Miss Julie is Strindberg's masterpiece, written at the height of his powers as a dramatist. It treats sexuality and human struggle with a frank realism previously unknown in the theatre. This volume also includes Strindberg's Preface to the play. Helen Cooper's taut, contemporary stage version, which premiered in London in 1990 at the Greenwich Theatre, 'is fiercely faithful to the play's transfixing contradictions' (Independent) and 'marvellously brisk and demotic' (Time Out).
具体描述
读后感
Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
评分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
评分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
评分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
评分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
用户评价
a master-slave dialectic, sort of, only for 'educated people' the author thought of
评分跨时代的序言，受益匪浅
评分读2019
评分I went straight to the text at first, but it turned out that I might not be able to fully understand the play without the preface, which is considered as a manifesto of naturalism. Professor says it is unjust to call Strindberg a misogynist, but I do find a tinge of misogyny in this play.
评分斯特林堡很清楚自己要做的是什么，自序写得非常好。但剧本不知为何感觉进不去，可能是他太沉迷于人物的设定了，台词不够自然；也可能是独幕剧太紧凑，情节起伏太快。也许头脑“清醒”的人会过度关注自己看见的问题，反而是“迷迷糊糊”、“神叨叨”的写作显得更加生动
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