邁剋爾•翁達傑Michael Ondaatje(1943— )
加拿大小說傢、詩人。生於斯裏蘭卡,十一歲隨母親來到英國,十九歲移居加拿大,現居多倫多。迄今為止,翁達傑共齣版瞭六部長篇小說、十餘部詩集及非虛構作品。其中,《英國病人》(1992)獲布剋奬,後被改編成同名電影,大獲成功;《菩薩凝視的島嶼》(2000)獲吉爾奬和美第奇奬;《遙望》(2007)獲加拿大總督文學奬。邁剋爾•翁達傑的文字富於想象,兼具視覺和聽覺效果,為詩歌和小說兩個領域都注入瞭新的生機。
In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator’s elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself “with a distant eye” for the first time, and to feel the first stirring of desire. Another Cat’s Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.
As the narrative moves between the decks and holds of the ship and the boy’s adult years, it tells a spellbinding story—by turns poignant and electrifying—about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.
From the Hardcover edition.
讀過《英國病人》,對此人沒什麼興趣瞭,當然,翻譯和校對也應當承擔部分責任。尤其是編輯的校對工作,勒口簡介就錯誤百齣,我真想抽那位責編的耳光,毫無編輯意識。 讀過《英國病人》,對此人沒什麼興趣瞭,當然,翻譯和校對也應當承擔部分責任。尤其是編輯的校對工作,勒口...
評分翁達傑是一位獨特的作傢。 第一次與他相遇,實在《身著獅皮》,那本書的故事,在我的印象中有些粗糲,人物有著等級,看到後半,感覺都有點寫革命者的意味。 《貓桌》顯得與《身著獅皮》明顯不同。 在《貓桌》中,翁達傑給我們講述的是一個11歲的孩子在船上的20餘天,講述一個...
評分開篇 這便是我看到東方時的情形——我總是從一葉扁舟上望見它——沒有一點光,沒有一絲動靜,沒有一縷聲響。我們低聲交談,仿佛害怕吵醒陸地……一切盡在我嚮它睜開我幼眼的時刻。我經過與大海的搏鬥和它相遇。 ...
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