键线索。
评分这部作品的文学对话部分,达到了令人赞叹的水准。它继承了那个时代特有的那种迂回、冗长却又充满智慧的辩论风格,但又注入了十九世纪末期那种更加直率的心理分析色彩。达西和伊丽莎白之间的交流,依然是全书的亮点,但这种交流已经褪去了初识时的试探与误解,转而成为一种对彼此思想深度的持续性挑战。他们讨论的不再仅仅是跳舞好坏或者谁该先开口说话,而是上升到了关于道德责任、社会阶层流动性以及个人自由的哲学层面。特别是当涉及家族荣誉受到威胁时,两人展现出惊人的一致性——他们捍卫的不是表面的光鲜,而是彼此建立起来的、基于相互理解的私人价值体系。有那么一两处场景,我甚至觉得作者捕捉到了奥斯汀作品中那种“心照不宣的默契”,那种不需要过多言语,仅凭一个眼神就能完成的复杂思想传递。这种成熟的爱情描写,远比热恋初期的激情更令人信服和感动。
评分我得说,对于一个习惯了快节奏、情节反转再反转的现代读者来说,这部小说的沉静或许需要一点适应。它更偏向于“状态的描绘”而非“事件的驱动”。如果期待的是一桩轰轰烈烈的丑闻或是一场说走就走的私奔,那么可能会感到有些意犹未尽。然而,它的魅力恰恰在于对“平稳生活中的细微侵蚀”的刻画。想象一下,你已经得到了你所渴望的一切——地位、财富、爱情——但真正的挑战是如何在“拥有”之后,去“维系”和“消化”这份拥有。书中某些章节花费大量篇幅描绘了账目、农事管理以及处理佃户纠纷的细节,这些看似枯燥的段落,实则构筑了彭伯利这座庄园稳固的基础,也反过来构成了人物行动的边界。伊丽莎白在这个过程中逐渐从一个充满理想主义的年轻女性,成长为一个必须为数百人的生计负责的管理者。这种身份的转变是缓慢而痛苦的,充满了妥协与智慧的运用。这使得角色不再是符号化的完美伴侣,而是血肉丰满的,在历史的重压下艰难前行的个体。
评分从整体氛围来看,这本书的色调是温暖而略带忧郁的,如同英格兰午后那多变的天气。它成功地避免了“皆大欢喜”的俗套,而是探索了幸福的复杂性。幸福不是终点,而是一个持续动态的过程,需要不断地修剪和维护,就像彭伯利的花园一样。作者巧妙地运用了环境描写来烘托人物的心境。例如,在紧张的家庭会议后,伊丽莎白选择到雾气弥漫的湖边散步,这不仅是身体上的抽离,更是对内心混乱的一种物理性投射。书中对乡间生活的描绘细致入微,农作物的周期、季节的变化,都与人物的喜怒哀乐紧密相连。这使得整个故事具有一种强烈的“地方感”和“时代感”,让人仿佛真的置身于那个年代的英国乡间。总而言之,这是一部献给真正热爱那段文学传统和复杂人性的读者的作品,它要求耐心,但回报以深刻的满足感。
评分Th title is much better than the content!
评分更偏向于是个同人小说吧,不太侦探,但描写还挺好的。
评分更偏向于是个同人小说吧,不太侦探,但描写还挺好的。
评分更偏向于是个同人小说吧,不太侦探,但描写还挺好的。
评分更偏向于是个同人小说吧,不太侦探,但描写还挺好的。
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