Miss Julie

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出版者:Methuen Drama
作者:August Strindberg
出品人:
页数:96
译者:Helen Cooper
出版时间:1992-8-10
价格:GBP 9.99
装帧:Paperback
isbn号码:9780413666109
丛书系列:
图书标签:
  • 戏剧 
  • Strindberg 
  • 瑞典 
  • drama 
  • 北欧 
  • 劇本 
  • tribe 
  • plays 
  •  
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Miss Julie is Strindberg's masterpiece, written at the height of his powers as a dramatist. It treats sexuality and human struggle with a frank realism previously unknown in the theatre. This volume also includes Strindberg's Preface to the play. Helen Cooper's taut, contemporary stage version, which premiered in London in 1990 at the Greenwich Theatre, 'is fiercely faithful to the play's transfixing contradictions' (Independent) and 'marvellously brisk and demotic' (Time Out).

具体描述

读后感

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Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

评分

Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...

用户评价

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自序格外好,对为何创作以及缘何如此创作的方方面面都有比较详细的阐述,很有启发。

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序比正文重要。看门人的狗和女主人的狗,对应女主与男仆的阶级关系;权势暂时颠倒,最终回归原有秩序;封闭空间内的角力,不那么自然主义(广义上仍是自然主义的,譬如强调遗传的因素),反而预告了像McDonagh一类的剧作风格。谈到私奔的时候,一些「现代性」的苗头若隐若现,如火车旅行、Julie暗示要做酒店的橱窗女郎、欧陆地理名称的罗列等等。

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I went straight to the text at first, but it turned out that I might not be able to fully understand the play without the preface, which is considered as a manifesto of naturalism. Professor says it is unjust to call Strindberg a misogynist, but I do find a tinge of misogyny in this play.

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