Miss Julie is Strindberg's masterpiece, written at the height of his powers as a dramatist. It treats sexuality and human struggle with a frank realism previously unknown in the theatre. This volume also includes Strindberg's Preface to the play. Helen Cooper's taut, contemporary stage version, which premiered in London in 1990 at the Greenwich Theatre, 'is fiercely faithful to the play's transfixing contradictions' (Independent) and 'marvellously brisk and demotic' (Time Out).
具體描述
讀後感
Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
評分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
評分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
評分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
評分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
用戶評價
a master-slave dialectic, sort of, only for 'educated people' the author thought of
评分I went straight to the text at first, but it turned out that I might not be able to fully understand the play without the preface, which is considered as a manifesto of naturalism. Professor says it is unjust to call Strindberg a misogynist, but I do find a tinge of misogyny in this play.
评分I went straight to the text at first, but it turned out that I might not be able to fully understand the play without the preface, which is considered as a manifesto of naturalism. Professor says it is unjust to call Strindberg a misogynist, but I do find a tinge of misogyny in this play.
评分I went straight to the text at first, but it turned out that I might not be able to fully understand the play without the preface, which is considered as a manifesto of naturalism. Professor says it is unjust to call Strindberg a misogynist, but I do find a tinge of misogyny in this play.
评分【閱讀時間:1.5小時】這裏的現實主義跟中國式的現實主義不同，感覺更像是把現實中的原型和人性給提取齣來，盡管是現實主義但是卻充滿瞭戲劇感、舞颱感。颱詞寫的很漂亮，字裏行間都是戲。這女人缺愛到瞭極緻啊。
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